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    Movie Review

    Speed and brawn collide in fun but uninspired Sonic the Hedgehog 2

    Alex Bentley
    Apr 7, 2022 | 4:06 pm
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.play icon
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.
    Photo courtesy of Paramount Pictures

    There are some properties where a rabid fandom can be expected, including any Marvel or DC movie, Star Wars, and the like. But you wouldn’t necessarily expect the same level of enthusiasm for a character from a videogame franchise, even one that has existed across multiple consoles for almost the past 30 years.

    And yet the response from the crowd at this critic’s screening to Sonic and other characters from the game in Sonic the Hedgehog 2 prove that Sega Sammy Studios and Paramount Pictures were right to bring the franchise to the big screen in 2020. The first film wound up making over $350 million worldwide, and it might have been more if the pandemic hadn’t hit a month later.

    Sonic (voiced by Ben Schwartz) is back to his usual antics after banishing the evil Dr. Robotnik (Jim Carrey) to a mushroom planet at the end of the last movie. Still living with Tom (James Marsden) and Maddie (Tika Sumpter) in Montana, Sonic has taken to thwarting criminals in far-off places like Seattle, quickly returning home after a night’s work. His crime-fighting ways are put on pause, however, when Dr. Robotnik figures out a way to return to Earth with the help of an echidna named Knuckles (voiced by Idris Elba).

    They’re on the hunt for the Master Emerald, a legendary jewel that brings great power to whomever possesses it. Naturally, Sonic must try to stop them, and this time he has help from Tails (Colleen O’Shaughnessy), a fox from Sonic’s planet who can fly using her dual tail. Their adventures take them around the world, from Montana to Siberia to Hawaii, with a few surprises thrown in along the way.

    Made once again by director Jeff Fowler and writers Pat Casey, Josh Miller, and newcomer John Whittington, the film is a nice mix between stuff aimed at kids, parts that adults will appreciate, and elements to get the fans cheering. The inclusion of two more animated characters – and Carrey, who’s essentially an animated character – brings a lot more silliness into play, although they still keep the eye-rolling jokes to a minimum.

    Tom and Maddie travel to Hawaii – via one of Sonic’s rings, natch – for the wedding of Maddie’s sister, Rachel (Natasha Rothwell), and even though the subplot is in service to Sonic’s story, they still throw in a couple more mature aspects to keep things interesting for parents. But the film’s final act is really for the superfans who know all about the Master Emerald and what it can do; the residual excitement from certain moments is infectious, even if you’re not exactly sure why they’re so thrilled.

    The filmmakers don’t try to reinvent the wheel for the second film, something that both helps and hurts them. They utilize a couple more slo-mo scenes where Sonic is moving at regular speed while everything else essentially stands still. There are only two ways in which you can only depict how fast he is, so it’s hard to fault them for going back to the well with that joke. But the lack of any new innovation for this film is a bad sign for the continued success of the series.

    All of the actors returning from the first film repeat their fun performances, indicating that they were cast well. Elba is a nice choice for the brawny Knuckles, although it’s even better that they cast O’Shaughnessy as Tails, since she’s voiced the character in video games and on TV since 2014.

    It’s rare that a movie based on a video game gets more than one bite at the apple, and even rarer that they turn out as well as the Sonic films have. Here’s hoping that as the series continues – and the end credits confirm that it will – the filmmakers keep all factions of the audience in mind to keep things equally entertaining.

    ---

    Sonic the Hedgehog 2 opens in theaters on April 8.

    Jim Carrey in Sonic the Hedgehog 2.

    Jim Carrey in Sonic the Hedgehog 2
    Photo courtesy of Paramount Pictures
    Jim Carrey in Sonic the Hedgehog 2.
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    Movie review

    Adam Scott explores creepy Irish hotel in moody horror movie Hokum

    Alex Bentley
    May 1, 2026 | 4:30 pm
    Adam Scott in Hokum
    Photo courtesy of Neon
    Adam Scott in Hokum.

    There are relatively few actors who can switch back and forth between comedy and drama easily, but Adam Scott is the rare exception. He’s equally as well known for starring in comedy projects like Parks & Recreation, Party Down, and Step Brothers as he is for dramas like Big Little Lies and Severance. He’s going the latter route again in the new horror film, Hokum.

    Scott plays author Ohm Bauman, who’s trying to finish his latest book. In an effort to avoid distractions and also pay tribute to his parents, he retreats to an Irish hotel where his mom and dad spent their honeymoon. Bauman, who is about as stand-offish as you can get, and the staff of the hotel are at odds almost right away, although Bauman finds a kind of kinship with Jerry (David Wilmot), a seemingly-homeless man he meets in a nearby forest.

    Bauman becomes intrigued with the story of the hotel’s closed-off honeymoon suite, which is said to be haunted. His curiosity, though, seems to trigger a variety of strange things, one of which ends with him in an extended stay at the hospital. He returns to the hotel determined more than ever to discover what’s really happening in the honeymoon suite, with things both normal and supernatural blocking his way at every turn.

    Written and directed by Irish filmmaker Damian McCarthy, the film’s approach to horror is both subtle and overt. On the good side is Bauman’s story, which gradually gets deeper as more is revealed about his past, especially the premature death of his mother. Bauman’s trauma over her loss influences his thinking and actions, and a possible connection between his current situation and his personal history broadens the scope of the plot.

    There is plenty of creepiness to be found in the film, starting with the dark and decrepit nature of the hotel itself. Any building where a particular room is off-limits naturally inspires intrigue, and McCarthy does a solid job of building tension. That’s why it’s strange and disappointing that he gives in to the lamest of horror tropes - a sudden appearance by an odd-looking person accompanied by a big screeching noise - on multiple occasions.

    The film is at its best when it features weird moments that are never or only slightly explained. A dead body in a rabbit suit is echoed by the unexplained broadcast from Bauman’s youth featuring a terrifying TV host with bulging eyes and rabbit ears. Bauman’s explorations take him into the hotel’s basement via a dumbwaiter, where he encounters all manner of strange things, including what seem to be witches. Because most of these things are left to the audience’s imagination, they hit harder in the moment.

    Scott is known to be understated in his acting, and that skill works well in this particular role. Although he clearly plays Bauman as freaked out, he never indicates panic, and that level-headedness makes his character someone you want to follow no matter how dark the path might be. The mostly-Irish supporting cast is not well-known, but Wilmot and Florence Ordesh make the most of their short time on screen.

    Hokum — a title that is also not explained — is a horror film that earns its bona fides through mood more than action. Even though not much of consequence happens throughout the film, it still keeps you on the edge of your seat trying to figure out what will happen next.

    ---

    Hokum is now playing in theaters.

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