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    Rooney or Messi?

    On the ground in Johannesburg: World Cup furor — traffic — already at a fever pitch

    Gerardo Chapa
    May 31, 2010 | 1:53 pm
    The 2010 World Cup is a great cause of pride and a great cause of concern for South Africa.

    Gerardo Chapa is the producer of 20/10, a documentary about the 2010 World Cup. The movie's descriptor reads: "For a month this summer, for 90 minutes at a time, an inexplicable phenomenon will unite people of all ages, creeds and colors. Every four years, beggars and kings, whites and blacks, women and men gather to indulge in the revelry of this sensation. For the first time ever, the catalyst for this fever will take place in Africa."

    Chapa is on the ground in South Africa as the world's biggest sport event looms. Here's his first-person account, exclusive to CultureMap.

    Since our arrival on April 19th, we’ve been bombarded with countdowns of how many days are left before the opening match of the 2010 World Cup. Considering we spend about three hours per day in our rented Hyundai, there’s been no need to ask each other, “How many days do we have to find our characters?”

    An Icelandic volcano had already delayed our arrival and threatened to derail our entire project, but now a more familiar obstacle stood in our way: Johannesburg traffic.

    Initially, the lessening days to the start of the tournament were a source of wonder because of how quickly they diminished. Gradually they became a barometer of the interest levels building in the media and in society in general. Increasingly the words "Twenty Ten" are thrown around as if the World Cup were all South Africa had ever been waiting for.

    As if everything up to now — the demise of apartheid, the birth of the New South Africa, the successful Rugby World Cup in 1995 and the disastrous Cricket World Cup in 2003 had just been rehearsals for the real thing.

    However, after the initial euphoria of being awarded the World Cup had subsided, concerns were raised for the first time about the longevity of the benefits of having the world’s biggest sporting circus in South Africa's backyard. A lot of people questioned the wisdom of building so many huge stadiums that will be difficult, if not impossible, to fill again. An entire film was produced to expose this “sinful misappropriation of resources.”

    But now that there are less than two weeks to go, it seems those concerns have either been dealt with or conveniently shelved, to be faced when the circus moves on.

    It’s been said that the logistical inconveniences would be overshadowed by the hospitality and charm of the hosts, and so far we can almost unequivocally verify this assertion. Sure, we had our GPS system stolen at a traffic light (or "robot," as they call them here), but that was a small price to pay for what we’ve been offered: Meals to eat, people to meet, beds to sleep in, offices to work from and daughters to marry.

    These are indeed a generous people.

    As the opening match between South Africa and Mexico fast approaches, World Cup paraphernalia seems to be growing out of every nook and cranny. Cars are festooned with flags, every conceivable body shape is draped in football shirts and whole buildings are being patriotically painted the colors of the national flag. Street hawkers are doing such a bustling trade that they go from one minute looking like walking Christmas trees — so many of the flags they’re offering for sale hanging off them — to the next looking like trees that have lost all their leaves.

    Names like Drogba, Rooney and Messi are suddenly on everyone’s lips, and it appears that when the first whistle blows, there may even be a few wives who actually understand the offside rule.

    And new concerns have arisen in the popular press. No longer are they worried about wasted expenditure or white elephants, but about whether essential projects will be finished in time. We can’t even drive to the market without running into roadwork and closed lanes — we've learned to add 20 minutes to the estimated time on our TomTom.

    Realizing that the traffic was threatening our sanity, we found new methods of entertainment for our daily travels. The first week, we interviewed strangers in neighboring cars, became the first civilians to test drive the freshly paved highway lanes and tested our off-road capabilities.

    And a new measure of social status has emerged by virtue of which game you hold tickets to — “Oh you’re not going to the final? What a pity ...”

    And of course genuine football fans — now that they are starting to believe it's all real — are beside themselves with excitement. Others, like our local cameraman, are just looking forward to the parties. And most, namely the Soccer City construction workers who sold us the free tickets FIFA had given them for 150 Rand, just want to make a few bucks. No one is expecting to do any work from the 11th of June to the 11th of July, and no one dares go anywhere.

    It's a feeling in the air: “Bring it on — we are ready.”

    All roads seem to lead to the World Cup — and not very quickly — these days.

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    Movie Review

    Feuding couple fights for survival in dark comedy Over Your Dead Body

    Alex Bentley
    Apr 24, 2026 | 2:00 pm
    Jason Segel and Samara Weaving on Over Your Dead Body
    Photo courtesy of IFC Films
    Jason Segel and Samara Weaving on Over Your Dead Body.

    When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

    Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

    His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

    Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

    It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

    The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

    The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

    The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

    ---

    Over Your Dead Body is now playing in theaters.

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