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The CultureMap Interview

An affair with Brando & Muppet love: Trailblazing actress reveals all in 45 minutes

Joel Luks
May 1, 2014 | 7:08 am

Go ahead: Try to sum up your life in 45 minutes or less. Possible?

If so, pretend you've had affairs with mega celebs, that you've single handedly altered Hollywood and that you've garnered almost every show business industry award possible. Add that you're in your 80s and you are still going strong.

Rita Moreno doesn't have to pretend. Those tidbits frame a life that has fascinated the world.

Moreno is the featured guest at a Houston Arts Alliance benefit, set for 6:30 p.m Thursday at Hotel ZaZa. Prior to arriving in the Bayou City, CultureMap chatted with the trailblazer on the phone to learn more about what makes this extraordinary gal tick.

CultureMap: What do you consider to be your big break in show biz?

Rita Moreno: That would have to be my first film. It was called, and I love the title, So Young, So Bad. Soon after that, I was 16, a talent scout saw me perform at a dance school recital in New York City. That's how it happened. But there was a secret kind of racism during that time.

CM: You weren't satisfied with keeping the status quo.

RM: A lot of people in the Latino community called me la pionera — the pioneer. I wasn't willing to accept a part that was one of those stereotypical Conchita Lolitas. But that cost me.

I won an Oscar and I won a Golden Globe for my work in West Side Story and then I didn't get to do anything for seven years. It broke my heart, absolutely broke my heart. That was a horrible time for me.

CM: Have things changed for minority actors?

RM: I am in no position to tell you that. You would have to ask others.

"I wasn't willing to accept a part that was one of those stereotypical Conchita Lolitas. But that cost me."

I made a decision once I won those two wonderful awards that I would not talk with an accent — unless it made perfect sense — or do any of those maiden roles. Ha! I showed them. Of course I'm being sarcastic. I didn't do a movie for seven years. It was a slap in the face from the industry.

CM: You overcame that obstacle.

RM: Yes. One of the reasons is that I do it all. I sing, I dance, I act, I do comedy, I do drama. There aren't many people who do all that, especially nowadays. In my time, there were more people who were well versed in all those skills.

CM: Which of your roles or engagements do you enjoy watching?

RM: I love The Muppets. "Fever" with Animal? I still watch it. I love that skit. I laugh and laugh.

CM: Do any of your roles more closely resembles the real Rita Moreno?

RM: Not necessarily, but that's what being an actor is. An actor is a person who takes on another personality — and that's pretty terrific.

However, the role I'm doing right now for a pilot is part me, part someone else. This is a woman who's a songwriter from the old days of Broadway. The cast is all older actors except for the young woman lead, Natasha Lyonne, who's in Orange Is the New Black. The character I play is close to me in the sense that she's in show business, but she has this notion that she can still dance. But she can't.

She just never gets anything. And has a big mouth. She's gruff. She's always getting into trouble.

CM: About Marlon Brando, you've said in past interviews that your relationship with him drove you to the point of madness. If you could, is there a moment of your relationship you'd want to relive?

RM: Just meeting him and becoming my lover became an extraordinary experience. He was very charismatic. After that our relationship turned horribly tumultuous, maddening, frustrating and heartbreaking. But one of the most electric moments was connecting with him for the first time.

CM: Your upcoming appearance in Houston: What do you have planned?

"You have to do what's important to you. Being in a job that one hates, that must be so tough."

RM: The title of my show is A Life in Words and Music. It's really a biographical kind of piece, but it's not a real autobiography. That would take days. I wanted to do a piece — and I've never done this before — where I could do some songs that followed along what I was talking about in my life. With the help of my manager, we put that together. It's fun, quite funny, it's sad. It's got all kinds of pieces of my life. Maybe I should call it that. Pieces of my life.

It's not chronological. That would take, well, days. This is 45 minutes.

CM: How will you summarize your life in 45 minutes? Is that even possible?

RM: Precisely, you don't. I am going to amuse. I am going to entertain. I am going to help people to come into a life that has been quite interesting. Here I am at 82, and I feel like the Energizer Bunny.

CM: Will you ever retire?

RM: I don't know what the word means. What are you crazy? I do what I love to do. Why on earth would I want to give that up?

I know there are a lot of things that can happen physically when you get into your 80s, but keeping active is a wonderful kind of medication. When you get the brain going, everything else falls into place. You have to do what's important to you. Being in a job that one hates, that must be so tough.

CM: Last time in Houston?

RM: On my god, it must have been 15 years ago. And by the way I love your city. I love the (Museum of Fine Arts, Houston) — it's gorgeous.

I was in Houston right around the time I started to do talks. An organization flew me in for a luncheon. They also showed me around the city, which I found to be remarkable.

CM: Fondest memory of your visit?

RM: I remember thinking: What on earth is a Holocaust museum doing in Houston? It made perfect sense when I was told that there was an influx of Jewish people who had survived the Holocaust that lived in Houston. The day I visited the Holocaust Museum, a docent was showing us around, about a group of five.

There was a series of photos of concentration camp prisoners wearing those horrific black and white uniforms. They were pounding stones, building a structure where they would eventually be gassed.

The docent was telling us that the prisoners had to go to the bottom of the quarry, break stones and climb a long way. He was about to tell us how many steps there were when a man in the group told us just how many. We all looked at him as he said, "That's me in the picture."

All of us froze.

___


Houston Arts Alliance hosts "An Intimate Evening with Rita Moreno" on Thursday, 6:30 p.m., at the Hotel ZaZa. Individual tickets start at $500.

Rita Moreno.

Rita Moreno
Photo by Mike LaMonica
Rita Moreno.
unspecified
news/arts

best july art

MFAH celebrates America 250 and 7 more must-see art openings for July

Tarra Gaines
Jul 7, 2026 | 2:00 pm
​Orkhan Mammadov’s “Visions” at Art Club
Photo courtesy of Art Club
Orkhan Mammadov’s “Visions” at Art Club

The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

Art Club’s New Season at POST (ongoing)
When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

“This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

“Horizon” at The Plaza at Avenida Houston (now through September 7)
Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

“George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

“America 250” at the Museum of Fine Arts, Houston (now through January 3)
The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

"On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

"Representation of Form" at MATCH (July 9-12)
Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

“Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

"World of Color” at Laura Rathe Fine Art (July 16-August 14)
This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

"Learning Curve 18” at Houston Center for Photography (July 16-August 16)
This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

“As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

\u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

Photo courtesy of Art Club

Orkhan Mammadov’s “Visions” at Art Club

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