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    Houston's Historic Mansion

    This $11.5 million Houston mansion brings historic luxury — and the legend of the indoor home skating rink

    Barbara Kuntz
    Barbara Kuntz
    Jul 6, 2014 | 8:24 am

    Editor's Note: Houston, the surrounding areas and beyond are loaded with must-have houses for sale in all shapes, sizes and price ranges. In this continuing series, CultureMap snoops through some of the best and gives you the lowdown on what's hot on the market.

    Malvern Estate at 7 Winston Woods, one of Houston's grandest John Staub-designed homes, is now up for sale. It carries a $11.5 million asking price and boasts direct ties to old Houston society of the rich, educated and sophisticated — and lots of oil men.

    A bit of background
    Malvern was completed in 1938 by Staub for late Houston businessman James O. Winston Jr. The acreage was carved from equestrian property owned by the late Stephen Power Farish of Humble Oil and his late brother, William Stamps Farish II, former president of Standard Oil.

    William Stamps Farish II brought Staub to Houston in 1921 when he was a young architect in New York. Staub’s inspiration for Malvern came from The Wick, an 18th-century late Georgian house in Richmond, Greater London.

    Winston Woods’ private road is bordered and curbed with Belgian block cobblestone from the streets of lower Manhattan.

    Staub is reported to have traveled with the Winstons to England to acquire some of the antique elements that now grace Malvern. In addition, Winston commissioned Houston Brick & Tile Co. to reproduce the sand-surfaced bricks at the Governor's Palace in Williamsburg, Va., for the Houston estate The wall enclosing Winston Woods also was inspired by the wall surrounding that post-colonial building.

    The present owners purchased Malvern and its original 12 acres from the Winston family in 1997. Since then, they subdivided the property to create the 12-acre Winston Woods, a gated enclave of eight home sites and private nature preserve. Their comprehensive, research-driven restoration and detailed modernization was a 14-year project.

    The house
    Original hardwood floors, inlaid with parquet patterns, extend from the rotunda foyer throughout the house. Highlights in the formal living room include a centrally framed ceiling panel with trompe l’oeil sky distract and antique fireplace with an ornate marble frieze carved with mythological figures. The dining room overlooks the terrace and park.

    The more informal morning room is bright and lively with Brunschwig & Fils-covered walls, and the library is paneled in rich mahogany. The spacious kitchen is up-to-date and professionally equipped, with a cozy family room just steps away.

    On the second floor, the master suite has access to a rear balcony and includes two updated bathrooms and dressing areas with custom walk-in closets. Also on the second floor, four additional bedroom suites offer private bathrooms and walk-in or multiple deep closets. The Winstons left the third floor of the house floored but not finished, and their children (reportedly) used it as an indoor skating rink.

    Re-purposing its original, long-leaf pine planks, the present owners converted the large open space into two dormer bedrooms. In total, the house has nine full baths and four half-baths.

    The grounds
    Lush parterres near the kitchen are stocked with culinary herbs, mature fruit and berry trees and perennial flowering plants. Pennsylvania green stone terraces surround the house and transition to stacked-stone and brick paths that travel to a contiguous 2.134 acre wooded, restricted reserve and to the bayou. There, owners enjoy a flagstone waterfall, flowing pond and a fire pit.

    The guest quarters above the three-car garage was constructed almost entirely from reclaimed materials salvaged from the original garage and its second-floor living quarters.

    Winston Woods’ private road is bordered and curbed with Belgian block cobblestone from the streets of lower Manhattan. When those streets were renovated in the late-20th century, 60 tons of cobblestone was purchased and shipped to Houston by rail for Winston Woods.

    Square footage: 10,153

    Asking price: $11.5 million

    Listing agent: Steve Baumgardner, John Daugherty Realtors

    The dining room with bow windows overlooks the terrace and manicured grounds.

    On the Market 7 Winston Woods July 2014 dining room
    Photo courtesy of © TK Images
    The dining room with bow windows overlooks the terrace and manicured grounds.
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    gold pony club

    Inside the creation of the rodeo cook-off’s most over-the-top tent

    Emily Cotton
    Feb 27, 2026 | 12:30 pm
    Cotton Q Club rodeo tent 2026
    Courtesy of Cotton Holdings
    The Gold Pony is the ultra-private VIP lounge behind the stage.

    The Cotton Q Club is arguably the glitziest and most exclusive tent at the Houston Livestock Show and Rodeo’s annual World's Championship Bar-B-Que Contest. Hosting nearly 800 invited guests-per-night, the 5,000-square-foot space includes a 50-foot bar, a new pop-up martini bar by Sophie Cocktail & Terrace Bar called “The Stirrup,” the ultra-exclusive “Gold Pony Club,” and a full stage for private concerts. This season, county music acts include Gabby Barrett, Sammy Kershaw, Josh Turner and Braxton Keith.

    Aside from the obvious, what sets the club apart from the rest is the sheer magnitude of its operation. Once inside, guests are encapsulated by velvet-draped ceilings illuminated by crystal chandeliers, three-layer tartan-topped carpeting, richly-colored wooden-paneled walls, plus thousands of red roses swathed acrobatically throughout.

    To coincide with the year of the horse, five enormous ponies made entirely of red roses have been suspended from the ceilings. The second additions this year hang on either side of the bar in The Gold Pony, the club’s even more exclusive VIP area. The kinetic artworks were created by Houston artist Sneha Merchant —all for a three day fête. This begs the question: how do they do it?

    Cotton Holdings and its subsidiaries are well positioned to carry out the entire project themselves — so they do. Never bothered or besmirched by the possibility of running into issues with rental companies, everything at The Cotton Q Club is procured, purchased, and stored in-house. As one would expect from a company that provides disaster relief around the world.

    “There is a lot of love and care put into this because we’re not in a hotel, we’re not in someone’s home,” Cotton Holdings chief marketing officer Zinat Ahmed tells CultureMap. “So for us to be able to create this entire infrastructure under a tent — down to the walls and chandeliers — it is much more than throwing a party. It’s about the details that make people feel that they are at a hotel, they are in an extravagant room, they are at The Polo Bar.”

    Ahmed notes that a lot of the company’s culture is mixed into the tent, such as what Cotton does as a disaster relief company (including providing food by Cotton Culinary).

    “Cotton Logistics puts up tents during a natural disaster. Seeing the Cotton team, whether it’s cleaning or moving things around, welcoming everyone, that’s part of our Cotton GDS — we restore communities after natural disasters. Our synergies in different parts of our day-to-day are here,” she says.

    Ahmed’s team has complete creative control over the interior aesthetics of the club. Always sourcing anything that cannot be made in-house to local vendors is something she feels is important. Nothing is rented, not even the furniture or accessories.

    “Every single thing, unless it was done by a local vendor, was done in-house: design, signage, execution — even the embroidery,” she explains

    Everything is checked over during the summer months so there won’t be any surprises when the cook-off comes back around. Every item is organized, labeled, and stored either in Cotton’s warehouses, Conex boxes, or in special climate-controlled safes — down to the matchboxes.

    “We are always prepared and ready to go,” explains Ahmed. “It’s not chaotic at all because we’re used to it — it’s a normal day at Cotton.”

    When asked for her favorite parts of the tent this year, Ahmed readily answered that it has to be the five rose ponies in the main area of the club. Secondly, the two commissioned works by Sneha Merchant. Sprinkled in diamond dust, one is a female mallard wrapped in a boa, champagne flute in hand, while the other is a smartly-suited jackalope complete with cowboy hat and martini.

    Both pieces are lit by antique sconces Ahmed sourced from Round Top, while the taxidermy Zebra heads are on loan from the Columbus, Texas ranch of Cotton Holdings’ Chairman Pete Bell.

    “Every detail, down to the swatches of velvet has been thought of with a lot of love and care,” says Ahmed. “You use that mindset with something like this. So, if you have a mindset like before you deploy to a hurricane, you can do it for the Houston Livestock Show and Rodeo.”

    Cotton Q Club rodeo tent 2026

    Courtesy of Cotton Holdings

    The Gold Pony is the ultra-private VIP lounge behind the stage.

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