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    Movie Review

    Montana Story showcases Big Sky country and complex emotions

    Alex Bentley
    May 30, 2022 | 12:00 pm
    Haley Lu Richardson and Owen Teague in Montana Story.play icon
    Haley Lu Richardson and Owen Teague in Montana Story.
    Photo courtesy of Bleecker Street

    There are some areas of the United States that get depicted in movies a disproportionate number of times. Big cities like New York, Los Angeles, and Chicago hold sway not just because they’re so interesting, but because a large chunk of the population resides there. But as a small movie like Montana Story demonstrates, metropolitan areas don’t hold a monopoly on gripping stories.

    The film centers on Cal (Owen Teague) and Erin (Haley Lu Richardson), a brother and sister who have come home to the Montana ranch where they grew up after their dad has fallen into a coma. While Cal has stayed relatively close in Wyoming, Erin moved far away to New York, only staying in touch with her dad’s housekeeper Valentina (Kimberly Guerrero).

    With their dad seeming to have only a short time left, the siblings have to figure out not only how to deal with his estate, but with their own complicated feelings about him. It’s clear that both are still dealing with the effects of a trauma that their dad inflicted upon them years earlier, and being around him – even in comatose form – drags those raw emotions to the surface again.

    Co-directed and co-written by Scott McGehee and David Siegel, the film is light on plot. There are some allusions to Cal and Erin's father, who was a lawyer, helping to cover up bad environmental practices by mining companies, but there’s no larger overarching story that overshadows the family itself. Erin’s pain causes her to make grand plans to bring a 25-year-old horse named Mr. T back to New York with her, but the side plot is merely a conduit toward understanding the depth of her feelings.

    Befitting a state with the nickname “Big Sky Country,” the film showcases the vistas that few other areas of the world can boast. While the rural landscape could be described as desolate, it also offers a sense of quiet and calm that is at odds with the roiling emotions of the lead characters. Anytime the characters venture outside of the house, especially on one particularly long drive, a sense of balance comes to the film.

    Richardson and Teague display a bond that makes them instantly believable as brother and sister, and that immediate connection pays dividends as more is revealed about what happened to their characters earlier in their lives. They’re aided by supporting actors Gilbert Owuor, Guerrero, and Eugene Brave Rock, each of whom has a presence that automatically draws in the viewer.

    Montana Story is not a message film that’s out to make its audience contemplate some deep issue. It’s a simple but moving story about a family thrown back together under trying circumstances, and how they are able to move forward from this point in time.

    ---

    Montana Story is now playing in select theaters.

    Kimberly Guerrero in Montana Story.

    Kimberly Guerrero in Montana Story
    Photo courtesy of Bleecker Street
    Kimberly Guerrero in Montana Story.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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