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    Tony Award Predictions

    A Kinky Tony awards? Close race for Broadway's top prizes and the winners are....

    Fran Macferran
    Jun 8, 2013 | 2:34 pm

    Editors' Note: For the third year in a row, Hobby Center for the Performing Arts president and Tony Award voter Fran Macferran shares his take on the favorites at the 67th Annual Tony Awards Sunday night with CultureMap readers.

    It’s that time of year again when Broadway is buzzing with new works and big names as the Tony Awards are quickly approaching. As a Tony voter, I have had the privilege to experience some of the best of Broadway this season, and get a preview of productions that could make their way to the Hobby Center here in Houston. My ballot has been cast; here is my breakdown of the top plays and musicals competing for the top awards.

    The Leading Play-ers

    Much like last year, there are many note-worthy actors and actresses who we know best from TV and film that have given stand-out performances on Broadway this year.

    Among these veteran actors is Tom Hanks who proves he is a true character actor in Lucky Guy. In this gritty look at the world of tabloid journalism in 1980s New York City scripted by the late Nora Ephron, Hanks stars as Pulitzer Prize winning journalist Mike McAlary. Hanks easily translates his acting skills from screen to stage – not an easy task – and has a good shot at the win for Best Actor in a Play.

    In Ann, Holland Taylor brings her back to life in a spectacular and uncanny performance. Her nomination for Best Performance by an Actress in a Play is incredibly well-deserved.

    The Best Actor trophy, however, has tough competition from David Hyde Pierce and Nathan Lane; both actors have previously won Tony Awards in this category. Pierce is nominated for his role as Vanya in Vanya and Sonia and Masha and Spike, which stands out as an unbelievable production. The entire cast is off the charts and is the very definition of an ensemble. It is rare to find an ensemble cast where all of the individual actors are so dynamic. Lane is nominated for his performance as Chauncey Miles in The Nance.

    The two leading ladies in The Assembled Parties are unbelievable and really carry this phenomenal, off-the-charts-awesome show. Last season, Judith Light blew me away with her performance in Other Desert Cities, for which she won a Tony for Best Featured Actress in a Play, and she continues to amaze with her captivating portrayal of Faye in this family drama. This is her third year in a row to be nominated in the Best Featured Actress in a Play category, and I think she might continue as the reigning champion.

    I think most Texans, no matter which side of the aisle they stand on, have a soft spot for former Gov. Ann Richards. In Ann, Holland Taylor brings her back to life in a spectacular and uncanny performance. Her nomination for Best Performance by an Actress in a Play is incredibly well-deserved. Most plays don’t get a life out on the road, but I am hopeful this one does so more Texans can witness this transformational portrayal of Ann Richards.

    The Famed and Familiar Musicals

    Looking at the nominated musicals, we see not only beloved musicals and familiar names from the entertainment industry, but also several titles from movies and books. Though several names may be familiar, they certainly take on new identities in musical form and make a phenomenal impression.

    Probably one of best-known titles is Annie, up for Best Revival of a Musical. In all my trips to Broadway and years as a Tony voter, this was my first time to see Annie! I’m glad I waited to see this revival’s run and experience Jane Lynch’s portrayal of Miss Hannigan, the character everyone loves to hate. This tried and true musical is worth a second chance for those who think they have already been, there, done that -especially if you get a chance to see it with Lynch.

    Pippin has already announced a national tour and I am hoping it will make a stop in Houston.

    Also up for Best Revival of a Musical, and definitely my pick, is Pippin. The circus and acrobatic elements are awe-inspiring, and there are many wow factors throughout the show. As the Leading Player, Patina Miller filled the Tony Award winning shoes of original cast member, Ben Vereen, in tremendous fashion. Pippin has already announced a national tour and I am hoping it will make a stop in Houston.

    Another familiar name, this time from the bookshelf, is Matilda The Musical. Like my experience in Annie, there was one particular actor who stole the show. Bertie Carvel is amazing from the moment he appears on stage as Miss Trunchbull (a dramatic entrance which you must see yourself!), and is my pick to win for Best Performance by an Actor in a Musical. The show has been incredibly successful on London’s West End, and the Broadway incarnation definitely has the legs to stick around for quite a while. Hopefully, it will also make its way on tour to Houston.

    It’s going to be a tight race between Matilda The Musical and Kinky Boots for Best Musical. Interestingly enough, both have British roots. I think Harvey Fierstein will win for Best Book of a Musical and Cyndi Lauper has a shot of winning in the Best Original Score category. These two might put Kinky Boots over the edge to win Best Musical.

    Tony Award votes are cast by secret ballot, but there is of course a lot of speculation and buzz about who will take each award category. The rumored favorites below reflect my opinions only, and not necessarily even my personal favorites:

    Best Musical: Kinky Boots or Matilda The Musical
    Best Revival of a Musical: Pippin
    Best Play: Lucky Guy or Vanya and Sonia and Masha and Spike
    Best Revival of a Play: Golden Boy or The Trip to Bountiful
    Best Performance by an Actor in a Leading Role in a Play: Tom Hanks, Lucky Guy
    Best Performance by an Actress in a Leading Role in a Play: Holland Taylor, Ann or Cicely Tyson, The Trip to Bountiful
    Best Performance by an Actor in a Leading Role in a Musical: Bertie Carvel, Matilda The Musical
    Best Performance by an Actress in a Leading Role in a Musical: Patina Miller, Pippin

    ----------

    The Gexa Energy Broadway at the Hobby Center 2013 – 2014 season begins in September with The Book of Mormon – a winner of nine Tony Awards, including Best Musical. For more information on the entire season, visit www.thehobbycenter.org.

    Holland Taylor in a scene from Ann

    Fran Macferran Tony Awards Predictions June 2013 Ave Bonar
    Photo by © Ave Bonar
    Holland Taylor in a scene from Ann
    unspecified
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    Movie Review

    Onslaught's brutal mix of horror, action, comedy can't find its footing

    Alex Bentley
    Sep 3, 2026 | 2:30 pm
    Adria Arjona in Onslaught
    Photo courtesy of A24
    Adria Arjona in Onslaught.

    The most important thing for any movie to establish early on is its tone. No matter the genre, a film needs to make its audience understand how they should feel as the story unfolds so that they’re willing to go along with whatever transpires on screen. A film that doesn't do that, such as the new Onslaught, runs the risk of failing to connect with viewers even if it has some interesting or fun elements to offer.

    One of the biggest issues for the movie is that it fails to fully invest in its main character, Celeste (Adriana Arjona). She’s a military veteran who now lives in and manages a desert trailer park, which is filled with a motley crew of offbeat people. She also has a contentious relationship with her ex, who unexpectedly drops off their daughter, Daisy (Blake Kennedy), soon after the film begins.

    Celeste has a stash of high-powered weapons, showing she hasn’t left her former career fully behind. Her expertise comes in handy when something goes wrong at a nearby military contractor facility run by Hans Kemmler (Dan Stevens), and a trio of super soldiers escapes into the wild. Trained to kill everyone in their path, it’s not long before they set their glowing eyes on the trailer park.

    Directed by Adam Wingard and written by Simon Barrett, the film has elements of horror, action, and comedy, but the filmmakers struggle in finding the right combination of the three. Wingard and Barrett divide the film’s focus between the trailer park and the military facility for a long time at the beginning of the film, and the quirkiness of people at the former mixed with the bold weirdness of the people at the latter keep viewers off balance in a bad way.

    Once they finally settle into the main part of the story where the super soldiers go on a rampage, the filmmakers overpromise and underdeliver. The showdown between a seemingly unstoppable group and an angry woman and her band of misfits seems destined to be highly entertaining, but comes off as underwhelming. The sequence is filled with brutality with no meaning and heroics that feel more accidental than purposeful.

    The ham-fisted way in which the story plays out is disappointing since the film has a bunch of characters who could have been great if used properly. The trauma of Celeste’s military career and personal life are hinted at, but don’t come into play as much as expected. Hans and his wife Hanna (Rebecca Hall) are completely off-the-wall, but their eccentricities seem to be apropos of nothing. The super soldiers are initially intimidating, but the climactic sequence undercuts them significantly.

    Arjona has yet to fully break out despite some good roles in Hit Man and the Disney+ show Andor. She makes for a good lead here, embodying the toughness of a military veteran while still being relatable. Stevens and Hall go all in with their bonkers characters, but the story doesn’t serve them well. Comic relief comes in the form of Reginald VelJohnson and Eric Wareheim, and they do a great job in smaller roles.

    A movie like Onslaught is typically one where the audience just turns off their brains and enjoys the carnage. But Wingard and Barrett try a little too hard by throwing in oddball characters that don’t add much to the story, forgetting to pay enough attention to the mechanics of the plot in the process.

    ---

    Onslaught opens in theaters on September 4.

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