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    First taste of A'Bouzy

    Champagne-fueled opening night gets River Oaks hotspot off to sizzling start

    Eric Sandler
    Aug 3, 2017 | 2:16 pm

    Some restaurants open quietly. They turn on the open sign and people who live in the immediate area wander by to check the place out.

    A’Bouzy is not one of those restaurants. The new project from former Brasserie 19 general manager Shawn Virene made its debut Wednesday night with a packed house as future regulars and restaurant industry veterans flocked to greet the new arrival.

    The building makes a strong first impression. All traces of the ranch-inspired decor from the 60 Degrees Mastercrafted/Harwood Grill days has been obliterated in favor of a French-country theme with brick columns, blue-painted wooden floors, and classic wooden tables and chairs.

    Moving the entrance to the east side means the bar now occupies the space that once served as the private dining room. Virene built a cover for the restaurant’s expansive patio, which gave it some utility on Wednesday night despite the rain.

    Two design features dominate the dining room. A glassed-in raw bar displays both the day’s oysters (and the men shucking them) and a leg of Spanish ham (jamon iberico priced at $19 per ounce). To emphasize the restaurant’s champagne-oriented nature, hundreds of glass bubbles fill the ceiling.

    By 5 pm, the bar had begun to fill up, but the dining room wouldn’t really fill in for another hour or so. People worked the room, greeting friends at different tables. Customers hugged staff members in a gesture that seemed to say “I’m so glad you’re here.”

    We spotted a number of familiar faces in the crowd, including Erica Rose, Judge Alix Smoots-Thomas, Sara Leighton, Debbie and Rudy Festari, John Rinando, Magen Pastor, Chris Amez, and Sapna Patel Gupta and Arpan Gupta, who were celebrating her birthday. From the restaurant industry side, Shepard Ross and the Pucha brothers got a feel for what this fall’s opening of Maison Pucha Bistro might feel like as they dined at a center table. Isaac Johnson (Weights + Measures), Mary Clarkson (L’Olivier), Margie Krause (Brennan’s), and Shaun Sharma (Dirt Bar) also stopped by to check out the new arrival.

    Shouts of “A’Bouzy” could be heard each time a server opened a bottle of champagne. Virene has marked up his 250 sparklers at just one-and-a-quarter times his cost, which is below the standard retail markup, wine writer Jeremy Parzen notes. Why not get a bottle when Delamotte is only $44 (even cheaper than Veuve Clicquot “Yellow Label”) and Ruinart is $62?

    In addition to knocking down a couple of bottles of bubbles, three friends and I also sampled a few of the restaurant’s small plates. Our favorites included the tuna watermelon sashimi, which balances the watermelon’s sweetness with a salty pop from soy caviar, duck fat-fried pommes frites, and baked oysters topped with a lively mix of pesto, bacon, and parmesan. Steak tartare kept things classic with a quail egg and dijon mustard.

    We didn’t try the burrata, but its presentation with a bright red roasted tomato makes a strong impression as it moves through the dining room. While it’s hard to fault a kitchen on its first night, the braised meatballs in a lively tomatillo salsa would have benefitted from a hard sear to improve their texture.

    Looking around the dining room, it seemed as though most tables adopted the same approach. Order a few apps for the table to pair with a bottle of champagne and then split an entree or two (along with more wine); we opted for the lemon sole which arrived well-prepared with a firm texture and welcome accompaniments of parsnip puree and green beans.

    By 8:30 (we’d ordered a third bottle of wine), a younger crowd started to arrive. Lexus and Mercedes sedans got swapped out for black G-Wagons and a white Lamborghini. The bar that seemed downright spacious at 5 had overflowed into the dining room, requiring servers carrying trays full of glasses to bob and weave to avoid dropping their precious cargo.

    Despite the chaos, the staff stayed sharp all night. Virene, his wife Shelly, and manager Jonathan Bradbury managed to touch every table. Those personal touches will serve A’Bouzy well if it wants to achieve its aim of becoming the city’s newest hotspot.

    The dining room filled in by 6 pm Wednesday night.

    A'Bouzy interior
    Photo by Eric Sandler
    The dining room filled in by 6 pm Wednesday night.
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    designed for all occasions

    New restaurant's Astrodome-inspired design is 'unlike anything in Houston'

    Emily Cotton
    May 1, 2026 | 2:05 pm
    Kirkwood restaurant interior
    Photo by Leonid Furmansky
    Kirkwood's design includes a recreation of the Astrodome's ceiling.

    Legendary Houstonian Mac Haik has managed to fit many lives into his impressive 80 years. Haik, whose empire of car dealerships made him a household name, played no small part in the development of the city’s booming west side. Prior to that, at just 22-years-old, Haik made history with the Houston Oilers as the first person to catch a touchdown pass in the Astrodome.

    His latest venture — the glitzy Kirkwood restaurant — pays homage to the Energy Corridor, a storied football career, and the people who helped him along the way.

    While the Mac Haik Restaurant Group has focused on franchises such as breakfast concept First Watch, Kirkwood is its debut signature restaurant concept. The restaurant’s kitchen is led by executive chef Stephen Chiang, who guests will see quite a lot of thanks to the copper-clad, open-concept kitchen that includes a custom copper hood.

    Located at the base of Energy Tower II at 11720 Katy Freeway, MHRG designed Kirkwood to host a range of experiences. When it opens on Monday, May 11, Kirkwood is intended to become a go-to spot for lunch meetings, a chic spot for group dinners and celebrations, and a cozy place to share a romantic evening near the double-sided, all-seasons fireplace, among other occasions.

    It takes a keen eye and majorly-sharp editing skills to create a space that can perform so many different tasks. It’s unusual for a space that highlights a career in sports to read as elegant and refined, but designer Gin Braverman has done just that. Gin Design Group is the firm behind many of the best hospitality designs in Houston — including Eunice, Haii Keii, and ChòpnBlọk — and Kirkwood is no exception.

    “We were going for a classic clubhouse vibe with a Vegas layer of glitz — definitely a Vegas ‘wow factor,’” Braverman tells CultureMap. “It’s going to be a draw for everyone. You can rent out the sunroom as well as the private dining room, so that will be a big draw. There is a bar cart going around and table side features. There are so many different experiences to be had in the space. It’s going to hit all the boxes.”

    The 242-seat restaurant covers almost 7,000 square feet separated into distinctive spaces: a 154-seat main dining area; 16-seat private Frances Room, named after Haik’s mother; and a 1,900-square-foot sunroom, named the Sunny Room after Haik’s wife, with seating for 72 centered around a curved, double-sided fireplace.

    The restaurant’s symbol, a magnolia, is a nod to Haik’s home state of Mississippi. One impressive magnolia sighting belongs to the patinated-copper front doors inlaid with the flowers and accentuated by leather door pulls. Prior to entering, diners pass through a gallery of wall display cases with Mac Haik memorabilia.

    In the rotunda, customers are greeted from above by a mirrored glass replica of the ceiling of the Houston Astrodome, created by the artisans at Houston-based design and fabrication firm Rootlab. Broken stone mosaic floor tiles add playful movement and patter to the space. Tactile installations like felt wallcoverings by Phillip Jeffries and velvet draperies keep the space feeling warm and inviting amid all the glass and stone.

    The lounge occupies a raised platform with an artisan parquet floor and a burled-wood covered ceiling featuring beautifully-placed copper light fixtures by Tom Dixon, custom sofas, a custom rug, and custom tables.

    An inviting, oversized wraparound bar beckons diners to mingle beneath a tiered canopy, composed of burled walnut, which is also carried through to the bar’s facade, bullnose trim, and integrated foot rail. A marble countertop completes the bar, while the stone is repeated in the custom tables. Custom barstools take inspiration from the seats of Mac’s now vintage Porsche.

    Illuminated cove lighting anchors the bar space, with a red-tinted mirror installed behind the bar shelving and the liquor lockers on the end caps. The shelving is highlighted by custom LED racetrack lighting. Custom copper and alabaster bar lamps complete the space.

    Kirkwood’s booths have been upholstered with alternating leather and teal velvet fabrics with a copper-tinted toe-kick for a bit of glam. Custom arched lighting — crossing above each booth — is comprised of a copper finish structure, alabaster lenses, and copper chain accents.

    The central dining and exposition kitchen space is a framed with burled wood-clad banquettes with integrated planters. Broken stone mosaic floor tiles dance beneath the custom large-scale chandelier that features inverted alabaster and copper arches and a wood surround with integrated cove lighting.

    The private dining room features rich leather wall panelings, a custom leather buffet table, and a metallic gold plaster ceiling with hand-painted magnolia detailing.

    Lastly, the 1,400-square-foot sunroom features a knockout fireplace with an integrated overhead planter. Custom light columns with copper metal mesh flank the fireplace. An impressive glass-and-metal bar canopy attaches to the back bar fireplace.

    The restaurant’s art collection further enriches the space, with original works by English artist Paul Dove displayed throughout. In the private dining room, an original painting by Austin-based artist Lucy MacQueen offers a more personal note, interpreting “The Grove” at Haik’s alma mater, Ole Miss. The piece also serves as a quiet tribute to his mother, Frances Jordan, who was recently honored with a memorial wall at the iconic site. Artist Melissa Leandro contributed a vibrantly embroidered interpretation of the magnolia motifs to the back wall of the sunroom.

    Overall, Braverman is thrilled with the design of Kirkwood. So, which spot is her favorite?

    “The sunroom,” she says. “That circular bar with the column lamps and fireplace with the skylight are unlike anything else in Houston.”

    Kirkwood restaurant interior

    Photo by Leonid Furmansky

    Kirkwood's design includes a recreation of the Astrodome's ceiling.

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