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    Live Music Now

    These are the top 6 must-see concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Apr 10, 2018 | 8:00 pm

    This is easily one of the best weeks in music in Houston — in terms of sheer selection and star wattage; music fans will be busy. Here are this week's best shows.

    Best dance party in the Bayou City
    Los Angeles via Brooklyn indie-dance duo Matt and Kim built a positive reputation and a successful career off their high energy shows, consisting of only a keyboard and drums and two very enthusiastic performers. While seemingly underwhelming on paper, the charisma of Matt Johnson and Kim Schifino make it work, drawing audiences worldwide into their very own private dance party. Expect to hear new tracks from their upcoming sixth album, Almost Everyday, and songs that you assuredly heard via car commercials or at their last Houston appearance at Free Press Summer Fest in 2016. For more, read our CultureMap interview with Matt here.

    Matt and Kim will have the audience pogoing at White Oak Music Hall, located at 2915 N. Main St., on Friday, April 13. CRUISR and TWINKIDS open. Tickets are $30 in advance plus fees. Doors open at 8 pm.

    Best nostalgia trip of the week
    Fans of '90s rock, rejoice! Sponge​, underrated alt-rock band of yesteryear returns to Houston to perform the sweet, sweet platinum-selling album Rotten Pinata in it's entirety at the Scout Bar this Saturday. While some of it has definitely aged as much as the band has, the hits still hold up, including the riff-tastic "Plowed" and acoustic-driven ballad "Molly (Sixteen Candles)." The Detroit act may be well past their heyday, but for those who made modern rock radio a must-listen nearly 25 years ago, this will be a fun trip down nostalgia lane.

    Sponge relives the '90s at Scout Bar, located at 18307 Egret Bay Blvd. on Saturday, April 14. 5 Dollar Thrill, Empty Shells, Seven to Emote, Luna Lunacy open. Tickets start at $14 in advance. Door open at 7 pm.

    Old meets new, jazz meets modern pop
    Bust out the fedoras, suspenders and flapper dresses and get ready to dance, old school style with a new school twist. Take the biggest and best songs from the last twenty years and filter them through the lens of swing, ragtime and New Orleans jazz and you have Scott Bradlee's Postmodern Jukebox. Whether it's a Bille Holliday-esque take on the White Stripes' "Seven Nation Army," a 1920 waltz of Radiohead's "Creep," or a jazzy ragtime version of Oasis' "Don't Look Back and Anger," fans of all genres will find something to like from this performance.

    Scott Bradlee’s Postmodern Jukebox performs at House of Blues, located at 1204 Caroline St., on Sunday, April 15. Tickets start at $35 plus fees. Doors open at 7 pm.

    The '80s meets future sexy funk sounds
    The smartest duo in all of music, Chromeo brings it's '80s-indebted electro funk to Houston. Founded in 2002 by David "Dave 1" Macklovitch and Patrick "P-Thugg" Gemayel, the former holds his PhD in French Literature and has lectured at Columbia University, with the former an accountant when not rocking the synths on stage. Together, they have combined the smooth A.M. radio sounds of Hall and Oates and Prince with four-to-the-floor beats and slinky basslines, with a knowing wink to the past — while embracing futuristic sounds. The world-touring act will likely be dropping new tracks from their upcoming 2018 album, Head Over Heels.

    Chromeo brings the electro-funk to House of Blues, located at 1204 Caroline St., on Wednesday, April 18. Phantoms & Wrestlers open. Tickets start at $33 plus fees. Doors open at 7 pm.

    The Foos in HOU
    You got to give it to the affable rocker Dave Grohl, the man's a survivor. Following the suicide of Kurt Cobain and dissolution of Nirvana, undoubtedly the most influential band of the last 25 years, Grohl picked up the pieces and formed the Foo Fighters, which has gone on to produce more hits than his former band. The Foos bring their Concrete and Gold Tour to Houston, promoting the 2017 album of the same name. If you haven't purchased tickets yet, get on it — this one has a good chance of selling out.

    Foo Fighters and their catalogue of alt-rock hits come to the Cynthia Woods Mitchell Pavilion on Thursday, April 19. The Struts open. Tickets start at $45 for the lawn, $99 for seated and pit. Doors open at 6 pm.

    A big country star in an intimate venue

    It's a rare occasion when country fans get to see a multi-million album selling artist perform in a venue that holds a few hundred people. Nashville roots star Lee Ann Womack makes a rare intimate stop at the Heights Theater this week as part of her All the Trouble tour. She has won Grammys, Country Music Awards, and sung for Presidents, and now touring her latest acclaimed album, The Lonely, the Lonesome, and the Gone, which she recorded in this fine city's SugarHill Recording Studios. For those who love old school country, sung in the classic Nashville style, this is a must-see show. Move quickly on tickets - standing room and VIP seats are all that's left.

    Lee Ann Womack performs at the Heights Theater, located at 339 W. 19th Street, on Thursday, April 19. Vandoliers open. Standing room tickets are available at $28 in advance plus fees. Doors open at 7 pm.

    Scott Bradlee's Postmodern Jukebox brings a touch of old school to the new at House of Blues on Sunday, April 15.

    Scott Bradlee's Postmodern Jukebox
    Postmodern Jukebox/Facebook
    Scott Bradlee's Postmodern Jukebox brings a touch of old school to the new at House of Blues on Sunday, April 15.
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    Movie Review

    George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

    Alex Bentley
    Nov 21, 2025 | 3:00 pm
    George Clooney in Jay Kelly
    Photo by Peter Mountain/Netflix
    George Clooney in Jay Kelly.

    The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

    In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

    A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

    Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

    Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

    A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

    Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

    Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

    ---

    Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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