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    The CultureMap Interview

    12-year-olds fire F-bombs and machine guns in controversial I Declare War

    Ryan Lakich
    Sep 1, 2013 | 1:29 pm
    12-year-olds fire F-bombs and machine guns in controversial I Declare War
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    Imagination can be the most powerful weapon, especially if you’re fighting a make-believe war. That is just one of the themes in the latest film released by Drafthouse Films, I Declare War, a film about a group of kids whose imaginary war creates some very real tension.

    I Declare War is showing at the Alamo Drafthouse Vintage Park (ages 18 and up; children 6 and up only with a parent guardian; no children under the age of 6) and is available for digital download and video on-demand. CultureMap sat down for a chat with screenwriter/director Jason Lapeyre; director Robert Wilson; and actor Gage Munroe, the young star who plays General PK.

    CultureMap: This film takes places outdoors and with a full cast of kids. Where did you guys film, and what was that experience like?

    "I’ve played similar games with friends and that’s how it goes," says actor Gage Munroe. "It’s the most authentic that it could be."

    Jason Lapeyre: It was a 21-day shoot — budgeted for 20 but it went for 21 — and we shot it at Provincial Park in Toronto where [director Robert Wilson] actually played war when he was that age, so it was a huge flashback for him.

    Robert Wilson: It was funny, because the location scouts and everybody knew a place from their childhood, and they brought us to that place and said, “Why don’t you look at this place. This is how I remember it.”

    CM: Gage, was this your first major film project?

    GM: I did a few films before this. I’m going on the record: I’m not doing that stage thing. I’ve never done, and I don’t know if I’ll ever do any stage productions. But, yeah, I’ve done a few films before I Declare War.

    JL: All of the actors in the film are professional actors with varying degrees of experience.

    CM: But it must have been a completely new experience for everyone involved to shoot a movie like this one.

    RW: When was the last time you saw a movie that was carried [for] 90 minutes by 12-year-olds? So it was new for us too, and for them.

    CM: All of the actors went through actual weapons training before the film, so what was that like?

    GM: I was actually at a cartoon recording that day, but they had a boot camp, and I had a very quick but thorough crash course with our stunt coordinator and our armorer. They were really good about catching me up on what I was doing, and I was thrown into it pretty quickly.

    I think we ended up being pretty comfortable, and I thought the battle scenes turned out really well.

    CM: What were the actors' parents' responses after reading the script? It’s pretty intense in many ways, both emotionally and physically.

    GM: I think all of the parents of the cast understood all of the themes and all of the language that were going into the movie were for the benefit of the film in trying to make it the most real and authentic film about kids playing war that they could.

    RW: It was non-exploitive.

    JL: Yeah, right from the beginning the parents understood that Rob and I weren’t doing this to exploit language and violence; it was all in the service of telling an emotionally accurate story.

    GM: We had pretty much experienced the themes in the movie already in life, so it’s not a stretch.

    JL: All of the actors would come up to us and say, “This has happened to me.”

    CM: Gage, when reading the script and shooting the movie, did the dialogue and scenes — written by an adult — ring true and make sense to a young person such as yourself?

    GM: It made a lot of sense to me. I mean these guys played war tons of times. I’ve played similar games with friends, and that’s how it goes. They’re not sugarcoating it because it would make it fake. It’s the most authentic that it could be.

    CM: The film really doesn’t hold back with language, which Robert has pointed out harkens back to films like The Goonies or Stand By Me, in which kids swore a lot.

    RW: Kids swear. I swore. Jason swears. Gage I’ve heard occasionally swears, although not so much in his real life.

    There was freedom in the language. There was a reality to reading that script and letting the actors role with that, to the point where we knew it was so real that we didn’t need to think about the consequences of ending up with an asset that was compromised because of 12-year-olds dropping F-bombs — with machine guns.

    CM: But as serious as the film’s subject can be, it still comes across as a fun experience during production.

    RW: A film always looks fun to make when it’s made.

    LJ: There is an underlying stress during the production of any film, but there are a lot of highlights every day, just because on the floor we could tell how great the performances were, and we were getting great stuff. At the end of every day there was a light of high-fiving going on, because we felt great about what we were doing.

    GM: I remember in the rough cut just after we shot it, and I remember seeing some of the scenes and some of the battle scenes, and that’s were it looked and I knew that it was working.

    I Declare War is about a group of kids whose make-believe war creates very real tension.

    I Declare War movie cast
    I Declare War Facebook
    I Declare War is about a group of kids whose make-believe war creates very real tension.
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    Concert News

    Music legend Sting flies into Houston on spring 2026 tour

    Alex Bentley
    Nov 3, 2025 | 11:30 am
    Dominic Miller, Sting, and Chris Maas
    Photo by Carter B. Smith
    Sting, joined by guitarist Dominic Miller and drummer Chris Maas, will play at The Cynthia Woods Mitchell Pavilion on May 13, 2026.

    The legendary singer Sting is expanding his current Sting 3.0 tour with a series of new dates in 2026, including a stop at The Cynthia Woods Mitchell Pavilion in The Woodlands on Wednesday, May 13.

    The tour, which is wrapping up its 2025 run with six more dates through November 23, will restart in Durant, Oklahoma on May 9.

    A three-city Texas trip will include Dallas on May 10 and Austin on May 12

    On the tour, Sting is accompanied by longtime guitarist and collaborator Dominic Miller and drummer Chris Maas (Mumford & Sons, Maggie Rogers), delivering an intimate concert experience, reinterpreting his most celebrated songs and deep cuts through the lens of a tight three-piece arrangement.

    The tour pulls from a career that includes Sting's 15 solo albums, most recently The Bridge in 2021. He recently released Sting 3.0 Live, a collection of his greatest hits.

    Of course, Sting first came to fame as the frontman/bassist and principal songwriter for The Police from 1978 to 1983, which released classic songs like "Every Breath You Take," "Roxanne," "Every Little Thing She Does is Magic," and more.

    Sting was recently sued by former Police bandmates Stewart Copeland and Andrew Summers over alleged "digital exploitation" of their shared catalog.

    Members of Sting’s Fan Club will have first access to tickets beginning on Tuesday, November 4 at sting.com, with additional presales throughout the week.

    The general on-sale will begin on Friday, November 7 at 10 am.

    “STING 3.0” 2026 NORTH AMERICA TOUR ITINERARY

    • Sat May 09 – Durant, OK – Choctaw Grand Theater
    • Sun May 10 – Irving, TX – The Pavilion at Toyota Music Factory
    • Tue May 12 – Austin, TX – Moody Amphitheater at Waterloo Park
    • Wed May 13 – Houston, TX – The Cynthia Woods Mitchell Pavilion presented by Huntsman
    • Fri May 15 – Atlanta, GA – Synovus Bank Amphitheater at Chastain Park
    • Sat May 16 – Savannah, GA – Enmarket Arena
    • Mon May 18 – Charlotte, NC – PNC Music Pavilion
    • Tue May 19 – Raleigh, NC – Red Hat Amphitheater
    • Thu May 21 – Vienna, VA – Wolf Trap
    • Fri May 22 – Vienna, VA – Wolf Trap
    • Sat May 23 – Vienna, VA – Wolf Trap
    • Mon May 25 – Richmond, VA – Allianz Amphitheater at Riverfront
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