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    Channeling Audrey Hepburn

    A prominent Houstonian is compared to Audrey Hepburn in a star-studded $650,000 gala

    Heather Staible
    Heather Staible
    Sep 7, 2013 | 2:57 pm

    The inaugural UNICEF Audrey Hepburn Society Ball celebrating the philanthropic work of Margaret Alkek Williams was an evening of memorable firsts. Not only was Williams honored with the first Audrey Hepburn Society Philanthropist of the Year Award, but UNICEF also established the Margaret Alkek Williams Humanitarian Award, to be given to future local philanthropic leaders.

    The preferred attire was white-tie and the glamorous crowd complied donning gala finery including opera-length gloves, full ball gowns and, in a nod to Audrey Hepburn, the modern bun was the hairstyle of choice.

    Williams’ dazzling emerald green couture gown came straight from a designer atelier in Rome, specially for the evening, which began in the Wortham Theater.

    Desperate Housewives and Dallas star Jesse Metcalfe served as emcee for the elegant event which included performances by the Houston Ballet, Houston Symphony and Houston Grand Opera, which presented an a capella version of "Moon River" from the Audrey Hepburn film Breakfast at Tiffany’s.

    “This is about helping children on a global level. If I can use my celebrity to make a difference, I will."

    Audrey Hepburn’s son, Sean Hepburn Ferrer, presented Williams with her award and his remarks likening Williams to his mother were a sincere and touching tribute.

    “My mother wanted to give back as a way to return the good fortune she had experienced. Like my mother, Margaret serves to remind us what people are capable of,” he said.

    For her part, Williams was quietly gracious, saying she was honored to continue the legacy of her family. Albert Alkek’s donation of $25 million to Baylor College of Medicine in the 1980s began the family’s dedication to charitable giving to medical institutions. It was fitting then that Williams’ $1 million donation to UNICEF supports the Baylor International Pediatrics AIDS Initiative and led to the creation of the UNICEF's Audrey Hepburn Society in the United States.

    The evening wasn’t all reserved gaiety though. After all, it is Houston, and when the operatic boy band Il Volo wowed the gala-goers with their three-song set, the well-heeled crowd rewarded them with cheers and a standing ovation. Before hopping a plane to Toronto, the teen trio went off script in a cute mix of English and Italian.

    “This is a real pleasure and important for Ms. Williams who has done so much,” Ignazio Boschetto said.

    Metcalfe also took a few liberties at the podium, at one point discussing Houston’s reputation as the energy capital, but noting the lack of energy in the room and then later saying how much Houstonians like to eat. He offered a mea culpa during dinner in Wortham Center Grand Foyer that followed the program in the theater.

    “Not to undercut Houston a second time,” Metcalfe said. “Houston is a great city and is a special place for me because my girlfriend’s family is from here . . . Houston has a giving heart.”

    Wrapped in Metcalfe’s tuxedo jacket, girlfriend Cara Santana said her parents are from Houston and being in town for the UNICEF gala was a bit of homecoming.

    Metcalfe is planning a UNICEF trip in April 2014 to either Africa or South America to continue the work of the organization.

    “This is about helping children on a global level. If I can use my celebrity to make a difference, I will,” Metcalfe said.

    The evening capped off with a five-sorbet birthday cake straight from the Candyland board game and choruses of “Happy Birthday” to Williams.

    Chaired by Donna and Robert Bruni, Molly and Jim Crownover, Rose and Harry Cullen Sr., Dr. Kelli Cohen Fein and Martin Fein, Nancy Calles and Dr. Mark Kline, Leela and Nat Krishnamurthy, Penny and Paul Loyd and Tara and David Wuthrich, the gala raised more than $650,000. Joanne King Herring served as honorary chair.

    Also making the glam scene were Lynn Wyatt on the arm of son Steve Wyatt, Diane Lokey Farb, Dikembe Mutombo, Pat Breen, Kimberly DeLape, Phoebe Tudor, Monsour Taghdisi, Mark Sullivan and an fun girl’s night out table comprised of Deborah Duncan, Alicia Smith, Ericka Bagwell, Ursaline Hamilton and Anne Carl.

    Christina and Mark Hanson at the UNICEF gala.

    272 UNICEF Houston gala September 2013 Christina Hanson and Mark Hanson
    Photo by © Gary Fountain
    Christina and Mark Hanson at the UNICEF gala.
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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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