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    Story Behind The Story

    48 Hours correspondent calls Texas murder mystery unique and spellbinding

    Claire St. Amant
    May 3, 2014 | 2:17 pm

    When CultureMap Dallas published an investigative story about accused murderer Michele Williams, it got the attention of CBS news magazine show 48 Hours. Correspondent Peter Van Sant and a team of producers flew down to Texas to report in-depth on the case, but they never imagined they'd become a part of it as well.

    Williams, dubbed the "Keller Black Widow," is accused of killing her husband, Greg, in cold blood as their daughter slept in the next room. During the course of Van Sant's two-and-a-half-hour jailhouse interview with Williams, she told her side of the story for the first time.

    "The Michele Williams case is a succotash of envy, jealousy, hatred and revenge," Peter Van Sant says.

    And when she took the stand during her own sentencing hearing a few days later, she withdrew her guilty plea in favor of a jury trial. The Tarrant County DA's office specifically mentioned 48 Hours in its motion to remove her plea deal.

    "The Michele Williams case is a succotash of envy, jealousy, hatred and revenge," Van Sant says. "It's unlike any story I have dealt with in years."

    The case has taken a number of bizarre twists and turns since CultureMap's first report, and although police have never really considered anyone but Michele as a suspect in Greg's murder, there are several intriguing storylines.

    "All the people involved have fascinating back stories. Some might have a motive for murder, and all are spell-binding storytellers. Every one is credible and every one has an important piece of this murder mystery," Van Sant says. "It's like a screenwriter has put this together."

    Here's a sneak peek of "Temptation in Texas," airing Saturday May 3 at 9 p.m. on CBS.

    Michele Williams is accused of murdering her husband, Greg.

    Michele Williams
    Photo courtesy of 48 Hours
    Michele Williams is accused of murdering her husband, Greg.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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