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    Rooney or Messi?

    On the ground in Johannesburg: World Cup furor — traffic — already at a fever pitch

    Gerardo Chapa
    May 31, 2010 | 1:53 pm
    The 2010 World Cup is a great cause of pride and a great cause of concern for South Africa.

    Gerardo Chapa is the producer of 20/10, a documentary about the 2010 World Cup. The movie's descriptor reads: "For a month this summer, for 90 minutes at a time, an inexplicable phenomenon will unite people of all ages, creeds and colors. Every four years, beggars and kings, whites and blacks, women and men gather to indulge in the revelry of this sensation. For the first time ever, the catalyst for this fever will take place in Africa."

    Chapa is on the ground in South Africa as the world's biggest sport event looms. Here's his first-person account, exclusive to CultureMap.

    Since our arrival on April 19th, we’ve been bombarded with countdowns of how many days are left before the opening match of the 2010 World Cup. Considering we spend about three hours per day in our rented Hyundai, there’s been no need to ask each other, “How many days do we have to find our characters?”

    An Icelandic volcano had already delayed our arrival and threatened to derail our entire project, but now a more familiar obstacle stood in our way: Johannesburg traffic.

    Initially, the lessening days to the start of the tournament were a source of wonder because of how quickly they diminished. Gradually they became a barometer of the interest levels building in the media and in society in general. Increasingly the words "Twenty Ten" are thrown around as if the World Cup were all South Africa had ever been waiting for.

    As if everything up to now — the demise of apartheid, the birth of the New South Africa, the successful Rugby World Cup in 1995 and the disastrous Cricket World Cup in 2003 had just been rehearsals for the real thing.

    However, after the initial euphoria of being awarded the World Cup had subsided, concerns were raised for the first time about the longevity of the benefits of having the world’s biggest sporting circus in South Africa's backyard. A lot of people questioned the wisdom of building so many huge stadiums that will be difficult, if not impossible, to fill again. An entire film was produced to expose this “sinful misappropriation of resources.”

    But now that there are less than two weeks to go, it seems those concerns have either been dealt with or conveniently shelved, to be faced when the circus moves on.

    It’s been said that the logistical inconveniences would be overshadowed by the hospitality and charm of the hosts, and so far we can almost unequivocally verify this assertion. Sure, we had our GPS system stolen at a traffic light (or "robot," as they call them here), but that was a small price to pay for what we’ve been offered: Meals to eat, people to meet, beds to sleep in, offices to work from and daughters to marry.

    These are indeed a generous people.

    As the opening match between South Africa and Mexico fast approaches, World Cup paraphernalia seems to be growing out of every nook and cranny. Cars are festooned with flags, every conceivable body shape is draped in football shirts and whole buildings are being patriotically painted the colors of the national flag. Street hawkers are doing such a bustling trade that they go from one minute looking like walking Christmas trees — so many of the flags they’re offering for sale hanging off them — to the next looking like trees that have lost all their leaves.

    Names like Drogba, Rooney and Messi are suddenly on everyone’s lips, and it appears that when the first whistle blows, there may even be a few wives who actually understand the offside rule.

    And new concerns have arisen in the popular press. No longer are they worried about wasted expenditure or white elephants, but about whether essential projects will be finished in time. We can’t even drive to the market without running into roadwork and closed lanes — we've learned to add 20 minutes to the estimated time on our TomTom.

    Realizing that the traffic was threatening our sanity, we found new methods of entertainment for our daily travels. The first week, we interviewed strangers in neighboring cars, became the first civilians to test drive the freshly paved highway lanes and tested our off-road capabilities.

    And a new measure of social status has emerged by virtue of which game you hold tickets to — “Oh you’re not going to the final? What a pity ...”

    And of course genuine football fans — now that they are starting to believe it's all real — are beside themselves with excitement. Others, like our local cameraman, are just looking forward to the parties. And most, namely the Soccer City construction workers who sold us the free tickets FIFA had given them for 150 Rand, just want to make a few bucks. No one is expecting to do any work from the 11th of June to the 11th of July, and no one dares go anywhere.

    It's a feeling in the air: “Bring it on — we are ready.”

    The 2010 World Cup is a great cause of pride and a great cause of concern for South Africa.

    unspecified
    news/entertainment

    Movie Review

    Sheriff Bob Odenkirk is back in over-the-top new action movie 'Normal'

    Alex Bentley
    Apr 17, 2026 | 2:30 pm
    Bob Odenkirk in Normal
    Photo courtesy of Magnolia Pictures
    Bob Odenkirk in Normal.

    Screenwriter Derek Kolstad, who wrote the first three John Wick movies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.

    A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).

    A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.

    Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.

    The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.

    After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.

    Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.

    You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.

    ---

    Normal opens in theaters on April 17.

    moviesfilm
    news/entertainment

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