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    Calendar Closeup

    Your weekly guide to Houston: Five (plus) don't-miss events — cosmic mixer included

    Joel Luks
    Aug 22, 2014 | 9:14 am

    On the agenda this week are the opening of a hyper local art exhibition, a film festival that explores architecture's relationship to the natural order, a community market and talent showcase, an artsy display of Houston prowess and a young professionals pity party for a has-been cosmic A-lister.

    Contemporary Arts Museum Houston opening reception: Right Here, Right Now: Houston

    The title of this hyper local exhibition says it all. Contemporary Arts Museum Houston director Bill Arning and curators Valerie Cassel Oliver and Dean Daderko chose to focus on the works of Debra Barrera, Nathaniel Donnett and Carrie Marie Schneider in an effort to bring attention to what's happening right here in Houston, artistically speaking, at the present moment in time.

    The skinny: Friday, 6:30-9 p.m.; Contemporary Arts Museum Houston; free event.

    Fourth Annual ArCH Film Festival "Architecture Meets Life"

    The three-day festival continues on Friday and Saturday with The Human Scale, a film that explores how spaces influence human interaction by looking at urban centers such as New York, Berlin and London; and Biophilic Design, a survey of how buildings should connect to nature.

    The skinny: Friday and Saturday, 7 p.m.; Architecture Center Houston; $10 per screening.

    Project Row Houses' Third Ward Community Market and Talent Showcase

    Project Row Houses is one of the most successful arts-centered experiments in which creativity acts as a catalyst for social change and community enrichment. Founder Rick Lowe's vision has surely been noticed: He was appointed by Mayor Annise Parker as one of the co-chairs to develop a cultural strategic plan to bolster local arts endeavors.

    You can get a taste of what this Third Ward destination is all about at this relatively new ongoing event. This showcase — a mixture of performances, visual art, installations and hands-on activities — spotlights emerging artists in a family-friendly display.

    The skinny: Saturday, 3-7 p.m.; Project Row Houses; free event.

    21st Annual TransCanada Theater District Open House

    Think of this affair that's held at the Hobby Center, Alley Theatre, Jones Hall, Wortham Theater Center and Bayou Music Center as an appetizer to the city's menu of delectable artsy offerings that contributes to the city's national standing as a desirable place to call home.

    Hands down the best prices on subscriptions and select single tickets to downtown's performing art presenters are available during Theater District Open House. Check out the day's activities here to plan your outing. How does a free tango lesson sound?

    The skinny: Sunday, noon-4 p.m.; Theater District; free event.

    Houston Museum of Natural Science's Mixers and Elixirs

    He was the smallest of the bunch, the little planet that couldn't. Although he enjoyed many years in the company of other official planets, eventually Pluto's true self was revealed: He was a dwarf planet and no longer belonged among the other cosmic A-listers.

    The theme for this month's Mixers and Elixiers young professionals brainy fete pays homage to the celestial body with music courtesy of the Space Rockers, drinks and grub from H-Town StrEATs, Coreanos and Golden Grill.

    The skinny: Sunday, 7-10 p.m.; Houston Museum of Natural Science: $20.

    Biophilic Design, screened as part of the ArCH Film Festival, is a survey of how buildings should connect to nature.

    Biophilic Design
      
    Courtesy photo
    Biophilic Design, screened as part of the ArCH Film Festival, is a survey of how buildings should connect to nature.
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    news/arts

    Salutations, Soon Youn

    Houston Ballet principal dancer announces retirement after 13 years

    Holly Beretto
    Jun 20, 2025 | 10:00 am
    ​Houston Ballet Principal Soo Youn Cho
    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.
    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

    Houston Ballet principal dancer Soon Youn Cho has announced her retirement, after 13 years with the company.

    For more than a decade, she has captivated audiences with her elegance, emotional authenticity, and technical brilliance. Audiences have seen her in roles such as Aurora in The Sleeping Beauty, Kitri in Don Quixote, Odette/Odile in Swan Lake, the Sugar Plum Fairy in The Nutcracker, and Suzuki in Madame Butterfly, among many others.

    Cho’s retirement follows a period of recovery from spinal surgery prompted by chronic back issues that intensified during and after her pregnancy.

    "This decision was not made lightly, but with a great deal of reflection and acceptance over the past year," said Cho. “Since I first began ballet at the age of four, it has been the greatest love of my life. Even through pain and injury, I felt joy and purpose in every moment. I gave my best to every step along the way, and I now leave the stage with a peaceful heart and deep gratitude.”

    Cho further said that even before becoming pregnant, she had been managing chronic back issues throughout her career.

    “With dedication, careful conditioning, and the unwavering support of those around me, I was able to continue dancing for many years,” she said. “Despite my best efforts to recover, I’ve come to the difficult realization that I won’t be able to return to dancing at the level I once did. With a heavy but full heart, I’ve decided to retire from the stage.”

    Born in Korea and trained there, as well as in Canada and Germany, Cho danced with Opera Leipzig Ballet in Leipzig, Germany and the Tulsa Ballet in Tulsa, Oklahoma, where she was promoted to principal in 2010. She joined the Houston Ballet in 2012 as a demi soloist. She quickly rose through the ranks, promoted to soloist in 2014, then first soloist in 2016. In 2018, she became the Houston Ballet’s first Korean principal.

    Upon achieving the designation, she said, “I feel like I have made an important mark in history, along with other great dancers, for my people in such a great company.”

    Cho’s roles onstage reflected her wide artistic range and commitment to storytelling through dance. Her Houston Ballet colleagues and audiences admire and praise the passion and sincerity she brought to every performance. One of those, Cho’s portrayal of Suzuki in Madame Butterfly, is especially close to her heart, not only for its emotional depth but for the lifelong friendship it sparked with fellow principal Yuriko Kajiya.

    “Becoming part of this Company and working alongside such extraordinary people has been one of the greatest blessings and privileges of my life. I close this chapter with a full heart and immense appreciation for the art, the audiences, and the people who made it all so meaningful.”

    Cho said that while she doesn’t yet know what will come next, she departs the company filled with gratitude.

    “Looking back, I feel nothing but gratitude,” she said. “Gratitude for the incredible colleagues and mentors I’ve shared the studio with. Gratitude for the audiences who supported us performance after performance. And gratitude for the art form itself — so demanding, so beautiful, and so deeply rewarding. I leave the stage with peace in my heart. Because I gave everything I had to this journey, I can move forward without regret.”

    \u200bHouston Ballet Principal Soo Youn Cho
      

    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.

    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

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