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    Live Music Now

    These are the 7 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Jul 23, 2019 | 1:30 pm

    Being a music fan sometimes means making hard choices. On any given night, especially in the peak summer touring season, a fan might have several worthy picks of where to plunk down their hard earned dollars in the name of top-tier entertainment.

    This will be the case this week, with a huge slate of massive shows with some of the biggest bands in the world playing in Houston, in what is arguably the strongest week of 2019.

    Thankfully, CultureMap is here to help you make the right decision as you search for the best concert experience. Take notes.

    CultureMap's biggest, best, and most notable live shows of the week are as follows:

    Queen at Toyota Center
    Yes, for purists, this is Queen in name only. How could it be the real thing when Freddy Mercury, arguably the best frontman in the history of music, has been dead since 1991? But for those who still love the excellent and extensive catalog of the British band, this is a must-see show and probably as close to as any younger Queen fan will get to seeing the mega-selling group (300 million albums and counting). Two of the classic Queen line-up, guitarist Brian May and drummer Roger Taylor are now joined by the similarly flamboyant Adam Lambert, a former American Idol contestant who finished as a runner-up in 2009.

    Lambert, who has sold millions of albums on his own merit, does an admirable job echoing the spirit of Mercury with an impressive set of pipes and the theatrical costumes that would make the former singer proud. And of course, there are all the classic hits that only seem to be revived every generation, most recently thanks to the Academy Award-winning biopic Bohemian Rhapsody, named after one of the band's most beloved songs. Whether it's the one-two punch of "We Will Rock You" and "We are the Champions," the soul-bearing "Somebody to Love," or straight-up funk of "Another One Bites the Dust," Queen is set to turn Toyota Center into the biggest karaoke bar — in a good way.

    Queen is at Toyota Center, located at 1510 Polk St., on Wednesday, July 24. Tickets start at $49.50, plus service fees. Doors open at 6:30 pm.

    The Regrettes at House of Blues
    Part riot-grrl, part '60s girl-group, with a dash of pop and grunge thrown in for good measure, the L.A.-based The Regrettes are a band on the rise, signed to a major label, and all before they can legally drink. That's following a well received debut album, Feel Your Feelings Fool!, and a tour ahead of their new album, How Do You Love?, out this August and featuring great first single "I Dare You".

    The impressive part is how fully realized their sound is despite their age. But their fresh-faced feminism is just what rock music needs more of these days, and their catchy, concise tales of female empowerment are delivered with enough melody and bravado to make this band one to watch.

    The Regrettes headline the Bronze Peacock Room at House of Blues, located at 1204 Caroline St., on Wednesday, July 24. Tickets start at $15, plus fees. Doors open at 7 pm.

    Shawn Mendes at Toyota Center
    It's hard to imagine a better start to a career than that of Canadian pop heartthrob Shawn Mendes. Discovered in the most Millennial way possible (on the Vine app), Mendes quickly signed a major deal and has since released three No. 1 albums, becoming the first performer to have four No. 1 singles on the Adult Pop Songs chart before the age of 20, including "Stitches," "Treat You Better," "There's Nothing Holdin' Me Back," and "In My Blood."

    Still only 20 years old and living in a time when a man and his acoustic guitar is all one needs to sell out huge shows (we see you, Ed Sheeran), word is Mendes is working on his fourth album, but he's still riding high after releasing his third, self-titled, album in 2018, packing arenas with screaming young fans in the process. Parents, bring your earplugs.

    Shawn Mendes performs at Toyota Center, located at 1510 Polk St., on Thursday, July 25. Special guest Alessia Cara also appears. Tickets start at $29.50, plus service fees. Doors open at 6:30 pm.

    CultureMap show of the week: The Rolling Stones
    Almost 60 years in the game and Mick, Keith, Ronnie, and Charlie are still going strong on yet another world-beating stadium jaunt with the The Rolling Stones No Filter Tour in another case of Boomers refusing to hand the torch over to the younger generation. But why should they? They are still the biggest band on planet Earth. And despite being well into their 70s, their latest string of shows are receiving rave reviews following a postponement after Mick Jagger needed emergency heart surgery.

    It's hard to say how much longer we'll get to see one of the best rock bands to ever strut on a stage, so this will be a party to remember with a setlist that will be wall-to-wall hits and fan favorites, including the timeless "Street Fighting Man," "Paint It Black," "(I Can't Get No) Satisfaction," and "Jumpin' Jack Flash."

    The Rolling Stones fill NRG Stadium, located at 8825 Kirby Dr., on Saturday, July 27. Tickets start at $123, plus service fees, and parking is $30. Show starts at 7:30 pm.

    Blue October at White Oak Music Hall
    Hometown alt-rock band Blue October makes their requite hometown appearance, this time on the lawn at White Oak Music Hall. This time they'll be bringing friends (Ben Kweller is a must-catch) as part of the Houston Music and Arts Festival, which includes shows outside as well as inside, because thank God for air conditioning. The "Hate Me," "Into the Ocean," "Dirt Room," and "Say It" band will be the main draw, but there are plenty of local artists to discover. Will one of them be the next Blue October? Head to WOMH this weekend to find out.

    Houston's Music and Arts Festival Featuring Blue October goes down on the White Oak Music Hall lawn, located at 2915 N. Main St., on Saturday, July 27. Robert DeLong, Ben Kweller, Morgxn, The Band Hennessy, Doug Westcott, Hold On Hollywood, Deep Ella, Solitude Endeavor, Christian Sparks & The Beatnik Bandits also appear. Tickets start at $39.50, plus fees. Gates open at 2 pm.

    Third Eye Blind and Jimmy Eat World
    This would have been a monster show 20 years ago, when both bands were at or close to their peak cultural clout. But nostalgia sells these days, meaning a decent crowd should be at Cynthia Woods this weekend to see Third Eye Blind and Jimmy Eat World revisit their earlier glory. San Francisco-based Third Eye Blind made it big in a post-grunge world with their self-titled debut album, which produced a string of friendly radio staples, including "Semi-Charmed Life," "How's It Going to Be," and "Jumper."

    They sold more than 12 million albums worldwide but were never able to live up to the success of their debut as the music landscape shifted. Originally associated with the emo-rock genre for their heartfelt lyrics, Jimmy Eat World, separated themselves from their peers with the 2001 platinum album Bleed American, a straight-ahead, alt-rock affair that produced the band's most recognizable and still-great hit, "The Middle."

    Third Eye Blind and Jimmy Eat World are at Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Saturday, July 27. Ra Ra Riot open. Tickets start at $19.50, plus fees. Gates open at 5:30 pm.

    CultureMap recommends: Beck, Spoon, and Cage the Elephant at Cynthia Woods
    Sunday might be the day to make a trek out to The Woodlands in what could be the strongest bill of the summer, one that wouldn't look out of place at any major summer festival. After a better-than-expected headline set at last year's, now-defunct In Bloom Festival, Beck returns with his raucous live show, having become one of the better performers around, thanks to the strength of a long and varied songbook including songs such as "Loser," "Devil's Haircut," "Where It's At," and 2017's vibrant "Colors."

    He'll be joined by Austin's best band in the Britt Daniel-led outfit Spoon, celebrating nearly 25 years of consistently amazing work with their first greatest hits package, Everything Hits at Once: The Best of Spoon, out on Friday, so expect a hits-heavy set with killer tracks "I Turn My Camera On," "You Got Yr Cherry Bomb," and "The Way We Get By." Cage the Elephant quickly rose from their humble Bowling Green, Kentucky, beginnings to become one of the biggest bands going, with major radio hits "Ain't No Rest for the Wicked," "Cigarette Daydreams," and "Come a Little Closer," picking up where the similarly Southern-fried Kings of Leon left off.

    Beck, Spoon, and Cage the Elephant all perform at Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Sunday, July 28. Wild Belle also plays. Tickets start at $29.50, plus fees. Gates open at 4:30 pm.

    Blue October headlines Houston's Music and Arts Festival on Saturday, July 27.

    Blue October_band_older photo
    Photo by Chris Barber
    Blue October headlines Houston's Music and Arts Festival on Saturday, July 27.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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