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Movie Review

Richard Linklater's Dazed and Confused "sequel" offers a fun look at '80s Texas college life

Alex Bentley
Apr 8, 2016 | 9:09 am
Richard Linklater's Dazed and Confused "sequel" offers a fun look at '80s Texas college life
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The one thing that has always separated writer/director Richard Linklater from his fellow filmmakers is his ability to make small, seemingly inconsequential moments feel important. Many of his movies — Dazed and Confused, the Before… series, Boyhood — deal in the day-to-day minutiae of their characters, with big events either absent or happening off-screen.

He’s back in that vein again with Everybody Wants Some!!, a “spiritual sequel” to Dazed and Confused set in 1980 as the members of a college baseball team reassemble in the days before classes start for a new year. The focus is mostly on Jake (Blake Jenner), an incoming freshman pitcher, but the film is so chock-full of colorful characters that almost everyone gets a chance to shine.

In true Linklater fashion, almost nothing of import actually happens. The players, which share two off-campus houses, immediately bonds over their shared love of baseball, alcohol, and women, and not necessarily in that order. They go to a variety of clubs, host parties, and generally act like college kids enjoying their first taste of freedom away from home.

Even though the film is almost nonstop drinking, partying, and chasing girls, it feels much more interesting than your average college-set movie. That’s mostly because Linklater takes the time to let his characters talk, turning them into three-dimensional people instead of your standard archetypes. Many of the characters exhibit clichéd behavior, but because we get to know them, they’re never reduced to just their quirks.

The film is also packed wall-to-wall with songs from 1978-1980, so much so that you could almost consider it a musical. Some, such as “My Sharona,” have been greatly overused in other movies, but given the time period, feel more authentic here. “Rapper’s Delight” is given a showcase by having members of the team sing along to it, and it’s a moment that’s both cheesy and joy-inducing, since few could resist doing the same so soon after the song’s release.

In fact, the movie as a whole is a complete pleasure from beginning to end. It never matters that there’s no real story; Linklater includes so many fun moments that they add up to a whole that’s way more fascinating than your typical plot-driven movie.

Like Dazed, the cast consists of actors with few known credits to their name. In addition to Jenner (who's known mainly for showing up at the tail end of Glee), standouts include Glen Powell as Finnegan, the wizened member of the team; Tyler Hoechlin as the cocky and ultra-competitive McReynolds; and J. Quinton Johnson, one of the team’s few black players.

Everybody Wants Some!! will likely not get the same type of praise as Boyhood, but it’s equally impressive in its ability to create a fully realized world and interesting characters. Linklater is a master of plotless movies, and film fans are all the richer for it.

Blake Jenner and Glen Powell in Everybody Wants Some!!

Blake Jenner and Glen Powell in Everybody Wants Some!!
Photo by Van Redin
Blake Jenner and Glen Powell in Everybody Wants Some!!
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Movie Review

Avatar: Fire and Ash returns to Pandora with big action and bold visuals

Alex Bentley
Dec 18, 2025 | 5:00 pm
Oona Chaplin in Avatar: Fire and Ash
Photo courtesy of 20th Century Studios
Oona Chaplin in Avatar: Fire and Ash.

For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

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Avatar: Fire and Ash opens in theaters on December 19.

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