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Top Chef finale recap

Top Chef recap: And the winning cheftestant is...

Eric Sandler
Jun 3, 2022 | 8:34 am
The three finalists smile before service.
The three finalists smile before service.
Photo by David Moir Bravo

The final episode of Top Chef Houston hit all the familiar notes of the show's previous finales. From the chefs selecting one of their former competitors as a sous chef to the judges cooking a pre-finale dinner for the cheftestants, Season 19’s conclusion played out exactly as fans of the show have come to expect.

That feels true for the result, too. In the end, a season that’s been notable for its complete absence of drama between the contestants produced a winner that viewers could have seen coming from episode one. Buddha Lo, a Top Chef super fan, won the $250,000 and the career-making title.

“A 15-year old boy in regional Australia has lived his dream,” Buddha said after learning of his victory. “I didn’t dream to be an astronaut. I didn’t dream of anything else. I dreamt to be right here.”

The finale is notable for its complete lack of gimmicks or distractions. Each competitor has $1,500 and plenty of time to create the best four-course meal of their careers. Even if it felt likely that this result would occur, all three finalists rose to the challenge.

Buddha took inspiration from his family members and his life in America to create a menu that balanced his impressive techniques with enough emotion to give the meal heft. He started with hamachi with caviar (for his brother), continued with panang curry with lobster and crab (for his mother), reached a high with Mongolian lamb with smoked eggplant (for his father), and concluded with pumpkin pie mille-feuille with maple caramel (a nod to Thanksgiving and life in America). Each course featured a precisely cut tuile that ended with stunning-looking leaves made from pumpkin.

In the end, the worst criticism any of the judges made came from Eric Ripert, chef-owner of New York’s celebrated, three-star Michelin seafood restaurant Le Bernardin, who noted that Buddha’s techniques reminded him of dishes from the ’80s and ’90s. “He loves mastering those techniques,” Padma Lakshmi replied. “To him, that is play.” That observation settled the debate.

Not that he didn’t have stiff competition in the finale from Evelyn Garcia. Over the course of the season, she surpassed Buddha with four Elimination Challenge wins to his three, including in the penultimate episode. She certainly had every opportunity to win, and she delivered a meal that the judges enjoyed from start to finish.

Her meal began with scallop crudo with prickly pear and citrus broth and continued with shrimp and corn crystal dumplings. Then, she served braised goat in “curry mole” and concluded with a bunelo and panna cotta.

The editing implied that Evelyn might have triumphed if she had added another sprinkle of salt to the scallops in her crudo, cooked her goat in that intriguing-sounding curry mole, and had a softer panna cotta, but those hints seem like the editors trying to add a little drama. Buddha’s focus, commitment, and sheer will pushed his meal over the top.

Chef Sarah Welch served a meal inspired by her interests in reducing food waste and whole animal cooking. A series of small errors, including a rabbit ballotine that was either overcooked or undercooked depending on the slice, put her behind the other two competitors, but her self-deprecating humor added an important amount of levity to the episode.

At judges’ table, it becomes clear(ish) that they preferred Buddha’s first and third courses to his competitors’ efforts. Evelyn took the second course with her dumplings. All three desserts achieved such a high level of excellence that the judges essentially declared the course a tie.

“If you are the future of our industry, we are in really good hands,” head judge Tom Colicchio told all three finalists.

Despite not winning, chef Evelyn achieved a lot by appearing on the show. She represented Houston well throughout the season, and her time on the show has sparked important changes to her culinary perspective. Dishes she served on the show — for example, her curry brisket from the barbecue challenge or the nopal relleno with shrimp purée from last week's episode — could become the sort of career-defining creations that bring diners to the door of her future restaurant.

Like fellow Houstonian and Top Chef Season 18 finalist Dawn Burrell, she joined the elite club of cheftestants who never hear Padma tell them to pack their knives and go. Expect to see her make guest appearances in future seasons. And, more importantly, to make a mark on dining in Houston for years to come.

“Coming this far and seeing myself evolve and change, I can walk away saying I gave it my all every single time. That I’m proud of,” Evelyn said through tears.

We are, too, chef. Houston can’t wait to see what you do next.

The final meal featured a stunning vista.

Top Chef Houston episode 14
Photo by David Moir/Bravo
The final meal featured a stunning vista.
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Record setter

Magnificent Memorial-area mansion shatters record as most expensive home sold in Houston

Holly Beretto
Nov 2, 2022 | 11:59 am
Magnificent Memorial-area mansion shatters record as most expensive home sold in Houston
Photo by Nathan Schroder

Behold the most expensive house in Houston.

Houston is no stranger to multi-million dollar home sales. Driving through River Oaks, Hunter's Creek, or West U means passing home after home with seven-figure price tags.

But, 120 Carnarvon Dr. is special. Tucked into the beautifully wooded acres behind the tony Houstonian Club and Spa, the home dubbed The Manor on Carnarvon recently sold for more than $20 million, setting a record for the most-expensive single-family home sale in MLS in Houston history.

Sworn to secrecy, representatives from listing firm Douglas Elliman Realty couldn't disclose the actual sale price to CultureMap. Suffice it to say, as it was once listed for $29.5 million in 2020, 120 Carnarvon Dr. is now the first single-family home to sell for more than $20 million in MLS in Houston history.

As they say, everything's bigger in Texas, including our home sales.

As for the estate: The manse sprawls across more than 27, 000 square feet and takes its inspiration from great European estates. The immaculate gardens are artfully designed, with fountains and statuary set among the perfectly manicured hedgerows, essentially, a Versailles in miniature.

The main house unfolds around a courtyard, seen from the French doors and pane windows that accent the home and enhance its palatial setting.

Inside offers six bedrooms; seven full and nine half-bathrooms. Multiple kitchens offer the opportunity for everything from an elaborate meal, a catered affair, or an intimate dinner.

Entertainment amenities abound. There's a wellness spa and gym, several terraces, and a separate, 3,700-square-foot, two-bedroom guest house. Outside finds an outdoor kitchen, playground, and sports court.

Stone walls, iron fences, and electric gates around the property provide privacy and the feel of being away from it all, while in the middle of one of the most prestigious ZIP codes in Texas.

120 Carnavon Drive Houston

Photo by Nathan Schroder

Behold the most expensive house in Houston.

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another unionized starbucks

Bustling Medical Center Starbucks joins Upper Kirby outpost as second to unionize

Eric Sandler
Nov 2, 2022 | 11:00 am
Bustling Medical Center Starbucks joins Upper Kirby outpost as second to unionize
Starbucks Instagram

Med Center Starbucks employees are now part of the union.

Another Houston-area Starbucks plans to join the growing movement of unionized coffee shops. Workers at the 6400 Fannin St. location announced their intentions via a letter distributed by Starbucks Workers United.

In the letter, which is signed by nine employees “and those who wish to remain anonymous,” they note that their decision to organize is based on a high rate of employee turnover at the store, which the authors attribute to labor cuts, insufficient wage increases, and other “unaddressed partner concerns.”

“We understand these are not issues unique to our store or our store’s management, but rather problems that exist on a company level and ones that the lowest-wage workers of this company are looking to address,” they add.

In addition, the authors state that Starbucks presented its baristas as “essential workers” during the early days of the COVID-19 pandemic, giving them the same title as the doctors, nurses, and other medical professionals working in the office tower above them. They write that they maintained the highest “Customer Connection” store in their district throughout this period.

In September, workers at the Starbucks at Shepherd Drive and Harold Street became the first in Houston to form a union. They voted 11-3 in favor of the effort.

At the time, Starbucks issued a statement that acknowledged its employees’ rights to unionize but stated “we’ve been clear in our belief that we are better together as partners, without a union between us, and that conviction has not changed.”

If 30 percent of the location’s employees sign cards or petitions stating they wish to form a union, an election will be held. If a majority of employees vote for the union, they the location will be unionized. To date, more than 250 Starbucks across the country have unionized, according to Starbucks Workers United.

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best november theater

12 best November performances no Houston theater fan should miss

Tarra Gaines
Nov 2, 2022 | 9:15 am
Blue Man Group
Photo by Lindsey Best

Blue Man Group's colorful act is coming to town.

While some Halloween spirit remains in November — including ghost stories (4th Wall Theatre), friendly sea monsters (the Alley) and possible zombies (Rec Room) — it’s beginning to look a lot like holiday shows for much of this month.

Look for a brand-new Christmas Carol, holiday cabaret, Christmas Motown, Panto and our favorite Nutty prince. Those whose plans are to Bah Humbug until December can stay in a holiday-free zone with some blue men, singing queens, farcical French servants, and the Catastrophic gang.


Blue Man Group from Performing Arts Houston (November 5 and 6)

If you’re already feeling a bit blue as the holidays approach, Performing Arts Houston has you covered (possibly in cannon confetti) with an all-new show from the bluesy trio. While the Blue Men are famously tight-lipped when it comes to spoilers, we’ve heard to expect their signature drumming, colorful moments of creativity and quirky comedy for all ages, with a message that “the men are still blue but the rest is all new!” Get ready for pulsing, original music, custom-made instruments, surprise audience interaction and hilarious absurdity.

The Six from Broadway at the Hobby Center (November 8-20)

Six queens take the stage to have (and belt) it out over who had a worst marriage — to the same husband. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Yes, the wives of Henry VIII finally get to tell their own side of the story in this theatrical concert extravaganza, a West End, Broadway and beyond hit.

The Marriage of Figaro from Classical Theatre Company (November 10-26)

The company that only performs works over a 100 years old, yet still manages to find intriguing new spins on the classics, has decided to focus on comedies for their entire 22-23 season. They begin with the original French farce by Pierre de Beaumarchais, the work that Mozart later turned into one of the most beloved operas. This sequel to The Barber of Seville follows the hijinks of the clever Figaro and his duplicitous master, the Count Almaviva, as the servant gets ready to marry the love of his life. Classical artistic director John Johnston translated the original 18th-century play into English and also directs this new production.

A Motown Christmas at Ensemble Theatre (November 17-December 24)

The midtown staple celebrates the holidays with this festive holiday revue. It’s the perfect blend of traditional Christmas carols paired with the soulful sounds from such Motown celebrities as Marvin Gaye, Stevie Wonder, The Supremes, and The Jackson 5. This soulful play promises to bring back good memories and deliver a delightful Christmas treat for the entire family.

They Do Not Move from Catastrophic Theatre (November 18-December 10)

Always a company to counter the holiday rush with something a bit weird, the avant-garde company will present a world premiere collaborate work from director Brian Jucha with the Catastrophic acting ensemble. Using found text, music, stylized physicality, and an abundance of pop culture references, the show will depicted a future dystopia, but perhaps whimsical one, where a disorganized band of vagrants, waifs, and strays are hunted by monarchist forces. With beauty pageants, sitcoms, horror movies and conversation therapy woven into the work, Catastrophic says to be ready for “frenetically funny love letter to our city.”

Houston for the Holidays with DeQuina Moore at Stages (November 18-December 24)

Uber fresh off playing Lauren Anderson in Plumshuga, which closes 5 days before this one opens, Houston native and Broadway star DeQuina Moore brings her own unique voice to the holidays. Look for this cabaret show to highlight Moore’s personal nostalgic stories including Broadway backstage memories. Written by Moore and rising Houston playwright ShaWanna Renee Rivon, Stages says this cabaret will deck your halls with nostalgia, joy, and cheer.

A Christmas Carol at Alley Theatre (November 18-December 30)

For decades, the Alley has kept its holiday tradition of producing a A Christmas Carol, and for many of those years that Carol was their ghostly adaptation by Michael Wilson. Then came the pandemic and two years of scaled-down productions that celebrated the art of theater-making. This year, they offer a big world premiere Carol adaptation, as artistic director Rob Melrose has gone back to Charles Dickens original novella for inspiration. David Rainey is back as Scrooge with the rest of the resident acting company and Alley regulars playing all the ghosts and Dickensian characters, but also look for Victorian costumes by Raquel Barreto, magical elements created by illusionist Jim Steinmeyer, and holiday carols arranged by John L. Cornelius II,

Cruel Intentions: The ’90s Musical from Garden Theatre (November 18-27)

In another bit of counter-programming for this very busy November theatrical week, one of Houston’s newest theater companies will present the off-Broadway jukebox musical based on the Sarah Michelle Gellar/Reese Witherspoon film that was itself based on the play Dangerous Liaisons (based on the French novel Les Liaisons dangereuses). Love is the most dangerously cruel liaison of all in this show featuring the ultimate '90s numbers with music from Boyz II Men, Counting Crows, The Verve, Christina Aguilera, REM, 'NSYNC, and, of course, Britney Spears.

The Wickhams: Christmas at Pemberley at Main Street Theater (November 19-December 18)

Main Street has found their own holiday tradition in recent years by spending Christmas with the characters of Pride and Prejudice. The first hit sequel to P&P, Christmas at Pemberley written by contemporary playwrights Lauren Gunderson and Margot Melcon, gave Bennet middle sister, Mary, time to shine. In this sequel to the sequel, the comedy heads downstairs on the same Christmas to see how the Pemberley servants handle the crisis when the conniving Wickham shows up to see his estranged wife, Lydia. Expect ensuing comic chaos likely seasoned with Christmas renewal, romance and family forgiveness.

Panto Snow White and the Seven Dorks at Stages (November 25-December 24)

Buttons and a whole crew of fairytale characters are back for the long-running Stages tradition of taking U.K holiday Panto and giving it a decidedly Texas twist. In this world premiere, Snow White finds herself banished by the Evil Queen and her high-tech virtual assistant mirror. As she fumbles through Silicon Valley in search of help, she finds a team of dorky hackers. Together, they overthrow and out-code the forces of tech tyranny using brains, algorithms, and some Panto magic. Buttons gets a reboot as he is reinvented as head of Tech Support for the Evil Queen.

The Nutcracker from Houston Ballet (November 25-December 27)

While Houston Ballet artistic director Stanton Welch’s glorious vision leaped back to live performances at the Wortham last year. This year, HB levels up to its magical giant-Christmas-tree-scale. All 61 Company dancers will perform during the production’s run, joined by over 300 young dancers — students from Houston Ballet Academy as well as locals from the annual open audition. Dancing to the beloved Tchaikovsky score, all our favorites — the Nutcracker Prince, Sugarplum Fairy, Rat King and the international ambassadors — will take a turn at the magical winter court. In Welch’s imagining, Clara becomes the hero of this enchanting story where the all the animals dance as well as the weather, in the form of the loveliest snowflakes in HB company.

A Texas Carol at A.D. Players (November 30-December 23)

Get ready for holiday family-time laughs with the new outrageous and very Texan comedy from A.D. Players executive artistic director Jayme McGhan and artistic producer Kevin Dean. The whole family is on the way to Mee-Maw Jane's East Texas ranch for what might be her last Christmas. The only problem--when the first group arrives, Mee-Maw is already gone! Now, how to keep that fact (and her body) from the rest of the family and save Christmas? A.D. Players promise a hysterical and heart-warming story about all things Christmas and all things Texas that ultimately brings us straight to the true meaning of Christmas.

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