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    Movie Review

    Minions: The Rise of Gru finds the fun again by going back in time

    Alex Bentley
    Jun 29, 2022 | 8:50 pm
    Minions: The Rise of Gru finds the fun again by going back in time
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    The goals of animated properties can be very different. For instance, anything coming from Disney and/or Pixar tends to have relatable emotional stakes, even if the stories are fantastical. But from the start, the Despicable Me franchise has been about pure comedy, whether involving the dastardly adventures of Gru (Steve Carell) or the bumblings of his loyal yellow henchmen, the Minions.

    After getting their own prequel spinoff in 2015, the little yellow guys are back in the spotlight in Minions: The Rise of Gru. Set in 1976, Gru is a 12-year-old villain wannabe who idolizes a group known as the Vicious 6. That group consists of Wild Knuckles (Alan Arkin), Belle Bottom (Taraji P. Henson), Jean-Clawed (Jean-Claude Van Damme), Svengeance (Dolph Lundgren), Stronghold (Danny Trejo), and Nun-Chucks (Lucy Lawless).

    The hunt for an ancient artifact is the MacGuffin of the film, throwing Gru, the Vicious 6, and the Minions together in various permutations. But it’s just an excuse for the characters to travel around the United States and see what hijinks will arise. Gru doggedly pursues different members of the Vicious 6, while Minions like Kevin, Stuart, Bob, and Otto (all voiced by Pierre Coffin) attempt to help in their own unique ways.

    Co-directed by Kyle Balda, Brad Ableson, and Jonathan Del Val, and written by Matthew Fogel, the film is essentially split in two, with Gru on one side and the Minions on the other. The balance between Gru and the Minions is needed, as too much time spent with either on their own threatens to become character overload. The filmmakers know this, shifting back-and-forth regularly, but not so often that it kills the humor the two sides generate.

    The new characters are just okay, as their storyline is never all that compelling. The focus is on a rivalry between Wild Knuckles and Belle Bottom, with those two characters getting way more fleshed out than the other four. As it stands, it’s just a slightly fun Easter egg that those four are voiced by action stars of the ‘80s and ‘90s — nothing more, nothing less.

    Something that does stand out is the animation, which has noticeably improved. Several characters are not nearly as cartoonish as most characters have tended to be in the series, and things like water, hair, and other small details pop. The filmmakers are obviously not going for realism like other animated films, but it appears there was a concerted effort to step up their game this time around.

    You’d think that the Minions would lose their ability to entertain since they essentially do the same things over and over again, but the filmmakers keep the characters interesting. Adding in the new Otto helps, as he’s distinct enough from the others to add something fresh. It’s also fun to see Gru at a younger age, giving him a different dimension from his previous appearances.

    With an enjoyable story that never gets annoying and a renewed approach toward familiar characters, Minions: The Rise of Gru is the most successful film in the Despicable Me franchise since the original. The only emotion the movie elicits is happiness, as the goofiness of the Minions and others proves irresistible.

    ---

    Minions: The Rise of Gru opens in theaters on July 1.

    Belle Bottom (Taraji P. Henson) and the Vicious 6 in Minions: The Rise of Gru.

    Belle Bottom (Taraji P. Henson) and the Vicious 6 in Minions: The Rise of Gru
    Photo courtesy of Illumination Entertainment & Universal Pictures
    Belle Bottom (Taraji P. Henson) and the Vicious 6 in Minions: The Rise of Gru.
    movies
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    River Restoration

    New documentary shows how the Hill Country is recovering after July 4 flood

    Brianna Caleri
    May 12, 2026 | 9:15 am
    Hill Country Alliance Guadalupe River landowner workshop
    Photo courtesy of the Hill Country Alliance
    The Hill Country Alliance is one of the organizations featured in the film. Here, it hosts a workshop for landowners to learn how to plant new vegetation.

    As Central Texas approaches the one-year mark after the destructive July 4 floods in 2025, the disaster has moved into a new phase of remembering and restructuring. A new documentary called Hope for the Guadalupe combines the two, collecting perspectives from the people who lived it and looking at the work Texans are doing now to revitalize the land.

    The film will debut in a series of screenings that start in Austin at the sold-out 11th Annual Water, Texas Film Festival on May 12 and continue throughout Texas. After the community screenings, it will be picked up by Alamo Drafthouse for more showings from May 31 through June 2. These theater showings will be part of a double feature with another, more general conservation documentary called Deep In The Heart: A Texas Wildlife Story. Tickets are on sale now.

    Other screenings with post-film Q&As will take place in the following cities:

    • Kerrville – Thursday, May 14 | Arcadia Live Theatre
    • San Antonio – Friday, May 15 | San Antonio Botanical Garden
    • Dallas – Tuesday, May 19 | Angelika Film Center & Café
    • Houston – Thursday, May 21 | River Oaks Theatre
    • Wimberley — Sunday, May 31 | 7A Ranch Opera House

    The flooding is still primarily referred to by date only. It mostly affected the Guadalupe River, which runs through New Braunfels and separates Austin and San Antonio, but floods also caused significant damage north of Austin. During the worst of the flash flooding, the Guadalupe crested at more than 37 feet in just hours, a press release about the film recounts. It shares an estimate that 52 percent of riparian vegetation — basically, the plants that create a buffer between land and river — was lost in Kerr County.

    Director Ben Masters and producer Josh Winkler gathered their findings by talking to various community members and organizations about the ecology of the region and what they're doing about it now. According to the release, that means hearing from biologists, landowners, and conservationists doing things like planting native species and looking at the area's longterm needs.

    The organizations looking after these longterm needs are now part of a coalition supported by the Community Foundation of the Texas Hill Country. Some of the individual organizations include the Hill Country Alliance, San Antonio Botanical Garden, Kerr County River Foundation, and the Hunt Preservation Society. The film will show some of their projects in progress.

    “The goal was to tell this story with honesty and respect for the people and the place,” said Ben Masters, director of Hope for the Guadalupe. “What we saw was not just devastation, but a community coming together to restore something deeply meaningful. That’s what this film is about.”

    The Community Foundation of the Texas Hill Country is one of several supporters of the film. The Community Foundation is also supporting fundraising efforts through its Hope for the Guadalupe Fund, which supports long-term river restoration, planting of native trees, seeds, and grasses, and stewardship efforts across the region. Many of those efforts are spotlighted in the film.

    “The Guadalupe River is one of Texas’ great natural and cultural resources,” said Community Foundation of the Hill Country CEO Austin Dickson in the release. “This film documents both the devastating impact of the floods and the extraordinary work underway to restore the river corridor and surrounding communities. Long-term recovery means caring for the land, the watershed and the people who depend on them for generations to come.”

    floodingflood reliefecologynaturesustainabilitygardeningnative plantsfilmdocumentary
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