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    Interior Innovation

    Texas designer hits the big time with luxurious cowhide rugs

    Adrienne Breaux
    Adrienne Breaux
    Jul 7, 2013 | 2:28 pm

    Kyle Bunting can trace his passion for cowhide back to his childhood, when he watched his father experiment with the material. But Bunting set aside that passion to work in San Francisco for the decade following his graduation from the University of Texas.

    After getting back in touch with his love of design, Kyle Bunting founded the company that bears his name in 2000, offering an array of earth-toned, textured, visceral and patterned cowhide rugs. The business — a hit with top international interior designers, homeowners and architecture firms — has now expanded to include upholstery material, furniture and wall coverings.

    A business built on the idea of customization and flexibility, Kyle Bunting offers 70 colors (many of which are inspired by collaborations with designers such as Jamie Drake, Joel Mozersky, Fern Santini and Amanda Nisbet), along with 20 natural options. All products are made by hand in the Kyle Bunting studio in Austin; the hides make the trip from Italy.

    We spoke with Bunting to learn more about running a global business from Texas, his fascination with cowhide and the limit of his “anything goes” philosophy.

    CultureMap: So, is there anything you can’t put cowhide on?

    Kyle Bunting: I encourage our team to innovate while embracing the obvious. We love to push the envelope when it comes to this material and always encourage custom commissions.

    CM: You mean custom anything — size, shape, color, design?

    KB: I like to champion the moderated “Yes!” more than the curated “No!” With our clientele, there are inevitable extremes. Fortunately, there have been more things we’re glad we embraced than those we turned down or wish we hadn’t.

    CM: What’s the most amazing thing you’ve ever seen covered in cowhide?

    KB: A client contacted our office and requested that I schedule a visit to their project in California. When I arrived, the owner stated so elegantly: “Kyle, it has to be special!” I examined the space and proposed three large murals for the anchoring rooms of the estate.

    At the time, going vertical was a different format for us — and while technically challenging, it turned out to be some of the most visually arresting work we’ve ever done. I’m most proud of this project in that it spoke to several critical tenants of our work: client engagement, technical expertise and beauty through design. It was a watershed project for me.

    CM: Your company is known for innovation. How much does making mistakes have to do with the process?

    KB: We dream within the restraints of the material. Anything is possible but there are, of course, functional barriers. Regardless, we’re not likely to create something we feel will be unmarketable. I’d rather define the function than exploit through pattern and color.

    CM: You collaborate with a lot of designers and other creative folks.

    KB: In my career I’ve been blessed to meet some extraordinary people. Many of those have forged careers whose body or work awes and astounds. For them, I always ask that they indulge me with one piece of advice.

    Several years ago, I visited Chicago and spent the day with Maya Romanoff. Maya, who is as charming as he is accomplished, offered me this most valuable and simple lesson. He said, “Kyle, whatever you do, it has to be beautiful.”

    I think all designers should heed that advice. I hope our clients feel we have. I know Maya does.

    CM: How does being based in Texas affect running a global company?

    KB: I’ve done business in a lot of places outside Texas, and they all seem to make things far more complicated than they should be. Texas offers entrepreneurs an incredible opportunity. No place is freer and, critically, tax and regulatory policy is stable. Operating costs are low, and we can access both coasts by air quickly. Our centrality is often overlooked.

    We work in Austin. Our local labor force is talented, creative and highly educated. Plus the cultural benefits, which people from all over can relate to, are significant.

    CM: You have achieved a huge level of success. What do you attribute to that?

    KB: The creative business is just as much about the art as it is about the relationship. I’d like to think we’ve been prolific at both. That connection and an immersed experience is the most important ingredient for successful design.

    What we do is unique, and I assume that garners us more attention than most. But there’s an inherent elegance to allowing materials to perform their function. That hide is tactile makes the process eloquent and straightforward.

    CM: We appreciate that you’ve been loyal to one material — and continue to take that material to its very limits.

    KB: I say do one thing and do it well. For me it’s hide.

    CM: Does cowhide cover every item in your own home?

    KB: We have a rug, a few upholstered items and a monogram pillow. Long ago, [my wife] Libby and I agreed not to indulge too much in our own work. We do something pretty unique that has its place. Once you use it everywhere it ceases to be special.

    Luxury is like that. It should be an indulgence, not a provision.

    CM: What’s up next for Kyle Bunting the person and Kyle Bunting the company?

    KB: We’ve reached a certain level of acceptance with designers, which I appreciate. But, frankly, I really feel we’re early in the story. There are new markets to engage all with spaces to cover. Our capabilities are truly limitless.

    Kyle Bunting, who was raised in Texas, used to watch his father experiment with cowhide and coffee tables.

    Kyle Bunting
    Photo courtesy of Kyle Bunting
    Kyle Bunting, who was raised in Texas, used to watch his father experiment with cowhide and coffee tables.
    unspecified
    news/home-design

    Marburger Farm updated

    Round Top's 43-acre antique show unveils renovations for spring 2026

    Emily Cotton
    Mar 20, 2026 | 2:00 pm
    Marburger Farm Round Top
    Courtesy of Marburger Farm
    Visit Marburger Farm March 24-28.

    The ancient Greek philosopher Heraclitus believed that the only constant in life is change. Since 1997, the Marburger Farm Antique Show, which typically closes out both the spring and fall editions of the Round Top Antiques & Design Show, has largely remained unchanged. As enthusiastic Marburger tailgaters listen for that opening triangle to ring, everyone has their well-established and particular beeline-paths prepared in advance. But this year, change is a’comin’.

    When the fall show closed last October, Marburger began a huge renovation project that included the full restoration of its historic buildings, including the original Marburger Farmhouse, Legler House, Coufal House, Zieger House, Silver Dollar Saloon, Gulf Warehouse, Dance Hall, Bingo Hall, Blacksmith Shop, and the General Store. Notably, the restoration has made it possible to add heating and air conditioning to these structures.

    New additions debuting this spring include The Canteen, which is a large food pavilion overlooking the previously-underutilized pond; The Parlor, a design showcase space; a live music stage; enhanced pathways; and a communal green space designed for gathering and celebration. Over the summer, the addition of two large climate-controlled sheds and updated seating and lounge areas throughout the grounds will complete the project.


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    A post shared by Marburger Farm Antique Show (@marburgerfarm)


    “This is a much more intentional undertaking to really breathe life into those buildings,” Marburger CEO John Sughrue tells CultureMap. “It’s going to be very obvious — when on the property — what we’ve done. The vision for what we’re doing was establishing a greater sense of place, and a greater sense of community.”

    While fans may worry that these improvements may impact the charming and rustic aesthetic that shoppers have come to expect at Marburger, the overall experience should remain the same. Once randomly strewn across the 43-acre property, the historic structures have been gathered together around a newly-hardscaped central square. New green spaces are intended to evoke a sense of nostalgia, the layout inspired by the Texas Courthouse Square. At one end, the western-facing pavilion will overlook the pond and rolling hills, and adjacent to that, the familiar 90,000-square-feet of tented shopping remain unchanged.

    “One thing that is apparent about Marburger is that people have a real sense of connection with it, a sense of history, and take a personal interest in it,” says Sughrue. “You’ll see that in the level of craftsmanship, the placemaking, and how we have, in essence, redeveloped the existing historical buildings.”

    One of the things Sughrue is enthusiastic about is the ability to participate in the winter show, as well as inviting exhibitors who left for climate-controlled venues to return home to Marburger. Improved facilities for their local and beloved food and beverage vendors make for expanded offerings and shorter lines — a notion sure to please even the most staunch Marburger purists.

    “We are trying very much to maintain the Texas heritage of Marburger,” Sughrue says. “I consider us guardians or stewards of the brand. I consider Marburger a brand like Blue Bell Ice Cream or the State Fair of Texas. There is something very much rooted in the land, very much rooted in how generations now have engaged with Marburger and in Round Top. We are trying to hold tight to being a heritage brand, while positioning for the future — that’s what we’re trying to do.”

    Sughrue is all too aware of some of the sentiments that were shared five years ago when Marburger was purchased by “these Dallas guys” [real estate development firm Brook Partners]. In the last four years, they have listened to vendors and guests alike to learn how they can improve the show experience for their core audience: top exhibitors, designers, architects, and vendors. While he finds the relatively-recent glitterati element in Round Top to be amusing, it’s not something he’s interested in attracting or catering to specifically. So, everyone can let out a sigh of relief on that concern.

    “These are designers who come into Round Top, and to Marburger in particular, and they are very important to our success. We attract some of the best exhibitors in the country, if not the world,” explains Sughrue. “Day one they meet with designers who have flown in from all over the country. Our focus is being a resource to those designers and architects — that’s what’s driving our business. We are not a lifestyle offering, and we are not trying to be all things to all people.”

    At the end of the day, Sughrue’s overall goal is connecting the best exhibitors to the best buyers. “Everything else that happens in Round Top is just noise.” He loves the generational aspect of Marburger, oftentimes noticing three generations shopping together in the tents.

    “Y’all make a tough crowd, I’ll tell you that,” Sughrue says with a laugh. “I think we are going to get more of it right than wrong, and what we get wrong — we are going to listen very hard to people — we are going to make that right. I promise you that. Marburger captivates me. It just devours all of my time and attention, but how lucky am I?! All these issues surround purpose-driven lives, and we get to work on Marburger to bring a community of people together to celebrate design, antiques, Texas. It’s like the American Dream is alive and well on the Round Top fields during Marburger. It’s just an incredible collection of people.”

    Visit the refreshed Marburger Farms from Tuesday, March 24 to Saturday, March 28. Purchase tickets at marburgerfarm.com.

    Marburger Farm Round Top

    Courtesy of Marburger Farm

    Visit Marburger Farm March 24-28.

    marburger farmround topshopping
    news/home-design
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