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    More Music Madness

    Maroon 5 thrills gigantic Madness crowd, but even those who didn't get in had a lot fun

    Reid Schroder
    Reid Schroder
    Apr 4, 2016 | 6:05 am

    Maybe it was all of the media hype from Saturday’s March Madness Musical Festival with Kendrick Lamar, the lack of NCAA basketball, or just the picture-perfect Houston weather, but downtown Houston was absolutely electric with energy on Sunday.

    The schedule for the free Capital One Jam Fest at Discovery Green started at 3:45 pm and I arrived around 2:45, but the line to get inside was already at a two-hour wait. The fire marshal declared the grounds to be at capacity around 5, so if I would have waited it out in line with my non-press credentialed cohort, there’s a chance we wouldn’t have made it in at all.

    Knowing a gate closure following a long wait in line was a very real possibility, I decided the afternoon would be better spent meeting as many visitors as I could find around some of my favorite downtown hangouts. The popular idea in this situation was to quickly cut losses and head on foot to EaDo or travel the METRO rail along Main Street where a row of spacious bars await, and that’s exactly what a lot of people did.

    It didn’t take long to find North Carolina and Villanova fans out and about celebrating Saturday's wins around downtown, and more than a few Syracuse and Oklahoma supporters came out to play as well. If these fans were expecting a party, they certainly didn’t need to be inside the music festival to find it, although Maroon 5 did put on quite the show. (More about that later.)

    At Lucky’s Pub, I spoke to a handful of OU fans who were staying in hotels as far away as Galveston. At Neil’s Bahr I witnesses a heartwarming exchange of camaraderie on the patio between UNC and Villanova fans over a round of Shiner Bocks. At Frank’s Pizza I saw some fans in Syracuse shirts cheering on the Mets, who opened up the 2016 MLB season against The Royals. I guess those Syracuse fans needed a little baseball optimism to take their mind off of last night’s loss.

    Those who did decide to wait out the lines and get into the March Madness Music Festival before the gates closed surely weren’t disappointed once they got in. How could anyone care about a long wait when Pitbull and Flo Rida, two energetic acts who have had Houston’s number for a while now, are giving it all they’ve got on a sunny afternoon?

    Thankfully, the powers that be at the entrance gate turned a blind eye to my partner-in-crime when I flashed my media credential around 8 pm to catch Maroon 5’s festival-closing set.

    What a set full of hits it was.

    Embed from Getty Images

    Singer Adam Levine wasted no time giving his fans what they came for, opening with “Animal,” which was broadcast live on TBS as part of the iHeart Radio Music Awards. He then spent the rest of the set delivering hit after hit while the crowd sang along to every word. If it’s a Maroon 5 song and you can name it, Levine sang it.

    “Moves Like Jagger,” “Harder to Breathe,” “Payphone” and many more were as danceable as ever, giving the crowd ample opportunity to take advantage of the opportunity to move, even though they there was hardly any room. Levine was having a lot of fun with the crowd throughout the show. “We’re on the Internet right now!,” he exclaimed (referencing the live streaming of the show via the March Madness website), “Don’t do anything stupid.”

    The crowd happily abided, even the hundreds listening in the streets far away from center stage. How’s that for a good time?

    If it’s a Maroon 5 song and you can name it, Levine sang it.

    Maroon 5 March Madness Music Festival Adam Levine
      
    Photo by Killy
    If it’s a Maroon 5 song and you can name it, Levine sang it.
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    Movie Review

    Final Destination: Bloodlines reboots cult favorite horror franchise

    Alex Bentley
    May 15, 2025 | 4:30 pm
    Kaitlyn Santa Juana in Final Destination: Bloodlines
    Photo by Eric Milner
    Kaitlyn Santa Juana in Final Destination: Bloodlines.

    On the surface, the Final Destination films really shouldn’t work. There is no villain other than the concept of death itself, and nearly every death that occurs is foreshadowed so heavily that it removes the normal suspense that comes in horror films. And yet the franchise was successful enough to spawn five films over 11 years in the early 2000s, and now a reboot, Final Destination: Bloodlines.

    A fantastic opening sequence set in the 1960s sets both the tone and the plot of the film, in which Stefani (Kaitlyn Santa Juana) has a recurring nightmare about a disaster that her grandmother, Iris (Gabrielle Rose), helped to avert. A visit to the reclusive Iris convinces Stefani that she and her family should not exist, and that each one of them is destined to meet a grisly end in the near future.

    Met with resistance from her family members, Kaitlyn is unsurprisingly proven right as the film goes along, with different people dying in a variety of bizarre ways. A visit to William Bludworth (the late Tony Todd), a mortician who’s been the one constant in the series, provides a glimmer of hope that they can cheat death. But will they figure it out before it’s too late?

    Directed by Zach Lipovsky and Adam B. Stein, and written by Guy Busick and Lori Evans Taylor, the film does not try to reinvent the wheel for the concept. The entire point is to get as creative as possible with the death scenes, and the filmmakers take that mandate seriously, with each successive death becoming increasingly gruesome. The Rube Goldberg-like manner in which each death occurs makes the scenes come off as entertaining instead of off-putting.

    The idea of Death hunting down an entire family line due to the actions of the family elder is a solid twist on the series’ central premise, and that change keeps the film from feeling repetitive. The story also introduces the possibility that the entire series is connected due to Iris’ actions, with the character possessing a scrapbook that references well-known incidents from previous films, a fun Easter egg for longtime fans.

    The creativity of the kill sequences does not carry over to the overall story, though. Almost every character in the film only exists in order to meet a horrific end, so anything that they have going on outside of being stalked by Death is purely window dressing. Consequently, it’s hard to really care about anybody, even if they are all related to one another.

    Because characters are so easily dispatched in the film, the cast is devoid of well-known actors. This is by far Santa Juana’s biggest role to date, and she does well enough to want to see more of her in the future. Adults like Alex Zahara and Rya Kihlstedt are character actors who bring some history with them, while the younger group is composed of people still trying to make names for themselves.

    Final Destination: Bloodlines is a solid return for the franchise, even if it feels more like a one-off film rather than a justification for more stories in the future. But given how easily the concept can be adapted into new circumstances, don’t be surprised if another movie pops up in a couple of years.

    ---

    Final Destination: Bloodlines opens in theaters on May 16.

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