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    Tattered Jeans

    A tailor's secrets: This hidden Houston shop practices a dying art, saves super damaged clothes

    Katie Oxford
    Jul 29, 2013 | 1:58 pm

    You’re liable to run right by Jimmie’s Reweaving & Alterations and never notice it. The little house sits so subtly at 2218 Richmond Avenue that you best Google its exact location before going there.

    Here, understated would be an understatement and this goes for the inside of the shop as well as the outside.

    A few years ago, I took one of my husband’s suit jackets there. Ashes from his cigar had burned a hole in the sleeve. The jacket came back with no sign of the mishap and I’ve been returning ever since.

    Here, understated would be an understatement and this goes for the inside of the shop as well as the outside.

    The owners, Anna and George Flores (a Vietnam vet) have been serving customers at this location since 1995. However, Anna’s parents originally started the business. Her mother was a weaver, her father a tailor.

    In 1960, Carmen and Alexander Jimenez opened Jimmie’s Reweaving on South Shepherd. After Alexander died, Carmen kept the shop going until her death in 1994. One year later, Anna and George decided to re-open it at the new location on Richmond.

    So how come the name Jimmie I wondered. “My father-in-law was in WWII,” George Flores says. “When his Sergeant couldn’t pronounce his name correctly (sounds like He-man-es), he started calling him ‘Jimenez’ then finally, just ‘Jimmie’.”

    Clothes Saviors

    The shop has two tailors and two weavers. What’s the difference? A tailor uses a sewing machine to make alterations. Weavers use a needle to mend and reweave. Pure handiwork.

    All four are gifted, especially Ophelia, who weaves and can also crochet, re-knit and needlepoint. “On a garment with a stray thread, she can take that thread and run it back through so that it doesn’t look like it was ever pulled,” George Flores says.

    Ophelia has worked her magic on out of the ordinary stuff too. Like a cocoa colored purse that’s older than me, a straw bag that’s survived airports and numerous trips to the beach and a straw hat so worn that my hair finally poked a hole through the top.

    Amazingly, she’s even used her weaving skills on an ivy plant that continues to grow up and over her desk.

    As George Flores explains it, there are two kinds of weave — over and French. For holes larger than 1/8th of an inch you have to do an over weave, which means material is woven into the back. For ones 1/8 of an inch or smaller, you can only do a French weave, which is more delicate. Every thread is woven back into the garment individually, which explains why the hole in my husband’s jacket vanished.

    George Flores claims that re-weaving is a dying art. Why? “Because the younger generations just aren’t taking it up,” he says. “It requires good eyesight, a lot of patience and a steady hand."

    Apparently, in some places, the art is a closely guarded secret.

    “In Monterrey,” George Flores says, “there a lot of weavers but they won’t teach it to anyone unless they’re in the family. Once it runs out of the family, it’s over.”

    The little house sits so subtly at 2218 Richmond Ave. that you best Google it before going there.

    10 Katie July 2013 Jimmie's Reweaving & Alterations store front
    Photo by Katie Oxford
    The little house sits so subtly at 2218 Richmond Ave. that you best Google it before going there.
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    making design approachable

    Houston designer shares 5 expert tips for mixing classic and contemporary

    Emily Cotton
    Jan 23, 2026 | 11:45 am
    Melissa Roberts interior design tips
    Courtesy of Melissa Roberts Interiors
    Mix design eras for an approachable space.

    Houstonians are, as a rule, enthusiastic about an elegant blend — in any form. From historically-lax zoning laws to fusion cuisine and everything in between, a “little of this” and “a little of that” is unequivocally Houston.

    It seems, however, that when it comes to choosing how one reconciles the desire to embrace the contemporary architectural design boom happening in and around the city, while avidly participating in the highly-fashionable quarterly antiques fairs taking place outside of town, things have run amok. Not to worry — a Houston pro is here to help.

    Successfully blending classic and contemporary design is a dance 10-year interior design veteran Melissa Roberts knows all too well. One challenge Roberts and her team encounter the most is how to take a new, contemporary, custom-build home and create an elegantly pared-down space that exudes warmth and classic Texas charm. They see the same from their robust list of remodel clients as well.

    “Refined, natural, layered, organic — that’s our style,” Roberts tells CultureMap. “If you just put a vintage piece in there, that doesn’t mean it’s going to be successful.” Melissa Roberts Interiors isn’t in the business of construction project management. While her firm is happy to make recommendations for contractors, Roberts’ design niche is solidly in consultations and procurement.

    “We’re solving problems. We are like a consultant for people and their lifestyles,” explains Roberts. “How can we assist. How can we take off the stress so that it’s more of an enjoyable project versus being a chore that needs to be tackled. It’s a thousand decisions for one room. We make those decisions for the clients and then they just see the overall picture and know they like what they see without having to stress over edge profiles of counter tops and little things like that that people don’t usually consider.”

    The firm’s new location above Yves Saint Laurent on The Woodlands’ luxe Market Street conveys that elusive blend of classic and contemporary well — elevated (both literally and figuratively) and approachable. That approachability is what led Roberts to keep up a design blog and home decor gift guide, a little something to invite potentially-skeptical readers into the conversations revolving around design.

    “There was an era when designers were stiff and just not approachable,” Roberts laments. “I want this to be refined and luxury, but approachable at the same time — there is flexibility. How to make [design] work for a busy lifestyle, versus, ‘I’ve got one way and this is the way we’re going to do it.’ We’re really problem solving.”

    Melissa Roberts’ Five Tips for Blending Classic and Contemporary Design

    Anchor the space with timeless pieces
    Start with classic foundations: tailored upholstery, natural stone, or traditional millwork. Next, layer in contemporary elements through lighting, art, or furniture silhouettes. This creates longevity while keeping the space feeling current.

    Mix eras, not styles
    Rather than combining multiple design styles, focus on blending eras. A traditional room can feel fresh with a modern light fixture, while a contemporary space gains depth from an antique or heirloom piece that is paired with a modern fixture and mirror.

    Let materials do the talking
    Classic materials like marble, wood, and brass feel elevated when paired with cleaner lines or unexpected applications. The contrast between material and form keeps the space from feeling predictable. Unexpected applications is key here.

    Use restraint with trends
    Contemporary design often shows up in trends, curves, bold finishes, or sculptural forms. Introduce these in ways that are easy to edit over time, such as accent furniture or decor, rather than permanent architectural elements.

    Edit for balance
    The most successful classic-meets-contemporary spaces feel intentional, not layered for the sake of it. Thoughtful editing ensures each piece has room to breathe and the overall design feels cohesive.

    Melissa Roberts interior design tips

    Courtesy of Melissa Roberts Interiors

    Mix design eras for an approachable space.

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