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    Design Knowledge

    A-list interior designer reveals his secrets, tips and tricks as a Houston appearance looms

    Barbara Kuntz
    Barbara Kuntz
    Mar 27, 2014 | 11:35 am

    Good design only comes with a curated layering of collections, textures and materials, an overlapping process that brings energy and soul to a home.

    That's the philosophy interior designer Jay Jeffers shares in his debut monograph, Jay Jeffers: Collected Cool: The Art of Bold, Stylish Interiors. Founder of the full-scale Jeffers Design Group based in San Francisco, the Texas native will be back in the Lone Star State to expound on his style at the Houston Design Center's Spring Market on April 1.

    Jeffers will be joined by two other design luminaries, Alexa Hampton of Alexa Hampton Inc. in New York and Michael G. Imber of San Antonio's Michael G. Imber Architects, in a keynote panel discussion at 11 a.m. in the Alkusari Stone Showroom, Suite 229, at the center. Robin K. Mueck, president and CEO of Heritage Texas Properties, moderates the talk. Book signings by all three honorees with their most recent publications will follow.

    Reservations are free but are required and due by midnight March 31. To secure a seat and for more details, visit the center's website.

    Texas roots
    Jeffers, from Plano, earned his degree in international business and marketing from the University of Texas at Austin. Initially thinking he would enter the world of advertising, he moved to San Francisco to do just that for Gap. His spare time endeavors, however, awakened his innate calling to interior design.

    "I knew I wanted to have my own business someday," he tells CultureMap in a phone interview. "By chance, I enrolled in an introductory interior design class about a year later, just taking it for fun. And I thoroughly enjoyed every second of it."

    It didn't take long for Jeffers to make that professional shift, and in 1991, he began Jay Jeffers Design Group.

    Interior design
    Today, Jeffers is recognized for his fearless and inventive use of color and pattern and his creative mix of art and furniture. He was named by Elle Décor to its A-List of the country's top interior designers in 2011, 2012 and 2013. He has designed homes in San Francisco, Silicon Valley, Tahoe, Los Angeles, New York and even his mother's penthouse in downtown Austin.

    "I'd first say to everyone to not be afraid of small spaces. I often paint those a dark color and do big colors on pillows and other accents. Be bold and daring."

    In 2013, Ritz-Carlton commissioned Jeffers to fashion the signature penthouses for the luxurious Ritz-Carlton residences in Lake Tahoe.

    "That was probably my first high-profile project," Jeffers says. "The hotel had already been built, so I was hired to decorate the homes on the top floor. The owners and I worked in sync to create a lively, energetic look that made reference to the mountains but not with leather and horses and horns."

    The book
    Throughout his budding career, Jeffers says he took thousands of photos of his work himself to keep his portfolio within budget. When finances allowed, he did turn to professional photographers to capture vignettes. "This is such a visual business, so I had to record projects to share them with potential clients," he says.

    That thorough and detailed photographic record came in quite handy at a design conference in Venice, where Jeffers happened to meet a woman who was a book design consultant. "I later sent her all my images, probably showing the last 10 years of my work mainly in the California Bay area. We worked for months on arranging them in to categories and, finally, she took the proposal to Rizzoli. Within a week, the book deal was secured," he says.

    Collected Cool is organized into four chapters, those being "Collected Cool," "Bold Bespoke," "Unabashed Glamour" and "Casual Chic." Jeffers offers CultureMap a synopsis of each.

    "'Collected Cool' shows that layering process with textures and materials, giving energy and soul to a home," he says. "'Bold Bespoke' deals more with those custom details that are completely unique to your home. 'Unabashed Glamour' is just that: All about sparkle and excitement. And 'Casual Chic' addresses a really relaxed and comfortable style of living."

    Decorating tips
    Jeffers adds he is "thrilled" to be published and feels honored to be able to share with — and hopefully inspire — readers with Collected Cool. "I've always been a big fan of design books, and I'm excited that I have now one to offer as a reference for others to use."

    Before parting, Jeffers shares with CultureMap five important tips for any decorating endeavors.

    Small spaces. "I'd first say to everyone to not be afraid of small spaces," Jeffers says. "I often paint those a dark color and do big colors on pillows and other accents. Be bold and daring."

    Lighting. "Put a dimmer on everything," he says. "Lighting can make or break a room."

    Family photos. "Some people scatter them about a house, but I like to keep them in groupings," Jeffers says. "In one project, I converted all photos to black and white, framed them in similar frames and then arranged them on a hall wall as a grouping."

    Collections. "Collect something, whether that be art, model train cars," he says, offering as a personal example his collection of vintage creamware, which he has displayed in "controlled chaos" in a large glass-door cabinet at home. "You make more of an impact if you decorate with a collection."

    Old and new. "I like to encourage people when they travel to pick up pieces that appeal to them," Jeffers says. "Having things that come from different periods and places makes a room interesting and full. I've put French Art Deco with Biedermeier, and it looks great.

    "The underlying theme to my decorating, and in my book, is to make a home feel like it's been collected over time," he adds. "That's what brings soul to a room."

    Collected Cool by Jay Jeffers.

    Jay Jeffers Collected Cool book cover March 2014
    Photo courtesy of © Rizzoli New York
    Collected Cool by Jay Jeffers.
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    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

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