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    CultureMap Video

    Amazing video combines dance and water: Get drenched in euphoria with Quench summer show

    Joel Luks
    Aug 22, 2014 | 2:15 pm
    Amazing video combines dance and water: Get drenched in euphoria with Quench summer show
    play icon

    They were apprehensive at first but with a child-like desire for whimsical play. And who would blame them.

    It was the first time in an arduous schedule of rehearsals when FrenetiCore Dance Theater dancers had the opportunity to interact with the main element in the company's upcoming summer show, an element that they hadn't yet tried to incorporate into their practice — water.

    As imagined by founding artistic director Rebecca French, Quench, which runs from Friday through Aug. 30, draws its movement vocabulary from water, literally and metaphorically, in an effort to explore its importance as a source of life, symbology, myths, representations, expressions and the consequences of not taking care of this essential resource.

    "Quench is cleansing, a rebirth, a beautiful moment that we can all share together," French tells CultureMap in a video interview. "It's all about producing something that will leave every person who saw it changed, and every person who did it on stage also changed for the better."

    "It's all about producing something that will leave every person who saw it changed, and every person who did it on stage also changed for the better."

    Water sporadically spurts from perforated pipes that extend the length of the Frenetic Theater stage, making the rubbery floor a giant slip-and-slide in which some of the dance numbers unfold. Water is contained in two kiddie pools that render a mischievous ambiance that recalls the innocence of children at play. At times, the absence of water posits a message of caution.

    The evening-length work doesn't dwell on the scarcity that results in yearning, a pain that thirsts to be assuaged. Quench, French explains, is about not even knowing that something was missing. She brings into focus the euphoric culmination that comes from satiating this discovery through a seamless flow of choreographed numbers, film and storytelling.

    "The personality of Quench is one of exuberance, celebration and happiness," company member Adam Castaneda says. He sees Quench as capturing the ethereal quality of water in a beautiful milieu that incites audiences to muse on their own connections to the compound.

    While French found inspiration for this summer show in the cooling effects of water, the execution of these ideas was drawn from a collective think tank composed of members of the dance company.

    "The dancers are all artists — and that's not something every choreographer has the gift of working with," she says. "I've tried to create a space in which dancers can create on their own."

    French describes FrenetiCore Dance Theater members as savvy, smart, creative and interesting. They are aware of what feels and looks good in their bodies. She teaches her colleagues a phrase and allows them to develop her aesthetic into something richer and more meaningful, in essence, welcoming them into the process of creation.

    "What ends up coming out of that is way better than my voice on its own," French adds. "It's a beautiful chorus of voices, ideas and expressions."

    "For all of us who explore the arts as a passion, hobby or career, art is what we need to live."

    Dancer Taylor Martin draws a strong parallel between the vital role that water plays in sustaining ecosystems and the critical role that creative endeavors play in the lives of artists.

    "At the root of Quench is this idea that water is something that we need for life, from basic organisms to having sustainable societies and communities," Martin explains. "For all of us who explore the arts as a passion, hobby or career, art is what we need to live. Art is how we survive, and each of us have our own story to tell."

    This collaborative approach has been a key component in how FrenetiCore Dance Theater has blossomed into a company that balances relevant and sincere art making with accessible entertainment.

    "My goal is to bring people in and transform communities through dance," French says. "I want this show, and all shows, to be fun, enjoyable and entertaining while at the same time being thought provoking, cutting edge and pushing boundaries all the time to leave people moved and changed.

    "That what art has always done for me, and that's what I want to do for others."

    ___

    FrenetiCore Dance Theater presents Quench, with dance film and costumes by Ashley Horn, live musical accompaniment by Spike the Percussionist and lighting design by Frank Vela, from Friday through Aug. 30 at Frenetic Theater. Tickets start at $16 and can be purchased online or at the door.

    Water sporadically spurts from perforated pipes that extend the length of the Frenetic Theater stage.

    FrenetiCore presents Quench
    Photo by Joel Luks
    Water sporadically spurts from perforated pipes that extend the length of the Frenetic Theater stage.
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    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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