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    Live Music Now

    These are the 6 best concerts in Houston of the week

    Johnston Farrow
    Johnston Farrow
    Sep 10, 2019 | 10:30 am

    The usually vibrant fall concert season hasn't even started, and already we have a couple of high-profile cancellations.

    First up, controversial South African rap group Die Antwoord postponed its September 25 appearance at Revention Music Center, following the release of a video that allegedly shows an assault on Hercules and Love Affair member Andy Butler.

    No word why the 2012 video is just surfacing now, but it led two major festivals — Louder than Life in Louisville, Kentucky, and Life is Beautiful in Las Vegas — to drop them from the bill. Now Die Antwoord's entire U.S. tour is postponed. It's a pretty shaky video, but come to your own conclusions.

    Second, revered indie act Beirut announced the cancellation of all 2019 shows due to lead singer Zach Condon coming down with acute laryngitis. This includes its November 22 show at White Oak Music Hall. Speedy recovery to Zach.

    The shows that are still on are some doozies. The bigger touring acts — with the exception of one — take a break and let the indie acts take center stage this week.

    Here are CultureMap's biggest, best and most notable shows of the week:

    CultureMap recommends: The National at White Oak Music Hall
    One of the most revered acts of the last 15 years returns to Houston for their first show in what seems like ages. The National has been a strong going concern since the mid-aughts starting with a string of excellent albums with 2005's Alligator, even having a song ("Fake Empire") used by the Obama campaign in 2012.

    In the last few years, the Brooklyn-based band has been elevated to festival headline status and reasonably so. Like Springsteen or Radiohead before them, The National traffic in serious rock music, capturing the anxiety of modern society set to an earnest and oftentimes beautiful soundtrack, delivered by a fantastic frontman in Matt Berninger. Expect an almost sold-out lawn at White Oak for this one as the group hits town to promote its latest, I Am Easy to Find.

    The National headlines the White Oak Music Hall lawn, located at 2915 N. Main St., on Wednesday, September 11. Alvvays opens. Tickets start at $52.50, plus fees. Gates open at 5:30 pm.

    Phantogram at WOMH
    Easily one of the better sets at the last edition of now defunct Day for Night Festival, upstate New York duo Phantogram return to a sold-out audience at White Oak this week. Starting off as modern version of trip-hop, Sarah Barthel and Josh Carter have since expanded its sound to be something much bigger, as evidenced on the uneven 2016 album, Three.

    But where it lacks in consistency, it makes up for in a huge live presence, fast becoming one of the most sought-after live shows in the alt-rock world. It doesn't hurt that the duo is friends with one-half of OutKast (see their side project Big Grams with Big Boi). This one might be worth the cost of a resale ticket as it appears the group is on the verge of releasing a new record.

    Phantogram is at White Oak Music Hall, located at 2915 N. Main St., on Thursday, September 12. Bob Moses opens. Tickets are sold out but a wait list is available. Doors open at 7 pm.

    Matthew Sweet at Heights Theater
    One of the leaders of the '90s power pop movement that gave way to acts like Weezer, Matthew Sweet has always been an underrated performer and a top-notch tunesmith. The Nebraska native made his name in the early-to-mid '90s, entrenching himself as an influential songwriter with 1991's Girlfriend (and it's fantastic anime video for its lead single).

    The follow-ups, Altered Beast and 100% Fun found a home on the more alternative corners of MTV, including the great song "Sick of Myself." He's spent recent years working with The Bangles' Susanna Hoffs and releasing great solo records, including 2018's Tomorrow's Daughter. His prolific release schedule should make for one helluva setlist.

    Matthew Sweet headlines Heights Theater, located at 339 W. 19th St., on Friday, September 13. Venessa Peters also opens. Tickets start at $22, plus fees. Doors open at 7 pm.

    Flying Lotus 3D at Warehouse Live
    We're not sure what's happening with this show, but we like the sounds of it. Cutting-edge, electronic hip-hop artist Flying Lotus, well known for thinking outside the box, is bringing his pioneering, award winning, 3D Live Technology to Houston.

    We'll let the concert description take it from here: "The aptly named 'Ghost Tile' or 3D LED augments Flying Lotus' live stage show with virtual worlds of pulsing color and texture that dance off the screen surrounding performers and flying over audiences heads." Sounds like a trip.

    Flying Lotus plays Warehouse Live, located at 813 Saint Emanuel St., on Friday, September 13. Brandon Coleman Spacetalker, Salami Rose Joe Louis, and PDBY open. Tickets start at $27.50, plus fees. Doors open at 8 pm.

    CultureMap show of the week: Lenny Kravitz at Smart Financial
    One of the coolest guys in music, Lenny Kravitz is back on the road with 2018's Raise Vibration. The son of actress Roxie Roker of The Jeffersons fame, the New York-raised musician became one of the most recognizable rock stars on the planet, thanks to the fantastic debut Let Love Rule and its follow-up, Mama Said.

    But it was 1993's, Are You Gonna Go My Way, and it's cannon shot of a lead single that really launched Kravitz into the stratosphere. While his output has been spotty since then, he's been more than capable of releasing decent radio singles and staying in the headlines. And while rock music doesn't get nearly as much play on radio, Kravitz always puts on a killer live show and is more than worth the price of admission.

    Lenny Kravitz goes the way of Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land on Sunday, September 15. Tickets start at $45, plus fees. The show starts at 7:30 pm.

    Whitney at Satellite Bar
    One of the fastest rising indie acts on the touring circuit, Chicago duo Whitney has been making waves on the festival circuit this summer with their feel-good vibes, incorporating pop, rock, and country sounds. Arising from the ashes of the much hyped Smith Westerns, Julien Ehrlich and Max Kakacek released the critically acclaimed Light Upon the Lake in 2016, which quickly earned them new fans around the world.

    The just-released Forever Turned Around might be even better and this feels like a band that will be playing much bigger venues in the next few years. They are also one of those rare bands in which the drummer is the lead vocalist, so like it or not, there are some serious Eagles vibes going on with this group.

    Whitney plays Satellite Bar, located at 6922 Harrisburg Blvd., on Sunday, September 15. Hand Habits open. Tickets start at $25, plus fees. Doors open at 6 pm.

    Matthew Sweet is at Heights Theater on Friday, September 13.

    Matthew_Sweet
      
    Evan_Carter
    Matthew Sweet is at Heights Theater on Friday, September 13.
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    Movie Review

    Ben Affleck cooks the books in chaotic sequel The Accountant 2

    Alex Bentley
    Apr 24, 2025 | 2:30 pm
    Jon Bernthal and Ben Affleck in The Accountant 2
    Photo by Warrick Page/Prime
    Jon Bernthal and Ben Affleck in The Accountant 2.

    In this Hollywood era of franchises, finding one to call their own is a priority for many movie stars. Over 30 years into his career, Ben Affleck had yet to find one; he did star as Batman in multiple movies, but that role has been interchangeable. He seemed to get a prime action hero role with 2016’s The Accountant, but somehow it’s taken nine years for The Accountant 2 to come out.

    Affleck’s character of Christian Wolff is a high-functioning autistic man whose abilities to comb through mounds of data quickly and efficiently are matched only by his fighting skills. When Ray King (J.K. Simmons), a former Treasury agent who had previously hunted Christian, is murdered, King’s replacement, Marybeth Medina (Cynthia Addai-Robinson), calls on Christian to help figure out what happened and track down his killer.

    The search quickly finds multiple criminal conspiracies, including a hitman ring, a scheme to abduct migrants, and more. Naturally, Wolff claims to need help in the endeavor, so his mercenary brother Braxton (Jon Bernthal) soon joins in on the quest. The two brothers work together to figure out the puzzle while also stopping to have some fun every now and then.

    Directed by Gavin O’Connor and written by Bill Dubuque (both returning from the original), the film feels like it is missing many connective scenes. It often starts down one road and seems to be making good progress when it suddenly veers into another storytelling lane with no explanation. This happens multiple times throughout the film, to the point that it becomes almost impossible to tell what the main story is supposed to be.

    In the first film, the oddity of having an autistic math genius also being a world-class marksman and fighter somehow made sense. This film leans much more into Christian’s physical skills, with the autistic side of things showing up in his (mostly) emotionless demeanor. While that works to a certain degree, the choppiness of the story undercuts the character traits that Affleck does his best to impart.

    The best examples of the messiness of the film come in the multiple scenes that serve as nothing more than comic relief, with not even an attempt at connecting them to the main plot, such as it is. Two of them involve Christian proving himself to be a ladies man despite his lack of conversational skills, both of which fall flat as they seem to be making fun of his autism rather than highlighting positive aspects of it. Each of the comic scenes is so disparate in tone from the rest of the film that they essentially bring the story to a screeching halt.

    Affleck is fine in the part, although he’s much better when Christian turns toward action hero mode than when he has to display the character’s autistic traits. Bernthal is great at being an over-the-top macho guy, and he gets to indulge that side of him throughout the film. Addai-Robinson is disserved by a role that doesn’t give her character any autonomy despite her high-powered position.

    Affleck’s career has been one of the most up-and-down ones of any supposed A-list actor, and The Accountant 2 marks another down moment for him. He may have finally gotten his first sequel for a film in which he’s the main character, but don’t expect there to be a third installment.

    ---

    The Accountant 2 opens in theaters on April 25.

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