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    The Review is In

    Traveling circus offers guilt-free thrills with elephant puppets, razor-sharp ringmaster

    Lindsey Wilson
    Jun 8, 2017 | 10:45 am

    The recent demise of Ringling Bros. and Barnum & Bailey Circus freed its animals (hooray!) but also put hundreds of uniquely skilled performers out of work (boo!). Specialized art forms that have been passed down through generations — think trapeze, high-wire, clowning, balancing acts, aerial work — suddenly seem in danger of dying out, unless folks who have dedicated lifetimes to these classic skills suddenly go modern with Cirque du Soleil or its many imitators.

    Enter Circus 1903, a two-hour extravaganza that imbues traditional circus acts with old-timey nostalgia and acknowledges the elephant in the room through life-size puppets. And you know what? It works.

    It's straightforward without seeming cheap, flashy without appearing overdone, wholesome without feeling corny (though you should watch out for popcorn projectiles). It nods at historically exotic mainstays such as the sideshow — here it's the lovely and astoundingly elastic Senayet Assefa Amara — but doesn't linger long enough to get trapped by the exhibit's tawdry underbelly.

    Perhaps most importantly, though, it's emceed by a ringmaster (Willy Whipsnade, or David Williamson as he's known outside the big top) who is effortlessly charming but still razor-sharp with his audience improv.

    The show's subtitle is "The Golden Age of the Circus," and it has, indeed, landed in the sweet spot of entertainment. There's nothing inappropriate or salacious, making it safe for young viewers. But just as kids will be mesmerized by the sparkly costumes (courtesy of designer Angela Aaron) and epic music (composed by Evan Jolly), adults might bite off a fingernail or two once all the soaring, leaping, and spinning is through. These performers do fly through the air with the greatest of ease, but while they do you might forget to stop breathing.

    Each act is showcased impeccably, from the light-speed juggling of Francois Borie (known as the Great Gaston) to a "bicycle ballet" from the Cycling Cyclone, Florian Blummel. Aerialist Lucky Moon (Elena Gatilova) receives a particularly beautiful presentation thanks to Paul Smith, whose lighting is some of the best in recent memory, circus or not.

    And those elephants? They're simply stunning. Manipulating puppets designed by Mervyn Millar and Tracy Waller for Significant Object, six puppeteers bring a majestic mother and her scampering calf to life (look closely and you'll see some handlers propped up on stilts). It's the inventive and humane debut that elephants always deserved.

    ---

    Society for the Performing Arts presentation of Circus 1903 plays at Jones Hall June 9 - 11.

    Elena Gatilova, also known as Lucky Moon.

    Circus 1903
    Photo by Mark Turner Images
    Elena Gatilova, also known as Lucky Moon.
    reviewstheater
    news/arts

    Best April Art

    9 can't-miss art events and openings happening in Houston this month

    Tarra Gaines
    Apr 8, 2026 | 9:15 am
    Art Car parade
    Courtesy of the Orange Show Center for Visionary Art
    Art Car weekend returns April 9-12.

    April is the perfect month to head outdoors and even underground for great art across Houston. The Orange Show brings days of moving art and one of the best parties of the year, as the Art Car Parade rolls into town. The Woodlands hold their own annual outdoor art festival, and the Buffalo Bayou Cistern begins its 10 year anniversary a little early with their next expansive installation. But if you prefer your art more indoors, the Menil, HMAAC, the Asia Society, and Sawyer Yards have vivid new shows to see.

    “Allegiance to the People” at Houston Museum of African American Culture (now through June 6)
    This first Texas solo exhibition of Afro-Caribbean American, multidisciplinary, portrait artist Kandy G. Lopez will showcase pieces of extraordinary fiber art. Lopez uses color and layered textiles to create dynamic portraits that capture the complexity and vibrancy of Caribbean and urban American everyday life. HMAAC notes that the people Lopez portrays in her work are not symbolic archetypes but real individuals she has encountered. Each portrait reflects the subjects' lived experience, while embodying cultural memory, resilience, vulnerability, and perhaps a little swagger.

    “World: Photographs” at Houston Museum of African American Culture (now through June 6)
    Dr. Jayasimha N. Murthy is is a board-certified pulmonologist and sleep medicine specialist practicing in Houston, but he’s also a world traveler and photographer. In this HMAAC exhibition, Murthy uses his photographic artistic skill to document his journeys, capturing moments where natural beauty, architecture, and atmosphere converge. Exhibition co-curator, John Guess, Jr., states he encountered Murthy’s work on the walls of Methodist Hospital and thought they deserved to be seen by a wider audience at the museum. The curators note that Murthy’s photographs reflect a careful awareness of light, color, and composition, while often catching fleeting atmospheric conditions that transform familiar landscapes into something extraordinary.

    "Our Road Home: Gallery As Instrument” at Fresh Arts’ Winter Street Studio (April 9-May 29)
    For this latest installment of Fresh Arts’ Space Taking Artist Residency initiative, director, choreographer, and ethnochoreologist Jakari Sherman will turn the gallery into a place for performance and sound art. Sherman plans to transform the space bi-weekly to feature rotating exhibitions of scenic design artwork, digital projection landscapes, documentary film screenings, and creative writing installations, all which reveal the collaborative process behind theatrical creation. Sherman hopes viewers and visitors will see how art can become homemaking as they experience weeks of performance, visual art, dance workshops, artist talks, and community gatherings.

    Art Car Parade and Festival across Houston (April 9-12)
    Houston’s own keeping-it-weird Orange Show presents almost a week of activities and celebrations around the internationally famous Art Car Parade. Thursday brings the Main Street Drag and its mini parades as the art cars cruise to locations across Houston, visiting with individuals that may not have the opportunity to attend the actual parade, such as schools, nursing homes, developmental centers, and hospitals. Later that day, Discovery Green and Avenida Houston become a preview art parking lot for over 100 art cars. Come out for a close look at the cars, meet the artists, and enjoy live music and art-making fun for the whole family. Friday night, don’t miss the wild costumes, more live music, interactive and performance art, food, drinks, and a huge selection of illuminated and fire-breathing art cars at the annual Legendary Art Car Ball, this year in downtown Houston.

    Saturday brings the big parade, as 250 rolling art/auto masterpieces cruise through downtown and along Allen Parkway. On Sunday, the weekend ends with the Art Car Awards Ceremony back at the Orange Show Headquarters. Over $16,000 will be distributed to Art Car artists, schools, and nonprofit groups in various categories through a judging process that rates entries based on their creativity, artistic techniques, and inspiration.

    Woodlands Waterway Arts Festival at Town Green Park (April 10-12)
    Set along the banks of The Woodlands Waterway in Town Green Park, festival guests will have the opportunity to enjoy a vibrant outdoor gallery with authors, music, food, and kids' activities while shopping for art created by local, national, and maybe even some international artists working in a variety of mediums. For those wanting some performance art amid their visual art, look for multiple stages with live music concerts, dance performances, poetry readings, and storytelling throughout the 3 days of the festival.

    "Outerworlds" at Asia Society (April 15-August 2)
    Born in Baghdad and now making a home in Louisville, Kentucky, artist Vian Sora has had her artwork showcased in museums around the world. This multi-venue mid-career survey exhibition will feature 24 of Sora’s paintings which allow viewers to follow her evolution as an artist who uses bold, abstract images to depict tumultuous events of her own life.

    Her artwork also depicts ancient Mesopotamian history and Iraq’s diverse natural landscapes, including its deserts, rivers, and archeological sites. Using vibrant colors, Sora splashes, pours, and sprays her paints onto canvases, sometimes creating upwards of 50 layers of oil and acrylic paint in a single work. Sora says that this she wants this multilayered effect to give concrete form to the chaos of life, and that the paintings reference the cycles of life and evolution in biology as well as the history of her homeland.

    “Second Nature” at Asia Society (April 15-October 4)
    Look for acclaimed sculptor Nevine Mahmoud's carved stone objects throughout the Asia Society’s public spaces, offering uncanny surprises as visitors wander the building. Mahmoud uses cutting-edge robotic processes with hand-carving techniques to shape stone, a "natural" material rendered otherworldly into both recognizable and strange shapes. Some pieces included in the scattered exhibition will be jumbo-sized fruits dripping with glass, a contorted marble faun, and children's toys that have been immortalized in white alabaster. The Asia Society notes that though Mahmoud’s subjects range from the luscious to the surreal to the playful, her sculptures play with our understanding of nature.

    "The Hour Of The Dog” at Menil Collection (April 24-October 11)
    The Menil gets immersive with this monumental, six-channel video and sound installation by the Ghanaian-born British artist, Sir John Akomfrah. Co-commissioned by the Menil and the Baltimore Museum of Art, this new work touches on some of the ideals of the museum's founders John and Dominique de Menil, who believed art can reveal injustice while also inspiring social change. Running a little over 50 minutes, “Hour of the Dog” explores the history of the Civil Rights movement in the American South from 1954 to 1963, examining many of the nonviolent methods used, especially marches, protests, boycotts, and voter registration efforts. To create the encompassing installation, Akomfrah used archival documentary footage, oral histories, newsreels, and photography, while also creating new footage with actors on a soundstage.

    “Activism is not confined to what happens in the streets; it's bound up with who and how we remember, who and how we mourn, and how we dream forward,” Akomfrah said in a statement. “The dreams and despairs of 1960s activists still pulse through our contemporary condition, waiting for new forms, new utterances. Returning to that moment, to those voices, is less about nostalgia and more about listening again — and differently.”

    “Undercurrents” at the Buffalo Bayou Cistern (April 24-January 27)
    To celebrate the Cistern’s 100th Anniversary and 10-Year Mark as one of the world’s most unique public art venues, Buffalo Bayou Partnership presents this new immersive installation. Created by acclaimed multi-media artist Rafael Lozano-Hemmer, “Undercurrents” weaves together light, generated from a mile’s worth of LED devices suspended like a web just above the reflective surface of the Cistern’s waterline, with the recorded voices of five Houston writers, including Aris Kian, Jennifer Teets, Martha Serpas, Nick Flynn, and Roberto Tejada. But the installation will constantly evolve and change as visitors can also record their own voices and messages into intercoms along the path. Their voices will be mixed with the recorded writers. Together, the voices will trigger the light patterns.

    “As our first truly interactive installation in the Cistern, ‘Undercurrents’ offers visitors not only something to behold, but something to become a part of,” said BBP's Vice President of External Affairs, Karen Farber. “It is such an honor to witness Rafael’s inventive studio responding to the unique conditions of the Cistern and we can’t wait for audiences see – and hear – the space through this new artwork.”

    Art Car parade
    Courtesy of the Orange Show Center for Visionary Art
    Art Car weekend returns April 9-12.
    news/arts
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