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    CounterCurrent 2017

    Houston's most extreme arts festival offers strange and extraordinary performances

    Tarra Gaines
    Apr 17, 2017 | 11:15 am

    Film and television star Lili Taylor performs artist Suzanne Bocanegra’s memoir-lecture about farm life across the road from Texas’s most famous brothel. An acclaimed Norwegian choreographer brings a Japanese flamenco master and an Argentinian kabuki expert together in dance. And Donald Barthelme’s post-modern fairytale masterpiece, Snow White, finally makes it to the stage after almost 50 years.

    These performances are just some of the strange and extraordinary events we can expect from CounterCurrent, Houston’s most extreme cross-discipline arts festival. Oh yeah, and all the tickets are free.

    For its fourth year, the CounterCurrent Festival, presented by the Cynthia Woods Mitchell Center for the Arts, brings to town national and internationally renowned artists, but, as always, the five-day festival running from April 18-23 remains thoroughly grounded in Houston.

    “We took a look at Houston’s populations and the issues of the day, political and sociological, and we responded to them,” explains Karen Farber, the Mitchell Center’s executive director, about the programming for CounterCurrent 2017. “One of our commitments is to take a look at the power the arts can have in our communities and societies.”

    But CounterCurrent has always been true to its title, presenting art and projects that do not run easy with the current, but instead provoke and perhaps even challenge people’s perceptions.

    “Not everyone in Houston agrees on everything,” Farber describes as a positive. “We’d like to place our artists in an environment when they can really craft their opinions, in a situation where there’s some real tension, and they’re actually dealing with the reality of our population.”

    If you’re ready to meet that art challenge, CounterCurrent delivers a plethora of performances, projects and events to explore, so check out the schedule and reserve those free tickets early. But for a Festival introductory guide, here’s some currents you’ll want to sweep you away.

    Returning Favorites

    Farmhouse/Whorehouse
    Farber admits she’s a little “obsessed” with Suzanne Bocanegra’s work, which has been featured every year in the festival, and calls the artist with deep Texas and Houston roots an “anti-performance-artist” who makes performance pieces. Lili Taylor will perform Bocanegra's art-lecture about life on her grandparents’ La Grange farm across the road from that best little whorehouse in Texas, the Chicken Ranch.

    When: Friday (April 21) at 7 pm, Saturday (April 22) at 3 pm and 7 pm.
    Where: MATCH - Box 1, 3400 Main Street.

    Ten Tiny Dances
    Though the dances and dancers change every year, the format and philosophy that “constraint begets creativity” produces some astonishing kinetic dance pieces every year. This 2017 edition is co-curated by one of Houston’s foremost dance experts Nancy Wozny.

    When: Wednesday (April 19) at 8 pm. Reception sponsored by Saint Arnold Brewing Company at 7 pm.
    Where: Post HTX, 401 Franklin Street.

    Art Interactive

    Ghana ThinkTank
    Last year the activism artist collective asked Houstonians from all communities “What’s your Houston diversity problem?” then took the responses to think tanks around the world for solutions. This year the artists are back and have created a piece of structural art that is also an active, mobile mosque. Festival-goers and the general public will be invited to participate in activities in conjunction with Ghana ThinkTank’s ongoing work.

    When and Where: Various times and locations, Tuesday (April 18) through Sunday (April 23).

    Movement V: Ballroom
    Artist Kevin Beasley creates a site-specific sculptural and sound installation at the Houston cultural landmark, The Historic Eldorado Ballroom, and lets audiences connect with local musical history through art.

    “Kevin Beasley’s installation is interactive in a way that’s not immediately evident,” describes Farber. “Nothing will happen in the space unless there are people in it. Sound is triggered by bodies hitting the space. It’s very intentional on his part because he’s looking at the absent of people from that space and from that neighborhood and the history of that neighbor and how bodies can sort of echo in a historic space.”

    When: Installation Tuesday (April 18) through Sunday (April 23) noon- 8 pm. Opening Reception Thursday (April 20) 7 pm - 9 pm. Performance Saturday (April 22) at 8 pm.
    Where: The Historic Eldorado Ballroom, 2310 Elgin Street.

    A Lost Masterpiece Found

    Catastrophic Theatre’s staging of Snow White, the first novel by one of Houston’s greatest literary sons, Donald Barthelme, is garnering national attention. The story of how the almost-forgotten play manuscript finally came to be produced is a bit of a "strange only-in-Houston" fairytale itself, but the Cynthia Woods Mitchell Center’s investment in the production’s development made certain Snow White would have her day. Farber had been looking to collaborate with Catastrophic for some time but Snow White became the perfect partnership.

    “When Snow White came about it was so much more ideal than anything else we’d ever talked about because of obviously the Barthelme connection to the UH Creative Writing Program, and because of the possibility of interaction with the School of Theater and Dance, which ultimately became a fruitful thing, so that there are many UH participants in the piece.”

    See this production now because early reviews and the national attention could signal a happy fairy tale future for the absurdist comedy.

    When: Thursdays through Saturdays through May 6. All tickets are gone for the CounterCurrent performances April 20 through April 22, although a small number of walk up tickets are held for most CounterCurrent performances, with tickets first-come, first-served at the venue 30 minutes before each performance. Suggested donation of $35 for performances from April 27-May 6.
    Where: MATCH - BOX 3, 3400 Main Street.

    Art Party

    Come to the April 18 Festival opening night for Simulacrum, the culture clashing and collaborating dance performance, but stay for the party at the MATCH, beginning at 6 pm. While much of the work throughout the week will be thought-provokingly provocative, that’s all the more reason to party down with free drinks, free performances and a Houston-style celebration of the arts.

    Tickets for CounterCurrent events are free but should be reserved in advance.

    The world premiere staging of Donald Barthelme's Snow White is already making national art headlines.

    Catastrophic Theatre-Snow White
      
    Photo by Anthony Rathbun
    The world premiere staging of Donald Barthelme's Snow White is already making national art headlines.
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    going global

    Houston Ballet leaps into streaming with performance on Marquee TV

    Tarra Gaines
    Mar 12, 2025 | 12:02 pm
    Houston Ballet Principal Karina González and Corps de Ballet dancer Samuel Rodriguez in Disha
    Photo by Amitava Sarkar (2024). Courtesy of Houston Ballet
    Houston Ballet Principal Karina González and Corps de Ballet dancer Samuel Rodriguez in Disha Zhang’s Elapse

    The Houston Ballet takes a leap into streaming realms with the just announced premiere of the filmed ballet Elapse on the prestigious Marquee TV global streaming platform for the performing arts. HB first premiered Elapse to audience and critical raves as a part of their celebratory 50th season in 2019. The debut also made dance history as it was the company’s first ballet choreographed by internationally acclaimed Chinese choreographer Disha Zhang, as well as Zhang’s first work in the U.S.

    Featuring a cast of 16 dancers – eight women and eight men – Elapse beautifully explores concepts of aging and time’s passage. Zhang set her dance to a haunting score by Zeng Xiaogang that combines wind and water sounds with the ancient stringed instrument, the guqin. In 2023, the company performed the dance at the Kennedy Center in Washington, DC as part of 10,000 Dreams: A Celebration of Asian Choreography and last summer brought the work back to the Wortham Center as part of their Four Seasons program. Now dance lovers around the world will have the chance to see the brilliance of the Houston Ballet dancers as they perform this exquisite and poignant ballet.

    “The filming of Elapse is a significant milestone for Houston Ballet, as it is a meaningful way to share our artistry with a global audience,” said Julie Kent, Houston Ballet artistic director. “Marquee TV’s platform allows us to expand access to ballet and introduce new viewers to the depth and beauty of our work.”

    Along with renowned international opera and theater productions, Marquee TV showcases dance performances from some of the most celebrated ballet companies across the globe, including the Royal Ballet, the New York City Ballet, the Paris Opera Ballet, and the Australian Ballet, so it is about time that the Houston Ballet gets its own place in the streaming spotlight. The subscription-based service costs $10 per month or $100 per year.

    "The team at Marquee TV is very excited to be working with Houston Ballet in our shared mission to introduce the joy of dance to a global audience and to enable that audience to enjoy this wonderful premiere," said Susannah Simons, Director of Performing Arts at Marquee TV.

    Elapse, of course, is not the first filmed production from the Houston Ballet, though it is the company’s first collaborative filming effort since Ghost Dances (1991) and the first to launch on a streaming platform such as Marquee TV. Dance lovers will likely remember that HB was one of the first Houston performing arts institutions to jump into producing filmed content during the pandemic, first with HB artistic director Stanton Welch’s, “Restoration” when the company danced through many beloved outdoor landmarks across the city to the music of the Canadian band, The Dead South. Later Welch choreographed the longer "In Good Company," also to The Dead South’s music, and filmed dancers alone on a stage and then edited the individual dancers together.

    Houston Ballet Principal Karina Gonz\u00e1lez and Corps de Ballet dancer Samuel Rodriguez in Disha
      

    Photo by Amitava Sarkar (2024). Courtesy of Houston Ballet

    Houston Ballet Principal Karina González and Corps de Ballet dancer Samuel Rodriguez in Disha Zhang’s Elapse.

    As they take what they learned from these previous endeavors and now from Elapse, HB aims to expand their digital presence, making high-caliber performances more accessible to audiences around the world. The company plans to continue exploring new opportunities in digital storytelling and streaming to engage dance lovers everywhere.

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