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    Middle-age crazy

    What, no "Layla?" Eric Clapton still plays a mean guitar but concert leaves audience wanting more

    Clifford Pugh
    Jane Howze
    By Clifford Pugh and Jane Howze
    Mar 17, 2013 | 2:28 am

    Midway through Eric Clapton's 50th Anniversary Tour, which touched down at the Toyota Center Saturday night, not many in the decidedly older audience had stood up from their seats, even though warm applause greeted the fabled British singer/guitarist after each song.

    (Looking at the sold-out crowd, a friend remarked this was not their first concert and given the ages of many, it could well be their last.)

    Oblivious to the fracas, Clapton continued his performance in the way he had all night. He was the consummate professional if not much of a showman.

    But when Clapton launched into "Wonderful Tonight," a middle-aged couple two rows down from us couldn't contain themselves. They jumped up and began slow dancing in the middle of their row, they bodies tightly intertwined as if they were reliving their youth when the song was first released in 1977.

    The sight was apparently too much, as one person tossed a beverage at them and another middle-aged rocker complained loudly. A war of words ensued as friends stepped in to prevent a full-fledged brawl. A cop eventually was called to the section, one of the couples left and everything calmed down as Clapton's band, coincidentally, played "How Long (Has This Been Going On?)."

    It was the most exciting thing that happened the entire evening.

    Oblivious to the fracas, which was far away from the stage, Clapton continued his performance in the way he had all night. He was the consummate professional if not much of a showman.

    Other than "Good evening," "Thank you," and mumbling the names of his band members, the 67-year-old singer/guitarist hardly said anything throughout the nearly two-hour performance. Until he played and sang the Cream hit, "Crossroads" (the 17th song in the evening's 21-song set), he didn't move from the center of the stage — and then he only walked briefly to stage right a couple of times without acknowledging the audience.

    After 50 years in the business, Clapton does not appear to feel the need to impress anyone in what might be one of his last large concert tours. (He said he plans to quit touring at age 70.) Unlike a Paul McCartney who winks, grins, and charms the socks off of everyone in an arena, Clapton has always preferred to let his guitar do the talking.

    And, boy, can he still play a mean guitar.

    On a stage in front of a simple black curtain backdrop, Clapton opened with a charmer, "Hello Old Friend," from his 1976 album, No Reason to Cry, and then riffed and jammed through a host of bluesy tunes, including "Little Queen of Spades"(a 1937 song written by bluesman Robert Johnson and recorded by Clapton in 2004) and "Black Cat Bone," from his just released album, Old Sock.

    Throughout the evening, you got the feeling that Clapton would be just as happy jammin' with his music pals in a small, smoky New Orleans joint rather than in a cavernous auditorium — or even in a room with no one else around at all. For him, it really is all about the music.

    And the camera person flashing the images on the Jumbo screens around the vast arena seemed to agree, as close-ups of Clapton's hand performing a particularly intricate riff on the guitar were continuously displayed in larger-than-life fashion.

    In one of evening's highlights, Clapton sat on a chair with an acoustic guitar in an extended set and simply played and sang a series of quiet songs — “Driftin’ Blues, “Nobody Knows You When You’re Down and Out," the achingly beautiful “Tears In Heaven,” “Goodnight, Irene” (a great sing-along tune) and the previously mentioned “Wonderful Tonight."

    Not surprisingly, Clapton got the most applause for his greatest hits, including "I Shot the Sheriff" and "Cocaine," which was the real high of the evening as most of the audience finally jumped up and danced. But many fans were shocked he didn't perform "Layla," considered one of rock music's most definitive love songs. Clapton performed it to wild applause in Phoenix when he kicked off the tour a few days ago, but for some inexplicable reason omitted it from the Houston show.
    Even so, if not overly demonstrative, the audience was appreciative and you could still feel the love for Clapton. It just seemed odd to leave a concert wanting more.

    Eric Clapton has always preferred to let his guitar do the talking.

    Eric Clapton, Toyota Center, March 2013
    Photo by Jane Howze
    Eric Clapton has always preferred to let his guitar do the talking.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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