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    Movie Review

    Minions: The Rise of Gru finds the fun again by going back in time

    Alex Bentley
    Jun 29, 2022 | 8:50 pm
    Minions: The Rise of Gru finds the fun again by going back in time
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    The goals of animated properties can be very different. For instance, anything coming from Disney and/or Pixar tends to have relatable emotional stakes, even if the stories are fantastical. But from the start, the Despicable Me franchise has been about pure comedy, whether involving the dastardly adventures of Gru (Steve Carell) or the bumblings of his loyal yellow henchmen, the Minions.

    After getting their own prequel spinoff in 2015, the little yellow guys are back in the spotlight in Minions: The Rise of Gru. Set in 1976, Gru is a 12-year-old villain wannabe who idolizes a group known as the Vicious 6. That group consists of Wild Knuckles (Alan Arkin), Belle Bottom (Taraji P. Henson), Jean-Clawed (Jean-Claude Van Damme), Svengeance (Dolph Lundgren), Stronghold (Danny Trejo), and Nun-Chucks (Lucy Lawless).

    The hunt for an ancient artifact is the MacGuffin of the film, throwing Gru, the Vicious 6, and the Minions together in various permutations. But it’s just an excuse for the characters to travel around the United States and see what hijinks will arise. Gru doggedly pursues different members of the Vicious 6, while Minions like Kevin, Stuart, Bob, and Otto (all voiced by Pierre Coffin) attempt to help in their own unique ways.

    Co-directed by Kyle Balda, Brad Ableson, and Jonathan Del Val, and written by Matthew Fogel, the film is essentially split in two, with Gru on one side and the Minions on the other. The balance between Gru and the Minions is needed, as too much time spent with either on their own threatens to become character overload. The filmmakers know this, shifting back-and-forth regularly, but not so often that it kills the humor the two sides generate.

    The new characters are just okay, as their storyline is never all that compelling. The focus is on a rivalry between Wild Knuckles and Belle Bottom, with those two characters getting way more fleshed out than the other four. As it stands, it’s just a slightly fun Easter egg that those four are voiced by action stars of the ‘80s and ‘90s — nothing more, nothing less.

    Something that does stand out is the animation, which has noticeably improved. Several characters are not nearly as cartoonish as most characters have tended to be in the series, and things like water, hair, and other small details pop. The filmmakers are obviously not going for realism like other animated films, but it appears there was a concerted effort to step up their game this time around.

    You’d think that the Minions would lose their ability to entertain since they essentially do the same things over and over again, but the filmmakers keep the characters interesting. Adding in the new Otto helps, as he’s distinct enough from the others to add something fresh. It’s also fun to see Gru at a younger age, giving him a different dimension from his previous appearances.

    With an enjoyable story that never gets annoying and a renewed approach toward familiar characters, Minions: The Rise of Gru is the most successful film in the Despicable Me franchise since the original. The only emotion the movie elicits is happiness, as the goofiness of the Minions and others proves irresistible.

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    Minions: The Rise of Gru opens in theaters on July 1.

    Belle Bottom (Taraji P. Henson) and the Vicious 6 in Minions: The Rise of Gru.

    Belle Bottom (Taraji P. Henson) and the Vicious 6 in Minions: The Rise of Gru
    Photo courtesy of Illumination Entertainment & Universal Pictures
    Belle Bottom (Taraji P. Henson) and the Vicious 6 in Minions: The Rise of Gru.
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    Movie Review

    Toy Story 5 proves that Pixar's toy box still holds some surprises

    Alex Bentley
    Jun 18, 2026 | 3:30 pm
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5
    Photo courtesy of Pixar
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5.

    For fans of Pixar, the idea that it’s been over 30 years since the original Toy Story came out is a little mind-boggling. While the animation studio has had varying degrees of success with their other properties, they’ve always managed to make something special with each installment of their signature franchise. They’re now rolling the dice yet again with Toy Story 5.

    The story is mainly focused on cowgirl toy Jessie (Joan Cusack), who — along with Buzz Lightyear (Tim Allen), Hamm (John Ratzenberger), Forky (Tony Hale), and others — is concerned that new owner Bonnie (Scarlett Spears) is falling prey to the scourge of technology in the form of the tablet Lilypad (Greta Lee). They’re worried that the “friends” she makes through games online pale in comparison to those she could play with in person.

    Woody (Tom Hanks) and Bo Peep (Annie Potts), living an on-the-go lifestyle but still in touch with the main group, come to help when Jessie goes missing while trying to help Bonnie. And — just because — a large group of new-and-improved Buzz Lightyears that have fallen out of a shipping container that has crashed on an island go on a mission that puts them on course to meet up with everyone else.

    Written and directed by McKenna Harris and Andrew Stanton, the film is a mixed bag, mostly because of the disjointed nature of the story. When the group was separated in previous films, things rarely felt out of sync as everybody was still heading toward the same goal. But the different factions in this film seem to be after something different, especially the wholly superfluous addition of the fancy Buzz Lightyears, whose ultimate purpose doesn’t live up to the time dedicated to them.

    There’s no way around it: While Jessie is a good character and has a lot of great moments in this film, the relationship aspect of the series is not as strong this time around. She mostly spends time with her mute horse Bullseye, but even when she interacts with new characters like Smarty Pants (Conan O’Brien), that ineffable magic is not there. Woody and Buzz have scenes together, but since they’re secondary to the main story, they don’t add as much to this film as they have in others.

    However, even if the film can’t live up to the first four movies, it still makes for a fun time. The storyline about technology turning kids (and adults, for that matter) into zombies is a strong one, and the way they incorporate different devices is clever. The large number of characters is unwieldy, but when the filmmakers truly dig down to the personal lives of certain toys or humans, the film is as effective as Pixar has ever been.

    Cusack, Hanks, Allen, and other returning voices are so attuned to their respective characters that you know they’ll deliver each line perfectly. People like Lee, O’Brien, and Craig Robinson are welcome additions to the group, but it’s tough to get used to new voices taking over for actors who’ve passed like Don Rickles, Estelle Harris, and Carl Weathers.

    The pitch-perfect ending of Toy Story 3 made the idea of Pixar making Toy Story 4 seem strange, but then that film proved the studio knew what it was doing. While Toy Story 5 is not a disaster, it’s not to the standard set by the previous films. It should finally be time to put the franchise to bed, knowing that the toys have given all the joy they can give.

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    Toy Story 5 opens in theaters on June 19.

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