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    Sports Drama

    The Bum Phillips opera is taking shape: Yes, this crazy concept needs to happen

    Joel Luks
    Jul 10, 2013 | 4:35 pm

    Hut, hut, hike?

    Try singing that. Now try singing that without sounding like Mary Poppins. Add some vibrato, a dramatic stare, maybe point at someone as if your life depended on it.

    The spirit of such a convention during a game of football — the vernacular locution that quarterbacks huff prior to a snap — could next year find itself on the operatic stage, figuratively speaking, as a 1970s Houston football icon is set to be the subject of a contemporary opera.

    Extreme drama is what the life of former Houston Oilers coach Oail Andrew "Bum" Phillips has in common with opera, a genre that's notorious for heightening the emotional thrust and the inner turmoil experienced by the characters. Yes, in opera, death can take forever, an instant can be extended to minutes (even hours) and simple decisions are dragged on for what seems like days.

    Sports and opera may not seem like they play for the same team, but considering the passion, emotion, blood, guts and glory in each, the similarities could usher both vocations from the sidelines into a satisfying experiment that blends music lovers and football fiends together.

    The marriage isn't anything new. Houston Grand Opera challenged composer Jack Perla to pen Courtside, a story that begins on the basketball court and nods to the life of Yao Ming — without explicitly connecting the dots.

    The impresario describes Bum Phillips, the opera, as a journey to "overcome strife through resilience and faith" within the framework of a football game.

    At the helm of this new musical commission is New York-based author and Cypress Creek High School graduate Luke Leonard, whose days playing high school football and reading Phillips' autobiography, Bum Phillips: Cowboy, Coach, Christian, mused the unlikely pairing. Last year, Leonard was successful in raising funds to task a duo of native Texans — playwright Kirk Lynn and composer Peter Stopschinski — for the text and musical score. Through a second crowdsourced campaign that ends on July 21, Leonard hopes to raise a portion of the cash needed to mount the world premiere at the Ellen Stewart Theater in New York City in March 2014.

    The impresario describes Bum Phillips, the opera, as a journey to "overcome strife through resilience and faith" set within the framework of a football game. Themes trek outside of the field to explore American family values, religion and purpose alongside the charismatic protagonist's work transforming a failed home team into a city-wide point of pride that marshaled the so called "Luv Ya Blue" movement. The golden era saw players like Billy "White Shoes" Johnson, Elvin Bethea and Earl Campbell — whose 199-yard, four-touchdown game to beat the Miami Dolphins on Monday Night Football is the stuff sports legends are made of — redefine what it meant to be a Houston sports fan.

    Houston Texans coach Gary Kubiak thinks the opera is a good idea. Of course, Texans defensive coordinator Wade Phillips — Bum's son — is on board. Bum himself, who at the age of 89 is happily retired in a horse ranch Goliad, Texas, approves of the venture, but admits he isn't the singing type.

    Leonard has a myriad of accolades attached to his name. The University of Texas at Austin alum's directing work in The Difficulty of Crossing a Field, a contemporary opera by Pulitzer Prize-winning composer David Lang and award winning playwright Mac Wellman, was named one of the "Top Ten Theatrical Wonders of 2010" by the Austin Chronicle.

    Surely Leonard has the background to pull this off well. But the risk of themed operas that reach beyond what's deemed traditional content is that they are often short lived. Like some sports giants — here today, forgotten tomorrow.

    Then again, Bum Phillips is not one who's easily forgotten. He's arguably an even larger Houston legend today. He's still talking football on local radio shows. Bum's one for the history books —his chewing tobacco, cowboy hat and cowboy boots included.

    As such, isn't it a slap in the face that Bum Phillips would not be premiered in Houston?

    Bummer. But maybe they can change that. This opera is too intriguing not to see.

    Bum Phillips at his ranch in Goliad, Texas.

    Bum Phillips with cross behind him
    Bum Phillips Charities Facebook
    Bum Phillips at his ranch in Goliad, Texas.
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    Best August Art

    9 must-see art openings at Houston museums and galleries for August

    Tarra Gaines
    Aug 11, 2026 | 10:30 am
    DiverseWorks presents Jesus Benavente: "NuestroWorld"
    Jesus Benavente, A Life A Home and A Horse Named Triste, 2021. Photo courtesy of the artist.
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    As the summer sizzles on, Houstonians have the opportunity to contemplate some cool new art around the city. As some art institutions get ready for big fall blockbusters, this month's list highlights some intriguing gallery exhibitions and smaller shows that have popped up this month.

    Along with showcases of ancient and contemporary textile work at the Museum of Fine Arts, Houston and Ismaili Center, art gets wild, teal, and tattooed over at Sawyer Yards. Plus, a new mural in Southwest Houston builds international bridges, and DiverseWorks invites art lovers to a new kind of amusement park.

    "Between Flame, Stone, and Tide” at Mitochondria Gallery (now through August 29)
    Though using very different practices and mediums, artists Alex Peter Idoko, Chika Idu, and Ejiro Fenegal create work that explores how elemental forces shape narratives of memory, identity, belonging, and environmental responsibility. Idoko uses a blowtorch on canvas and paper, exploring themes of destruction and renewal. Fenegal sculpts in marble, using the classic medium to preserve individual stories while affirming collective identity. Idu’s textured oil paintings depict children in aquatic landscapes to depict the relationship between vulnerable communities and threatened environments. When taken together, the exhibition helps viewers reflect on the enduring relationship between material, place, and the environments that sustain us.

    "Beyond Skin Deep: Tattoo Artist Showcase” at Sawyer Yards (now through September 12)
    Painter, tattoo artist, and exhibition curator Julian Solis wants to defy distinctions between fine art and folk art, making the case for body art as fine art. Solis has organized the exhibition around local tattoo artists’ works in a variety of media. These pieces done in oil, graphite, ink, and more prove their rightful placement on gallery walls, yet they also reveal the unique visions of the artists who usually create on a canvas of human bodies. Visitors to the exhibition will discover traditional flash paintings alongside portraits in oils, with both displaying the relationship tattooers have between their personal art practices and art made for clients

    "Transformative Teal” at Sabine Street Studios (now through October 10)
    Instead of organizing this group show around a theme or genre, this exhibition asks Sabine artists working in a variety of mediums — including painting, sculpture, photography, and digital media — to contemplate the color teal and its constant metamorphosis between blues and greens. The artists find meaning in the color in a myriad of ways, from intimate narratives of identity and healing to expansive meditations on nature and society. The organizers note that the works showcased reveal how the concept of transformation is at once an external phenomenon and an internal journey.

    “WILD” at Sabine Street Studios (now through September 12)
    For its biennial exhibitions the WiVLA (Women in Visual and Literary Arts) organization selects a theme and members form collaborative partnerships of two or three artists from different disciplines to create visual and written works in conversation with each other. This year’s “Wild” theme inspires the artists to create work untamed and unconfined. Whether literally or abstractly these artists will decide what wildness means to them, opening their art up to risk, intensity, and freedom.

    Persia to Paisley: Global Luxury and the Kashmir Shawl at Museum of Fine Arts, Houston (now through November 29)
    This special installation within the MFAH’s eminent Hossein Afshar Art of the Islamic Worlds Galleries examines how one piece of clothing, the Kashmir shawl, changed and shaped cultures of its time. Handwoven from pashm, the under hair of Himalayan goats, Kashmir shawls represented the height of luxury for hundreds of years across, Asia, Africa, and Europe. These shawls also became the ultimate piece of wearable art, as it took months of coordinated labor among expert designers, dyers, and weavers to create one piece.

    The show will feature extraordinary Kashmir shawls and textiles from the early 17th century to today, including a later 19th century European Long Shawl, signed by Antony Berrus, director and designer of one of the most successful textile ateliers in Paris, an early 17th century Waist Sash from Mughal India, and depictions of Kashmir fashion in classic paintings.

    “Painted Bridges” located at 9750 Bellaire Blvd. (ongoing)
    Led by Houston’s own street art–and beyond–superstar GONZO247, six emerging Taiwanese artists and designers offer the city a seat at an international art table with this new mural in the Southwest Management District. The six artists are the inaugural cohort of Meridian Fellows from EpNex, an organization based in Taiwan with a network across the U.S. and Asia-Pacific, which has a mission to design programs that connect people across cultures.

    With GONZO247 acting as mentor, the artists designed and painted a permanent public mural inspired by the theme of “The Space Between.” The final vision honors Houston’s connection with its oldest official sister city, Taipei, while also telling the story of a "shared feast,” with one empty seat at the center. The space left open holds a dual meaning: one of honoring those who have passed from our lives, while also reminding the viewer that "There is always a seat for you.” The astronaut at the table represents Taipei-born Houston astronaut Dr. Kjell Lindgren.

    Jesus Benavente: "NeustroWorld" presented by DiverseWorks at 5601 B Navigation Blvd. (August 13-September 13)
    For this DiverseWorks-commissioned project, Brooklyn-based, Texas-born artist Jesus Benavente uses humor to explore how cities such as Houston constructs its identity. Playing with images and ideas from Houston’s past, and our mythologizing of that past, Benavente eschews the traditional gallery show by creating a fictional visitors center for “NeustroWorld.” The title is a Spanglish phrase meaning "The World Is Ours,” and, of course, a spin on AstroWorld.

    This “NeustroWorld” will merge concepts of visitors center, gift shops, and amusement parks into an immersive art space containing large scale banners, Tejano music paired with a custom neon video sculpture inspired by Selena’s rodeo performances, and a 13-foot blimp roaming through the gallery. Visitors can also pick up a free NuestroWorld Amusement Guide and purchase limited-edition merchandise, including custom screen-printed t-shirts, mugs, and stickers. That Amusement Guide will also serve as a kind of art map inviting “NeustroWorld” goers to explore other parts of the city, asking viewers to think about them in new ways, perhaps even as adventure rides in the amusement park we call Houston.

    “Imagined Ancestors” at the MFAH Glassell School of Art (August 15-October 4)
    This exhibition highlights the work of Patrick Palmer, dean of the Glassell School. With both paintings and sculptures, Palmer depicts the generations of people who shaped his life in both profound and small ways. The pieces are inspired by “the impossible idea” that the art can portray a single moment. Palmer investigates quiet moments to better understand how the past and present are forever connected.

    “Article” at Ismaili Center (August 15-January 10)
    The Ismaili Center continues to champion local artists with this solo show from textile-based works by Houston artist Gabriel Martinez. Using garments collected from the streets of the city as his medium, Martinez’s pieces ask viewers to think about how material circulates and the different values people place upon everyday objects. The title work of the exhibition is a 30-foot wall-sized composition sewn entirely by hand without assistants or machinery.

    While visiting the Center, be sure to take time to find and marvel at the new commissioned and site-specific installation “No. 1573 Reflectors” by acclaimed Bangladeshi-British artist Rana Begum that the Center has just added to its permanent collection. Installed in the east atrium, the 20 feet high pink-and-white reflective piece explores the nature of the infinite.

    DiverseWorks presents Jesus Benavente: "NuestroWorld"
    Jesus Benavente, A Life A Home and A Horse Named Triste, 2021. Photo courtesy of the artist.

    DiverseWorks presents Jesus Benavente: "NeustroWorld"

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