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    The Round Top Life

    Houston entrepreneurs turn a vintage farmhouse into an inn — and it inspires a bustling antique business

    Barbara Kuntz
    Barbara Kuntz
    Mar 25, 2014 | 12:12 pm

    If you’re attending the Original Round Top Antiques Fair and Marburger Farm Antique Show April 1 to 5, be sure and stop by Tent C, Booth 10, at Marburger’s 43-acre field where you’ll find Houstonians Paige and Smoot Hull and their three children selling their found treasures.

    The Hulls’ repertoire this second year go-round represents a carefully curated collection of pieces they selected during across-the-state treks and on more extensive trips to Europe. Paige describes their spring offerings as "French bohemian luxe" with some industrial thrown in, plus many handcrafted goods she commissioned like aprons, candles and more.

    Even more importantly, every item is inspired by how their antiquing business came to fruition: With the purchase and remodel of a rustic home, now a cozy, funky rental escape known as The Vintage Round Top nestled in the countryside in that quaint Texas town.

    The Beginnings
    “Smoot and I went on a trip to Fredericksburg about 15-16 years ago,” Paige says. “We stayed at a great bed-and-breakfast, and together we thought, ‘Wouldn’t it be wonderful to be innkeepers?’ "

    Paige, a 22-year veteran employee and former vice president of Page Parkes Corp., and Smoot, owner of State Contractors whose successes include the creation of the popular Empire Cafe, felt a common calling to pursue a simpler time and lifestyle.

    “There’s something about the hills that is like the ocean,” Paige says. “That calling back to nature suddenly resonated with both of us.”

    The Vintage Round Top
    In 2011, during a casual Saturday afternoon drive in the country with their children, Paige and Smoot stumbled across a farmhouse for sale in Round Top. Sitting on one and a half acres with a detached two-car garage, the property needed plenty of updating — and was the perfect beginning for their ventures into innkeeping.

    “Practically everything in this house is on its second or third life."

    Paige and Smoot immediately purchased the house, quickly ripping out the wall-to-wall carpet, building a wrap-around porch and vaulting the ceilings downstairs and upstairs — all in all establishing a clean palette to determine the decor. After fresh coats of white-washed and neutral paints, next came reclaimed materials and found objects, showing the couple's concern for the environment — and their whimsical yet functional decorating style.

    They installed planks in varying woods from Habitat for Humanity’s Restore to bring playful color and interesting texture to many of the ceilings. Their great finds like cow-feed sifters at $10 each enjoy new life as artful sconces, complete with bonafied burlap fringe. Window screens at $5 a piece sit atop the fireplace mantel like fancy accents, a $45 bedspring Paige found makes a creative memo board and polished tin panels shine as a headboard above one of the beds.

    “Practically everything in this house is on its second or third life,” Smoot says.

    Paige adds, “We had this 9-inch-deep space cut into the staircase wall. We cut trunks and suitcases to fit here in a puzzle, like a wall of travel. Where did these suitcases go? Who owned them? You can feel that spirit throughout the house. All of the things we brought in have their stories.”

    In 2012, the couple hired Tim and Carol Bolton of Carol Hicks Bolton Antiques in Fredericksburg as mentors in their shopping adventures. With their assistance, Paige and Smoot expanded their shopping haunts to France to buy one-of-a-kind finds.

    First guests arrived in November 2011, and by March 2012, The Vintage Round Top was the word-of-mouth place to stay. The charming 2,400-square-foot abode sleeps up to six and has been reserved for everything from girlfriend weekends to an escape for couples seeking an easy getaway to a base for Round Top and Marburger shoppers. Room rates run $225 per night based on up to two guests, with high season, such as the antiques weekends, $650 a night based on up to six guests.

    And just one minute from Round Top Square, the getaway enjoys that location-location-location crowning jewel.

    On a lark, the couple sent photos of the house to Country Living magazine. Shortly after, the publication highlighted The Vintage Round Top in its February issue.

    Back to Malburger, Tent C, Booth 10
    While The Vintage Round Top is booked for Texas’ mega-antiques festival, the relaxing vacation rental is available year-round. Just check out the website for openings.

    Paige and Smoot welcome all to their booth at the annual the Marburger/Round Top antiques extravaganza, an easy day trip from Houston. They encourage bargain enthusiasts to shop online, too, at The Vintage Round Top, another natural expansion of the Houstonians’ dream.

    “We really put on a production,” Paige says with a laugh of their Marburger sale. “Our entire house in Spring right now is all ‘Marburger,’ and we’re bringing everything to our booth.

    “Of course, everyone shops for their personal style. We hope what we offer resonates with people.”

    In the main room at The Vintage Round Top, guests are treated to a fresh, open space with fireplace.

    1 The Vintage Round Top house March 2014
    Photo by © Haylei Smith
    In the main room at The Vintage Round Top, guests are treated to a fresh, open space with fireplace.
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    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

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