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    Movie Review

    The future is now in so-so sci-fi/action film The Tomorrow War

    Alex Bentley
    Jul 1, 2021 | 4:41 pm
    The future is now in so-so sci-fi/action film The Tomorrow War
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    Creating a new, original blockbuster type of movie is almost impossible in this day and age. Most studios prefer to go the tried-and-tested route, rebooting old properties or adapting a best-selling book series to guarantee audience interest. The new sci-fi/action film The Tomorrow War doesn’t have either of those, but it does have Chris Pratt, who all but screams blockbuster given his prominent roles in the Jurassic World, Guardians of the Galaxy, and Lego Movie franchises.

    Pratt plays Dan Forester, a mild-mannered science teacher whose life – along with everyone else on Earth – is thrown into turmoil when a group of humans arrives from 30 years in the future to announce that the world has been overrun by aliens. The monsters – nicknamed White Spikes – are so overpowering that the human population has dipped to near extinction levels.

    In desperation, the future humans are calling on the current-day humans to travel back to the future with them and join the fight. Due to the high number of military casualties, governments around the world institute a draft, roping in civilians like Forester and many others. The bulk of the film takes place in the future as Forester and his fellow untrained soldiers learn how terrifying the White Spikes actually are.

    Directed by Chris McKay and written by Zach Dean, the film doesn’t give short shrift to the heart department. When he gets drafted, Forester leaves behind his wife, Emmy (Betty Gilpin), and daughter, Muri (Ryan Kiera Armstrong), and the impact his absence has is far bigger than he could have imagined. The emotions of that bond, as well as the terror experienced by people with no combat experience when they’re thrown into the middle of an apocalyptic world, are palpable.

    But, of course, this is primarily an action movie and that’s where the focus is for most of its overlong 2 hours and 20 minutes. Many of the scenes are chaotic, with the new arrivals having no idea what to do in unfamiliar surroundings and the speed and ferocity of the aliens adding to the pandemonium. McKay and his team are relatively effective in staging the sequences, although they rely a bit too often on random unnamed characters dying, with the main group miraculously surviving against all odds.

    Things get more and more silly as the movie goes along, although the story never goes completely off a cliff like some other action films. The time travel aspect creates some seemingly impossible scenarios, but they resolve the conundrums nicely by the time the film comes to an end.

    Pratt, who famously got his big break on Parks & Recreation, is surrounded by a bunch of other actors previously best known for their TV work. In addition to Gilpin (GLOW), the cast boasts Yvonne Strahovski (Chuck, The Handmaid’s Tale), Sam Richardson (Veep), Mary Lynn Rayskub (24), and more. It’s possible they were cast precisely because of their small-screen appeal, giving their characters a more human feel than big-time movie stars might.

    The Tomorrow War is the kind of movie that would play much better on a big screen than on whatever device viewers choose to watch Amazon Prime Video. But such is the way of the world these days, and the film still has more pluses than minuses, making it a positive experience no matter where you view it.

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    The Tomorrow War will stream exclusively on Amazon Prime Video starting July 2.

    Chris Pratt in The Tomorrow War.

    Chris Pratt in The Tomorrow War
    Photo courtesy of Amazon Studios
    Chris Pratt in The Tomorrow War.
    movies
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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    Anaconda is now playing in theaters.

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