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The Farmer Diaries

Texas farmer deploys 5 strategies to control mosquitoes after heavy rains

Marshall Hinsley
Marshall Hinsley
Jun 1, 2015 | 12:15 pm

The downpour of rain, almost daily for the last two months, has submerged much of the land I farm south of Dallas. Anywhere there's the slightest depression in the ground, water has pooled up and shows no signs of draining anytime soon.

In addition to countless small puddles, there's a long moat that runs along the north side of my house. In the middle of my yard is a mini pond, shaped like the swimming pool that was once there.

Almost overnight, these sudden shallow ponds have become wildlife habitat for hundreds of toads who sing all night and for mosquitoes — who make being outdoors in the evening intolerable.

Mitigating the annoyance of mosquitoes begins with understanding that there is nothing about them that calls for eradication.

My approach to mitigating the annoyance of mosquitoes begins with understanding that there is nothing about them that calls for eradication. In fact, they're a vital part of the ecosystem. They're food for a wide variety of creatures I enjoy living with, including toads and many species of birds, even hummingbirds.

Synthetic insecticides are useless and create more problems than the mosquitoes. Contrary to the sales pitches made by insecticide salesmen to city managers and health department directors, there's no way to control the mosquito population with routine sprayings, as many cities practice.

Mosquito larva live underwater in stagnant pools where they pupate and eventually emerge as adults. This emergence happens daily as each new brood reaches maturity; using a fine mist of pyrethroids here and there to kill off a small fraction of the adult females on a certain Wednesday night does nothing to control the ones that will emerge on Thursday afternoon.

Furthermore, for every adult mosquito killed by poison, it's estimated that 150 to 200 non-target insects are killed. These non-targets are harmless or even beneficial insects, such as ladybugs, lacewings, butterflies and bees. Caught in the crossfire are mosquito-eaters such as dragonflies, which are much more reliable agents of control than spotty sprayings.

My approach to mosquito abatement is to avoid disrupting the natural controls already in place and assist them where they can't be. In short, I try to understand what makes mosquitoes thrive or able to prey upon me, and then do the opposite.

Mosquito life cycle
All mosquitos begin as eggs, laid in water. They need calm water; almost any amount will do. A stagnant area of a creek, a 5-gallon bucket left out in the rain, even a saucer of excess water under a potted plant is enough.

Once they hatch, the larva swim in the water like little rice-sized hairy spines, wiggling their tails to move around as they feed on microorganisms and organic matter. They breathe by coming to the surface and taking a breath, just like a scuba diver.

After a few days, or a couple of weeks depending on the species and water temperature, the mosquito larva pupates. It then emerges from the water. As adults, mosquitoes drink nectar from flowers and are therefore pollinators. But females need blood to produce viable eggs, which is what makes them a bother to us.

Knowing that mosquitoes need water and a way to find us gives us all we need to know to put in place ways to enjoy the outdoors at night without becoming their prey.

Draining
The most effective way to keep mosquito numbers in check is to eliminate their nursery. After a rain, I pour out water from every place it has accumulated. Buckets, metal chairs, trash can lids, plant pots that have stopped up — no amount of water is too small. It should all be turned over and poured out.

This means of mosquito eradication is the most effective. If everyone in a city simply searched out and poured out every accumulation of rainwater after a shower, most of the mosquito problems would be solved.

To care for birds, I keep a bird bath and a small water feature full of water throughout the year. I change out the water in the bird bath about every two days and clean it with a wire brush monthly. This keeps mosquito larva out. As for the water feature, a small pond pump that circulates the water over an outcropping of rocks aerates the water, making it unsuitable for mosquito larva.

By eliminating as much of the mosquito breeding ground as I can find, I estimate that I reduce the mosquito population by about half.

Predators
There are plenty of flooded areas near my house, in my garden and in the field that I simply can't drain. Earlier this year, I spotted mosquito larva in all of them. Being anywhere close to the pools was to become covered in mosquitoes, so I plotted my course of action.

I imagined pouring orange oil into the water so that it would float to the top, create a barrier for oxygen and suffocate the baby mosquitoes. I thought of tossing mosquito "dunks" in the water.

But frequent storms prevented me from doing that. When I scouted out the floodwaters in late May to assess my mosquito plague, I found no larva, not a single wiggler. What I did find were tadpoles, water striders, dragonflies and adult toads everywhere.

In these more natural bodies of water, as stagnant and suitable for mosquitoes as they were, doing nothing was just as effective. Doing nothing allowed the mosquito predators to come in, breed, eat and decimate the larva.

This makes me think that the mosquito numbers I saw a month ago were not so much an outbreak as they were a sort of setting of the table for the dinner guests who were on their way. This also makes me wonder how much of a city's mosquito problem comes from killing off the frogs, toads and mosquito-eating insects through aerial sprayings of insecticides.

Screens
The 17,000-gallon water storage tanks my father installed to collect rainwater are open to the air at all times. The tubing that pipes water from a farm building's gutters to the top of the tanks prevent the lids from fitting.

These tanks would be outright mosquito incubators if not for the aluminum window screen he fashioned to fit over the opening to each tank. The fine, flexible mesh fits under the pipes but covers the openings of the tanks, keeping mosquitoes from getting in or out.

Fiberglass window screen also works. It's easy to cut and shape around the top of a rain barrel. I've also used it to seal off a greenhouse and a shed that's home for my cats. Excluding mosquitoes from their desired habitat, and from having access to us and our cats as their host, works better than treatments of any kind.

Dunks
Even with standing water overturned, predators engaged and rain barrels screened, there are areas of water that can be reached by mosquitoes but not toads and tadpoles.

One such place is the stock tank that catches the overflow of our rainwater storage tanks. It's a large, 1,500-gallon plastic container that looks like an above-ground swimming pool. It's open to the air and too large to screen in. It's full of leaves and perfect for mosquito larva.

I keep this tank stocked with a biological control known as mosquito dunks. Resembling gray mini bagels, dunks are made of organic matter and infused with spores of bacillus thuringiensis, or Bt for short.

Bt is a bacteria that exists everywhere on the planet and produces proteins that are toxic to certain insects. Bt comes in many sub species, such as Bt Israelenses, which is toxic almost specifically to mosquitoes. The larva feed on the dunks, and, days later, they die.

Dragonflies and other non-target insects seem immune. And Bt is nontoxic to frogs, birds and humans. It's in our gut right now as it lives abundantly on the underneath side of plant leaves.

For abating mosquito numbers where nature can't reach, or even in stagnant areas of creeks, Bt is an eco-friendly mosquito killer that won't disrupt populations of mosquito predators. Dunks are available at gardening stores, and some cities give them away to residents.

Because a handful of studies have found that Bt hurts some beneficial non-target insects, I use it sparingly, only where natural predators or screening won't work out.

Repellents
Even after draining standing water, letting toads have their lunch, screening in tanks and throwing Bt into hard-to-reach water, there are mosquitoes that survive. Just a half dozen can make working or enjoying leisure time outdoors impossible in the evenings. For these persistent pests, I use organic insect repellents.

Sprays with the botanical extracts geraniol or cedar oil seem to do the trick, though I'd not oppose ones with DEET if I needed them. Sprayed into skin and clothing, and touched up every hour or so afterward, products containing these extracts are effective in keeping mosquitoes away.

Used in diffusers, geraniol has proved to be the most effective of all the botanical repellents, with one study finding a 75 percent reduction in adult females in treated areas outdoors, and a 97 percent reduction indoors.

The wiggle tail mosquito larva in a pool of water

Photo of mosquito larva
Photo by Marshall Hinsley
The wiggle tail mosquito larva in a pool of water
unspecified
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Choregraphing Color

Houston's Benjamin Johnston dishes on the 'House of No,' his new book, and more

Emily Cotton
Jun 26, 2026 | 11:30 am
Benjamin Johnston Design bathroom
Courtesy of Benjamin Johnston Design
Johnston creates striking scenes through bold pattern play.

Interior designer and architect Benjamin Johnston is having quite the moment, or, perhaps more precisely, decade. The proud Houstonian’s eponymous firm Benjamin Johnston Design continuously produces interiors that draw accolades from near and far. As the firm marks its 10-year anniversary, Johnston has a lot of reasons to celebrate.

The anniversary provides Johnston with the opportunity to reflect upon the last 10 years and to discuss the journey from being the first Aggie accepted into the graduate program at The University of Texas to becoming the modern day renaissance man that he is today. Johnston has managed to lead his 25-member firm and their 40-50 simultaneous projects, all while writing a book for Rizzoli, building the breathtaking “House of No,” creating the popular “Behind the Build” series, multiple design collaborations, continuously designing hundreds of unique items covering licensing agreements with four major brands, plus, purchasing and renovating the new Benjamin Johnston Design offices.

Johnston Design’s new office

Neatly nestled behind a few of the city’s famed live oak trees, Johnston’s new three-story office building in Rice Military has been 22 years in the making. Previous iterations of the firm combined interior projects with graphic design and bespoke furniture, followed by a venture specializing solely in residential interior design, to now, celebrating the 10th anniversary of Benjamin Johnston Design, a full-scale design and architecture firm on Detering Street.

“We are going to have a creative lab on the other side of our offices, and it’s meant to be the space that our team can explore design with, can create interesting combinations and interesting design choices,” Johnston tells CultureMap. “It’s really meant to be a collaboration space as well, not just with ourselves internally, but also with our clients. I’m really excited about it.”

Johnston’s “Creative Lab” will be a state-of-the art space that will allow his team, as well as their collaborators, to benefit from the abundance of natural lighting in the space, as well as utilizing new Ketra lighting technology. The high definition spectrum of 16.7 million colors creates precise color temperatures to mimic the lighting conditions of any space, meaning that materials selections for projects can be accurately represented offsite. With each project having multiple team members working on the design, this technology will allow for swifter real time collaboration.

“We are a big team, and everything that we do is a collaboration,” shares Johnston. “Every project has an architect lead, an interior design lead, and the leadership team guiding the process and meetings with clients and the general direction of the project. There is not a single project in this office that does not have four or five people assigned to it.”

Johnston signs off on every creative decision, noting that it would be extraordinarily expensive for him to do every single thing on each project himself. Utilizing the junior members of the team keeps projects moving and is cost effective for clients. Johnston highlights this as a win-win, as clients benefit from having the experience of the senior leadership weighing in on their projects, while the junior team are the ones pushing the project uphill.

“For me, the thing is, they’re coming to this company because of the work that we’ve done, the legacy that’s there, and that legacy is built on the human experience that each one of our team members has,” he explains. “In my mind, any notion of legacy is really just thinking about the relationships that were built along the way. I love that.”

In a twist of fate, as well as a healthy dose of irony, Johnston finds it amusing that he’s come to embrace teamwork. Referring to himself as a former “lone wolf,” his new favorite thing in both his career and in his life has become the idea that, at the end of the day, good design is all about the experience itself: “What we try really hard to do is, even in awards and article submissions, we list all of the collaborators. None of us are doing this in a vacuum — none of us.”

A colorful legacy

While not exclusively a color factory, Benjamin Johnston Design has built a reputation for masterful use of color. Where many try, and oftentimes fail, Johnston creates vibrant, immersive spaces that retain their sense of elegance, eschewing even the slightest hint of gaudiness. While there is no substitute for good old-fashioned experience, Johnston explains his process for those looking to try their hand at creating a Benjamin Johnston Design of their own:

“To me, in all aspects of design, to make it feel intentional and grounded, I call it ‘painting with color.’ If you think through a space and choreographing color, and having an opportunity for a particular color in a painting — relating to a painting — there is a thread. That thread can be a very powerful thing to help the project have an identity all to its own. So I do think about the repetition of color, and the rhythm, and almost like a pentameter that the color can give to a project," he says.

“If there is a color in a painting, you’ll always find that color somewhere else in the room. You can kind of play it like Where’s Waldo — ‘Where else is this color repeated?’ And I will find ways again, whether through art, through sculpture, any form of art, I should say. But also accessories, fabrics, materials, textiles, wall color, wall coverings — you’ll find that element repeated more than once. I just think that really lends itself to a more grounded project that will stand the test of time.”

Johnston likens this process to creating an outfit. Choosing a belt that picks up the color of a shoe or bag; a shirt, blouse, or blazer that hints at a chosen pant. The care that goes into sartorial selections is not unlike the care that should be taken in dressing a room.

“You’ll find yourself picking up on nuances that are literally threading the project together without you even realizing it. In our philosophy as an office, that’s done with great care and great attention, and great intention as well,” he says.

Refined Interiors

The best examples of this can be found in Johnston’s new book Refined Interiors: Timeless Homes for Modern Living. Showcasing Johnston’s personal residence alongside eight rarely-before-seen homes, Refined Interiors offers an intimate look into the philosophies that have shaped his work over the past two decades, from the unexpected parallels between design and theatre to the embrace of imperfection, and his belief that homes should blend history, artistry, and modern comfort.

Released in February after a five-year writing process, Johnston intended to publish the book to coincide with his firm’s 10-year anniversary. He embarked on a robust, multi-city tour to share the book with his fans.

“It’s kind of fun for us because, first and foremost, the thought and the goal behind the book is that it was meant to be a love letter. Not a love letter just to our clients for helping us to create these works, and it’s not just a love letter about the design work featured in it, but it’s also about all the collaborators that made the work happen,” says Johnston. “We are so blessed in Houston with the incredible craftsmen, incredible artisans, and builders and makers that we have here in Houston. The thought was, being that it’s our 10 year anniversary, we really wanted to celebrate our work in a meaningful way.”

The “House of No”

As previously mentioned, Johnston’s personal home is a point of focus in the book. Remarkably, the home was very experimental — a culmination of somewhat avant-garde ideas, notions, and specifications Johnston created for his clients’ projects, but were ultimately, for one reason or another, relegated to the discard pile.

“I call it ‘The House of No.’ Over my career, I’ve had clients or collaborators say ‘oh, I don’t want to do that, it’s too risky,’ or ‘I don’t want to do that, it’s too expensive,’ or ‘it’s too difficult to pull off,’” he says. “So, what I did was really create a house that was pushing me to allow myself to try out all the things that clients had told me ‘no’ on. It was really a fun experience. We really methodically went through and said ‘what are the things we get pushback on,’ and we put everything in the house.”

The result is an architectural delight that modernizes all the prominent features of the Neoclassical, Art Deco, Art Moderne, and Hollywood Regency periods. Found in the “Regency Remix” chapter of Refined Interiors, Johnston’s signature bold color schemes, dynamic pattern play, and eye for architectural elements like fluted plasterwork and artisanal carved stonework set the stage for his collection of artworks, fine antiques, and elaborate bespoke furniture.

“It was meant to be sort of our Field of Dreams, the ‘if you build it, they will come.’ If we can show clients in a very authentic, very experiential way, that we’ve done it ourselves and we have these lessons to learn from…it really wasn’t that big of a risk,” explains Johnston.

“If we could do that, then we could convert them to saying ‘let’s take more risk with projects, let’s push the envelope of what craft can do. Let’s push the envelope of what our collaborators think we are capable of.’ Let’s do all those things and make for a more exciting experience, not just for homeowners or clients, but for any guest that might be able to have the opportunity to be in those spaces. So, that was the thought and intention behind that project. These have been small nos and big nos, and we’ve really had fun making them all yeses.”

Behind the Build

The popularity of “The House of No” led to the creation of the “Behind the Build” web series with Johnston’s friend and luxury home builder Erin Stetzer. The pair take viewers behind the scenes, offering an in-depth look at how the project came to life. The series, and the breezy rapport of its hosts, has become popular among designers, architects, and everyday design enthusiasts alike.



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A post shared by Benjamin Johnston Design (@benjaminjohnstondesign)


“We said ‘we went down this path together, we developed all these cool details; and you built them and you made them a reality.’ We have really enjoyed being able to share the lessons learned through that process on our social media,” says Johnston.

Benjamin Johnston Design bathroom

Courtesy of Benjamin Johnston Design

Johnston creates striking scenes through bold pattern play.

In recent years, the firm has expanded into a full-service, whole-home practice with the launch of its architecture division in 2023, earning significant recognition, including the John Staub Award from the Institute of Classical Architecture and Art, the Palladio Award for Residential Architecture, an Architectural Digest home tour (August 2025), and cover features in Traditional Home and LUXE Interiors + Design Houston (Fall 2025).

Collaborations galore

Johnston’s professional admiration of fellow architect Peter Pennoyer’s collaborative approach with his wife and interior designer Katie Ridder inspired Johnston to open his studio to collaborations with fellow designers such as Marie Flanagan, Katie Davis, and others.

“Much within that same spirit, we wanted to be open to becoming the choice for interior designers who want to have a high level of architecture and that wanted to be involved in an excellent way. We really wanted to do that for this community,” says Johnston. “What I always tell these designers is that I’ve spent my career making bad architecture look good. So, the thing that I impress upon them is that we’re here to make your interiors look better than they’ve ever looked. We want to bring that awareness to what we do on an architectural level and the amount of thought and detail that goes into every last aspect of the architecture, to make their projects really sing.”

Along with collaborating with designers, Johnston has created lines with multiple international brands. There are three collections of hand-knotted silk and wool rugs with Madison Lily Rugs; a 130-plus piece series of collections with North Carolina-based Chaddock Furniture; a fabric, trim, and wallpaper line with Fabricut/S. Harris; and forthcoming fireplace surrounds and mosaic collections with MATERIAL Bespoke Tile + Stone, all of which continue to grow. Johnston’s collection with Chaddock is the number-one-selling collection throughout its licensed brands.

“All of the collections we have will continue to evolve and grow,” explains Johnston. “It’s super fun for us. We get to be a bit of a chameleon in the things that we can offer and the things that we can do for clients and for collaborators.”

Additionally, Johnston continues to shape the industry through leadership roles, serving as chair of the High Point Market Authority’s Diversity Advocacy Alliance and as a board member for the High Point Market Authority.

Currently, Benjamin Johnston Design offices are undergoing a three-phase renovation. Updates to the design have reached the halfway point, and clients and visitors will be impressed by how the spaces are evolving into an art gallery, displaying works by Jaco Roux, Christian Eckart, Tommy Fitzpatrick, David Aylsworth, Paul Corrio, Aaron Glasson, and an enormous 18’x 7’ work by Heather Bause Rubinstein.

As they say in show business, “if you want to know more, buy the book.”

interior designer interview home-design benjamin johnston
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