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    best september theater

    13 best Houston plays and performances spotlight soaring sensations and delicious drama in September

    Tarra Gaines
    Sep 2, 2022 | 3:45 pm
    Alley Theatre presents Lend Me a Soprano
    The divas have their day in the world premeire, Lend Me a Soprano at the Alley Theatre.
    Photo by Lynn Lane

    The curtain officially rises on 2022-2023 performing arts season this month in Houston, and what a dramatic, comic and musical beginning it will be. With world premieres, soaring classics, timely dramas, and some major theatrical parties, September offers the perfect time to dive back into live, in-person performing arts.

    The Moonlit Princess at Rec Room (now through September 17)
    Though not part of their regular season, Rec Room is hosting this world premiere work conceived and directed by local multidisciplinary artist Afsaneh Aayani.

    Based on the Persian fairytale Mah Pishoon, this family-friendly production with music follows the story of Little Mah as she loses her parents, faces difficulties, all while choosing kindness and in the end finding herself. From magical ghouls to talking frogs, all the elements of fairytale classics will likely delight audiences of all ages.

    Peter Pan from Houston Ballet (September 9-18)
    We have to include this most theatrical of ballets and a dance spin on the classic tale of the boy who refused to grow up from acclaimed choreographer Trey McIntyre who had his own artistic growth spurt in Houston as a former Houston Ballet dancer and choreographic apprentice.

    Look for dance magic on the Wortham stages as the production features flying sequences, swashbuckling sword fights, giant puppets, and costumes inspired by punk fashion.

    Tied from On the Verge Theatre (September 15-October 2)
    The second production from Houston’s newest theater company will be a world premiere from Houston playwright Crystal Rae. Tied tells the spiritual journey of a father of one of the girls who died in the 1963 bombing of the 16th Street Baptist Church in Birmingham.

    On the Verge founders Bruce Lumpkin and Ron Jones plan to stage each show on a different stage or non-traditional location through its first season, with Tied scheduled to presented at Ensemble Theatre.

    Lend Me a Soprano at Alley Theatre (September 16-October 9)
    The first of six world premieres from the Alley this season, Ken Ludwig reworks his contemporary classic comedy Lend Me a Tenor for the 21st century with the divas getting their chance to go to war for the spotlight. Lucille Wiley, Manager of the Cleveland Grand Opera Company, tries to manage the chaos when world-class soprano Elena Firenzi arrives late for her one-night-only starring role in Carmen. Can Wiley’s underdog assistant Jo can save the day?

    Scrambled presented by Mildred’s Umbrella (September 16-18)
    In this one-woman show from Rotem Natchmany, the award-winning Israeli actress/playwright brings audiences along this one woman’s journey to conceive. Natchmany has performed this intimate depiction on international stages and to great acclaim at theater festivals around the world. Describes by critics as “unsettling” poetic and even a “fantasy cabaret,” the production also crowns quickly, so there’s only one weekend to catch it.

    Mapping & Glaciers from Karen Stokes Dance (September 16-25)
    With choreography/film/direction by local choreographer Karen Stokes, the show definitely leaps into our list of theatrical dance this month. Merging film, dance, and music, the production explores human concepts of territory and connection in a world of melting glaciers.

    While questioning the absurdity of human choices, the show also speaks to the resiliency of human nature and creates space for hope, for the possibility of connection and interconnection.

    Trouble in Mind at Main Street Theater (September 17-October 16)
    This partially forgotten, now acclaimed play by the groundbreaking novelist and playwright Alice Childress recently had its Broadway debut, over 65 years after it was originally scheduled to transfer.

    When theater producers in the 1950s asked Childress to tone down Trouble in Mind’s exploration of racism in the theater world, she held her artistic ground. Now MST will be the first Houston company to stage this comedy-drama that theaters across the country are embracing the play for the 21st century.

    Love and Southern D!scomfort at Ensemble Theatre (September 17-October 16)
    Directed by Ensemble artistic director Eileen J. Morris this new musical with soapy delicious drama of estranged family coming home for a matriarch’s funeral in a steamy and sultry town in rural Louisiana. As her heirs reunite and secrets are revealed, the show highlights how love and southern discomfort fuel dissension. Original contemporary music weave a tale of jealousy, joy, pain, and love.

    Ain’t Misbehavin’ from Theatre Under the Stars (September 20-October 2)
    Get ready for some Roaring ’20s as TUTS invites Houstonians to the ultimate Jazz-age party. The Tony-winning best musical from the late ’70s takes audiences back to the Harlem Renaissance and nights sizzling nights at the Cotton Club filled with the music of Fats Waller. Staged like a concert and nightclub experience, this musical is set to become the ultimate September party.

    Miss Maude at A.D. Players (September 21-October 23)
    This next season opener that’s also a world premiere is set to make the jump to Broadway sometime after its Houston run. Based on the real story of photographer and remarkable subject, playwright Martin Casella’s Miss Maude chronicles the relationship between LIFE Magazine photographer, W. Eugene Smith and South Carolina nurse and midwife, Maude Callen.

    Sheldon Epps, who served as TUTS artistic advisor for the 2016-2017 season and now is senior artistic advisor at Ford’s Theatre in Washington D.C, will direct the show.

    Good Vibrations from Houston Ballet (September 22-October 2)
    Peter Pan might have flown off to Neverland, but the Houston Ballet leaps back on the Wortham stage for its second production this month, a mixed-rep performance of three good vibing dances including the world premiere Good Vibrations from award-winning choreographer, Arthur Pita and set to a commissioned score by Christopher Austin, with references to The Beach Boys’ legendary “Good Vibrations.”

    Also on the program is Red Earth from Houston Ballet artistic director Stanton Welch which celebrates Australian artistry, transporting audiences to a world where adversity is expressed through movement. Also back is The Letter V originally created by choreographer superstar Mark Morris on Houston Ballet dancers in 2015, to the music of Joseph Haydn’s Symphony No. 88 in G Major.

    Or/And at Asia Society (September 23-24)
    Not exactly theater, but we’re definitely intrigued by this world premiere chamber operatic poem by Taiwanese-Houstonian composer Shih-Hui Chen about a composer who finds her voice only when she accepts the seeming contradictions of her immigrant identity.

    The chamber opera chronicles the journey struggling to write a piece of music inspired by two events half a world apart — a sacred ceremony of the indigenous Paiwan people of Taiwan and the Women’s March in Houston.

    Happy Days at Catastrophic Theatre (September 23-October 15)
    Catastrophic Theatre and Infernal Bridegroom Productions return to toast 30 years and 139 abstract theater productions. Fittingly, the company kicks off its 30th season with Samuel Beckett’s existential tragicomedy. The show centers on the plight of Winnie, a middle-class, middle-aged woman who is quite literally stuck, buried to her waist in crusted earth.

    Meanwhile, her husband Willie lives in a hole behind her mound, physically, and emotionally out of reach. Even in his company she is hopelessly alone. Winnie, who carries a shopping bag of everyday items and routines, a series of half-remembered stories, songs, and prayers, and confounding optimism, she presses through each day with an impossibly hopeful exclamation: “Oh this will be another happy day!” (Editor’s note: Quite the analogy for marriage, eh?)

    Tamarie Cooper plays Winnie and Jason Nodler directs, both reprising their roles from the Infernal Bridegroom production some 22 years ago.

    Vibe out with some Good Vibrations from the Houston Ballet.

    Houston Ballet Good Vibrations
    Houston Ballet Courtesy Photo
    Vibe out with some Good Vibrations from the Houston Ballet.
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    best november art

    Where to see art in Houston now: 10 shows and exhibits opening in November

    Tarra Gaines
    Nov 12, 2025 | 2:31 pm
    Meow Wolf presents Phenomenomaly
    Photo by Eric Scire/Atlas Media
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    Friends and family visiting Houston during the holiday season will find art openings that appeal to every taste. Classic art and history buffs can take time traveling journeys into ancient empires with two blockbuster exhibitions from the Houston Museum of Natural Science and Museum of Fine Arts, Houston.

    Younger generations with an interest in social media will find new immersive and interactive art that's perfect for sharing. For the adventurous wanting to see art in creation, consider taking a crawl through Warehouse District studios for art. Even busy travelers can see some of our best local artists with a special showcase at IAH.

    “Art and Life in Imperial Rome: Trajan and His Times” at Museum of Fine Arts, Houston (now through January 25)
    Featuring 160 objects of antiquity, including marble sculptures, frescoes, mosaics, delicate glass vessels, and bronze artifacts, the exhibition will transport visitors back in time to the Roman Empire during a flowering of art and architecture. The MFAH partnered with the Saint Louis Art Museum to organize the exhibition, which will showcase many pieces that have never been on view in the U.S.

    While Emperor Trajan might not be the most famous — or in some cases, most infamous — of the Roman emperors, he ruled between 98 and 117 C.E. during the empire’s height and was the second of the so-called “Five Good Emperors” of the Nerva-Antonine dynasty. During his reign, he granted citizenship and rights to some peoples from conquered lands. The exhibition will explore how this time period expanded what it meant to be a Roman and how art reflected Rome’s power and promoted the empire’s values and ideals.

    “Soledad Salamé: Camouflage” at Blaffer Art Museum (now through March 7)
    This exhibition showcasing the Chilean-born, Maryland-based multimedia artist focuses on Salamé’s work with environmental themes. Using aerial photos of the Atacama Desert in northern Chile, the site where millions of pounds of disposable textiles, often called “fast fashion,” are dumped and piled, Salamé then hand embroiders the photos with needle and thread, adding weighty details to these landscapes of immense fabric fields. For other pieces in the exhibition, Salamé gives new shape to humble dresses that the artist has fashioned from recycled cotton fabric. Throughout the exhibition, Salamé finds ways to marry art, research, and re-invention.

    “Sawyer Yards 2025 Showcase” at Bush IAH (now through July 31)
    Let local artwork lighten your wait and brighten your travels at Houston's busiest airport. Bush IAH received the 2023 Best Art in the Airport international recognition from Skytrax, a status it aims to maintain with a new selection of recent pieces by Sawyer Yard artists. The works on display in Terminal A represent 15 artists from each of the five studio buildings across the Sawyer Yards campus. The range of media, including drawing, painting, assemblage, and photography, highlights the diversity of Houston artists. The display will remain on view for one year and then be rotated with new selections from Sawyer artists. The exhibition is located in Terminal A, starting at Gate A7.

    “Mario Ayala: Seven Vans” at Contemporary Arts Museum (November 14-June 21, 2026)
    Though Ayala’s paintings have been showcased in museums across the globe, “Seven Vans” becomes the acclaimed contemporary artist’s first solo museum exhibition in the U.S. Known for his unique way of depicting life on the West Coast and especially California, this CAMH show will feature seven life-sized canvases painted as realistic portraits of the back of vans. The CAMH notes that word and concept of vans came into being as an evolution of caravans, making them also representations of commerce and both working and counterculture lifestyles.

    Influenced by the diverse artistic landscapes of his Californian home, from Mexican-American mural art to body tattooing to highway signage and car culture, Ayala’s paintings of the backs of vehicles become a kind of portrait of their owners. Each one portrays an individual personality. Without ever painting their faces, Ayala offers a vivid portrait of the people of his community.

    “Ayala’s impactful engagement with car culture encourages a fresh look at both vehicles and the spaces they occupy,” describes exhibition curator Patricia Restrepo, who makes the case that the show will have great resonance for Houstonians. “Seven Vans is designed to resemble a parking garage, with each vehicle frozen like a performer mid-scene. This eerie stillness may feel all too familiar in Houston, where more than a quarter of downtown is paved with parking lots and garages.”

    “Phenomenomaly” at Meow Wolf Houston's Radio Tave (November 15-January 4)
    Visual and performance art meet in the time and universe tripping dimensions of Meow Wolf’s Radio Tave, with live performances from Houston dancers, musicians, and storytellers every weekend. These live performances will help tell “Phenomenomaly,” an immersive, new sci-fi story about the mysterious Flickerwerms.

    Depending on the day or time, visitors will encounter different characters in this ongoing tale with the chance of spotting the story reaching its crescendo as Mama Flickerwerm emerges in a dazzling sequence of dance and performance. Some of the eclectic featured live performances in November and December will be from the contemporary Bollywood dance company, T2 Dance, Houston’s own poetry superstar, Outspoken Bean, the sizzling Hot City Brass Band, the beer loving opera divas and divos of Hopera, and the always vibrant Mariachi Oro de mi Tierra.

    “Pop Air – Art Is Inflatable” presented by The Balloon Museum (November 15-April 19)
    Already a hit in Dallas and Austin, the Balloon Museum will arrive in Houston with a different show than our neighbor cities. “Pop Art” features immersive air art from 14 international artists all creating work with themes about the power of play and human connections.

    Together, these large-scale installations will span more than 65,000 square feet, creating luminous spaces for visitors to interact with the art. From inflatable sculptures of humans, monsters, and geometric shapes to colorful virtual reality worlds to simulated cloud rooms to landscape installations that move thanks to the energy generated by biking power, “Pop Air” art really is inflatable, interactive, and very Instagramable.

    “World of the Terracotta Warriors: New Archaeological Discoveries in Shaanxi in the 21st Century” at Houston Museum of Natural Science (opens November 15)
    Ancient art marches into town to conquer our imagination once again with the return of the Terracotta Warriors. The HMNS has previously presented exhibitions of these burial sculptures depicting the armies of Emperor Qin Shi Huang, but this new show will also deliver over 100 newly unearthed artifacts to North America for the very first time.

    These latest archaeological discoveries tell the story of the people and culture that helped to give rise to the Qin dynasty. Included in the exhibition are jade pieces, gold ornaments, bronze vessels, and ceremonial horse fittings uncovered in the tombs of kings and noblemen, along with rare artifacts from the 4,000-year-old city of Shimao, China’s first walled city. The exhibition will include the Warriors in a variety of forms and roles including archers, kneeling figures, a high-ranking military official, and a even the figure of the emperor’s personal afterlife entertainer.

    “This exhibit presents the latest archaeological discoveries that rewrote history,” says Dr. Dirk Van Tuerenhout, curator of anthropology for HMNS. “China’s advanced civilization did not start where once thought it did. This is a story of over two millennia with kingdoms waxing and waning. It ends with the reign of Emperor Qin Shi Huang. His mausoleum still stands, undisturbed. His army and servants have awoken and await your visit.”

    "Back in Black” at Laura Rathe Fine Art (November 20-December 31)
    The group show represents a a new chapter for the Colquitt location of Laura Rathe Fine Art, reintroduced with a striking black façade to honor its legacy while embracing contemporary refinement. Featuring a curated selection of new works by LRFA artists, the exhibition celebrates individuality and collective vision alike. Each artist has spent months of dedicated work in the studio, refining their craft and creating pieces that reflect both personal evolution and shared purpose. Together, the art and the space tell a story of continuity, transformation, and the legacy of Laura Rathe Fine Art.

    “ArtCrawl Houston” throughout the Downtown Warehouse District (November 22)
    Take a pre-Thanksgiving crawl through some of the studios and artist spaces in the historic Warehouse District at the 33rd annual free event. Wander through open studios, exhibitions, and installations, all while catching pop-up performances in some of the spaces. Artists and visitors alike can expect a celebration of contemporary art in all its forms — abstract, figurative, digital, performance, and more — accompanied by food, music, and family-friendly programming.

    Meow Wolf presents Phenomenomaly
    Photo by Eric Scire/Atlas Media

    Meow Wolf presents Phenomenomaly.

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