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    New Center of Dance opens next spring

    Even in tough times, Houston Ballet thinks big

    Cecil C. Conner
    Aug 22, 2010 | 11:00 am
    The sleek glass and black granite six-story building, located downtown with an overhead walkway to the Wortham Theater Center, will be the largest of its kind in the country, with nine studios and a black box dance lab.

    Now in the summer of 2010, in the sputtering recovery of the Great Recession 2008 with the stock market struggling to reach the level at which it was at in 2004, we are asked to reflect on the state of the arts in Houston. No one would be surprised to hear that the last three years have not been easy, nor do we expect the current and future years to be a breeze either.

    At Houston Ballet, we have seen that the income over the last three fiscal years (ending June 30, 2008, 2009 and 2010) has remained relatively constant, while costs of doing business continue to rise. This means we have had to find ways to provide the same quality of performances and services without increasing overall expenses.

    One unfortunate result has been a pay freeze for non-union employees for two years in a row. This has been a real burden on our employees. We have also found less expensive ways to produce the same high level of production and performance.

    Houston Ballet is building a new state of the art facility in downtown Houston, across the street from the Wortham Theater Center, to house the ballet’s rehearsal facilities, production and administrative offices, wardrobe shop, physical therapy department and a dormitory for upper level out-of-town students.

    In 2005 we began the strategic planning for a new facility to replace our current building on West Gray where we have been since 1984. This strategic plan was developed long before there was any hint of the looming economic crisis. We committed to buy the land in downtown early in 2007 and commenced a combined building and endowment fundraising campaign. In May of 2007 Houston Ballet sold its facility on West Gray and completed the purchase of the land for the new building.

    Fortunately, a number of the major commitments for the construction of the new building were made before the onslaught of the economic crisis, but fundraising became much more difficult in the fall of 2008 and 2009. However, the board commitment to move forward with this project was firm, and there was a deadline to move out of the facilities on West Gray. Houston has a tradition of moving forward in tough times, and the building of the Wortham Theater Center and the Menil Collection in the midst of the oil bust are prime examples of this attitude. Therefore construction of our new Center for Dance commenced on July 15, 2009. It is scheduled to open next spring.

    There have been benefits in moving forward with construction, especially in cost savings in steel and concrete prices which have been $3 million less than originally estimated. Also, this project has provided jobs to scores of construction personnel in the Houston area, with over 350,000 hours of employment being provided.

    Interestingly, two other ballet companies in the United States were faced with the issue of whether to move forward with new buildings. Kansas City Ballet began renovations in the fall of 2009 of the 1914 Union Station Power House to become their new home, the Todd Bolender Center. Pennsylvania Ballet in Philadelphia closed on a piece of property in the summer of 2007 to house their company and school but have postponed plans for their building because of the recession’s impact.

    Our view is that the arts scene in Houston will continue to be vibrant and vital to the economy of the city and to the quality of life.

    Cecil C. Conner is managing director of Houston Ballet

    The new Houston Ballet Center for Dance is expected to be completed in early spring.

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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