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    Corporate Creativity

    Fancy new office tower pulls out all the art stops: Yes, that's an art car in the lobby

    Joel Luks
    Jul 31, 2013 | 11:46 am

    It took 9,000 hours over a period of seven months for eight craftsmen from two families to shape a work of art that comprises roughly 2,227,000 individual parts weighing a combined 200 pounds, with each one glued together one by one.

    The completed sculpture, on view on the first floor of the new BBVA Compass Plaza on Post Oak Boulevard, speaks volumes of the cultural flavor of Houston and the values cherished by the city's stakeholders — and the principles of the underwriters.

    Vochol, the title of the piece, is a 1990 Volkswagen Beetle swathed in a mosaic of vibrant glass beads that collectively, from afar, appears to be a painted vehicle of sorts — what one would see sashaying down Houston's iconic Art Car Parade. But this art car's Mexican provenance — Mexico was home to the last manufacturing plant of this popular VW model that was assembled from 1938 through 2003 — pays tribute to an artisanal craft that at its core serves as a spiritual channel.

    The families responsible for Vochol are of Huichol heritage, as they are known to the rest of the world. However, they call themselves Wixáritari, a word in their Uto-Aztecan native tongue that means "the people." Members of this rural community have managed to safeguard ages-old handmade traditions that include vibrant textiles and embroidery, much of which depicts deities as an avenue to communicate with the metaphysical realm.

    Anyone who has attempted to drive Houston highways for the first time knows it's no secret that one needs a prayer to get through rush hour traffic.

    The art car reveals itself as a combination of geometrical patterns that encase sketches of corn, deer, scorpions, the peyote cactus and the sun — emblems that chronicle the pre-Colombian religious beliefs of what's considered one of the most uncontaminated native citizenries in North and South America.

    To Houstonians, however, Vochol dialogues on the confluence of cross-cultural exchanges, old and new, tradition and invention, fine and folk art, and one-of-a-kind creations and mass-produced commercialism, particularly bearing in mind that the VW Bug is the most prolific car in the world to date.

    Vochol is visiting Houston amid a tour that originated at the Museo de Arte Popular in Mexico City. BBVA Compass Plaza is hosting the sculpture through Aug. 9, when a construction crew will have to once again remove the building's glass walls and support beams to haul the installation to another stop on its journey. At the conclusion of Vochol's travels — including exhibitions at the Smithsonian's National Museum of the American Indian in Washington, D.C. and at Museé du Quai Branly in Paris — the art piece will be sold at auction.

    Vochol is one of many works on view at BBVA Compass Plaza. Gallerist Laura Rathe has curated paintings, sculptures and mixed-media pieces to add vibrancy to the corridors that are otherwise minimalist in decor. The collection consists of artists with strong Texas roots, both emerging and established, such as McKay Otto, Katherine Houston, Matt Devine and Mallory Page.

    Wouldn't it be lovely if Vochol was purchased by a Houston institution?

    After all, anyone who has attempted to drive Houston highways for the first time knows it's no secret that one needs a prayer to get through rush hour traffic.

    These emblems chronicle the pre-Colombian religious beliefs of the Huichol people.

    BBVA art car July 2013
      
    Photo by Joel Luks
    These emblems chronicle the pre-Colombian religious beliefs of the Huichol people.
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    Go fish

    Houston pop artist turns Xennial nostalgia into collectible ceramics

    Emily Cotton
    Apr 11, 2025 | 2:40 pm
    Julia McLaurin
    Photo by Gisele Morales Photography
    Pop artist Julia McLaurin with her wildly successful emoji series.

    Recently, more and more Houstonians have made a meteoric shift from the minimalistic home decor trend that held court for the better part of the last decade towards an embrace of full-on Maximalism. As stark white walls and grey flooring give way to bright wallpapers and organically-shaped tiles, it has become clear that FUN is trending.

    As always, the best way to dip one’s toe into a new personal aesthetic is through art. Over the past five years, Houston pop artist and ceramicist Julia McLaurin has created a fan base of collectors who enjoy, seek, and embrace fun. Through sculptures depicting emojis, Goldfish, Cheese-It’z, Pop-Tarts, and Lucky Charms, McLaurin’s work glazes its way into the shared experiential psyche of Xennials looking to incorporate vignettes of nostalgia into their homes.

    “It’s nontraditional,” McLaurin says of her sculptural subjects. “I like to iconicize everyday objects, which is the pop artist in me.”

    With three young children, Goldfish crackers have been a part of McLaurin’s life for the past decade. “They are everywhere, in my car — everywhere. It’s not the healthiest snack, but it gets the job done.” It’s not difficult to understand how the popular children’s food inspired her sculptures: “It’s just such a cute shape, and I love the color.”


    View this post on Instagram
    A post shared by Julia McLaurin (@juliamclaurin)


    Goldfish wall sculptures paved the way to immortalizing other iconic 90s snack foods, plus standing sculptures of Whataburger combos, Happy Meals, and larger-than-life bottles of Hidden Valley Ranch. McLaurin’s Whataburger sculptures recently landed the artist in the Whataburger Museum of Art at SXSW. Newer works in the “Neo-Pop” genre include things like bottles of Chanel No. 5, Squishmallows, and her extremely popular emoji series.

    At just six inches in diameter, the semi-spherical, emoji sculptures are wildly accessible to anyone beginning their art journey. “I think it’s a Xennial thing,” says McLaurin. “That micro-generation between 1978 and 1983, where we didn’t grow up with cellphones, but we had them in high school and college, right? I vibe a lot with that. As a pop artist, when I first started making the emojis it was like, ‘That’s so cute, Julia! What a cute little project.’ But now I have a big installation at Hobby and I sell them all the time.”

    Houston Airport System curator of public art Alton DuLaney selected 100 emojis for Hobby Airport, with 88 installed between terminals 1-5. The very public display of McLaurin’s emojis results in the works being purchased by fans as far away as Singapore.

    As for why the emojis have such a “gotta have it” affect on people: “I think people really relate to having something that you always see in the digital realm put into 3D,” says McLaurin. “In today’s world, it’s kind of a cool effect.”

    McLaurin is locally represented by Mont Art House, but maintained a separate studio and gallery at The Silos until her move to Spring Branch earlier this year. The new “JuliArt Clay Studio” space allows McLaurin to offer monthly workshops, host ceramic painting parties, baby showers, and everything between. Next month, McLaurin will launch a six week “Clay 101” course that is sure to be a hit.

    A resident of Spring Branch herself, McLaurin decided that the continuous lack of a local art scene wasn’t going to change itself. “There is not an art scene [here],” says McLaurin. “My mission is now to bring artwork to the heart of Spring Branch. Bring it here where I live and to the people around me.”

    The new studio space allows McLaurin to invite the community to participate in art and to enjoy the space for workshops and events during slower months. “It’s nice to have a sort of two-pronged business because in the summer the gallery stuff slows down, then the classes and things pick up. It works out.”

    The ink is still drying on a representation contract in a new gallery on the West Coast. The new K&K Gallery in Culver City (Los Angeles) is the first step towards artistic manifest destiny for McLaurin: “They have a huge pop art scene out there.” What’s next for this up-and-coming irreverent pop artist? “My goal is Art|Basel, that’s my dream,” she says.


    Julia McLaurin
      

    Photo by Egidio Narvaez Photography

    Pop artist Julia McLaurin with her wildly successful emoji series.

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