Top Chef episode 2 recap

Top Chef recap: More Houston and Chris Shepherd as chefs face off

Houston chefs Dawn Burrell and Chris Shepherd appear in episode two.

Photo by David Moir Bravo

After a season debut that didn’t feel very Houston, Top Chef displayed more of a connection to its host city this week. Episode two featured a Quickfire with one of the city’s favorite dishes and an Elimination Challenge set in the sort of massive high school football stadium that only exists in Texas.

Let’s take a look at Episode 2 from a Houston perspective by highlighting the local people and places featured on the show. Of course, we’ll check in with local cheftestant Evelyn Garcia and look at the current state of the competition for the title.

Featured Houstonians
Irma Galvan, chef-owner of downtown institution Irma’s Original, serves as judge for the Quickfire, which is all about queso. Host Padma Lakshmi cites Galvan as the recipient of a prestigious America’s Classic award from the James Beard Foundation. Chef Evelyn adds that she’s a local celebrity. Galvan provides a succinct assessment of each contestant’s offerings before departing.

The Elimination Challenge sees the return of Houston chef and Top Chef finalist Dawn Burrell. Instead of a judge, she’s a “coach” for a challenge that pits two teams of seven chefs in head to head matchups of carbohydrate-based dishes. Burrell is named captain of the blue “Wildcats” team rather than the red “Cougars” team, which seems a little strange considering she was an Olympic-worthy track athlete who attended the University of Houston.

Primarily, she serves as a mentor to the competing chefs, but a strategic error of sending up chef Monique Feybesse’s dessert of biko with caramelized coconut milk against chef Nick Wallace’s savory dish of purple sweet potato with potlikker may have cost the blue team an overall victory.

Chris Shepherd serves as this week’s guest judge for the elimination challenge. After being a mostly quiet participant in Episode 1’s dinner at The Annie Cafe, Shepherd shows more personality this week, and his Southern Smoke Foundation non-profit gets a major shoutout.

The carbohydrate-inspired challenge may not feel very Houston, but its setting in Tomball ISD’s 10,000 seat football stadium gave the competition major Friday Night Lights vibes. Top Chef still hasn’t shown much of the city’s unique environments, but that looks poised to improve in coming episodes.

How did Evelyn Garcia do
For the queso Quickfire, chef Evelyn shows both her Mexican heritage and her experience with Southeast Asian flavors by pairing a dip of adobo-spiced queso with fried taro chips. Praised by Galvan for its presentation, she finishes in the top three but doesn’t secure immunity.

Unfortunately, she struggles in the Elimination Challenge. Forced to pivot away from using rice noodles — she calls them “slimy” — to a four grain mix, chef Evelyn loses her head-to-head matchup with chef Sam Kang in a four-to-one vote. Thankfully, her dish of mixed grains with tamarind nuoc cham and turmeric sea bass displays sufficient skill to avoid being named a candidate for elimination.

Who wins
Episode two belongs to chef Damarr Brown. After earning immunity in the Quickfire for his cheddar dip with bread crumbs and a pickled serrano pepper for dipping, he takes the title of MVP at the football stadium for his dirty farro with nduja, chicken thighs, and chicken liver.

“There was a lot I loved about your dishes,” Gail Simmons tells Damarr. “It was the seasoning that got me.”

Who loses
Typically, chefs go home in early episodes for technical cooking errors. Such is the case with chef Stephanie Miller, who overcooks the rice in her Brazilian-inspired feijoada.

Chef Sarah Welsh also loses her head-to-head matchup in a 5-0 vote by using canned chickpeas to make hummus. They’re joined in the bottom three by Luke Kolpin, whose pumpkin gets criticized for being oily and bland.

Who exceeded expectations
Most of the chefs shined in episode two, but Austin’s Jo Chan gets the nod here. She contributed a couple quips about gaining queso weight when she moved to Texas, hails the good work Shepherd has done through the Southern Smoke Foundation, and wins her head-to-head matchup with a dish of black garlic congee.

Local legend Irma Galvan with Padma Lakshmi.

Top Chef Houston episode 2 Irma Galvan Padma Lakshmi

Photo by David Moir/Bravo

Local legend Irma Galvan with Padma Lakshmi.

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Movie Review

Anne Hathaway's busy 2026 continues with meta-thriller Verity

Photo by Alisha Wetherill

Anne Hathaway in Verity.

Anne Hathaway has been inescapable for movie fans in 2026, starring in no fewer than five different movies across multiple genres, including Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. The actor (who’s pregnant and about to take a well-earned break) is wrapping up her supremely busy year with the psychological thriller, Verity.

Hathaway plays the title character, Verity Crawford, a hugely successful author who writes beach read thrillers, often from the perspective of the villain. An unpublicized car accident renders her immobile and mute, and her husband, Jeremy (Josh Hartnett), and agents make the decision to recruit someone to ghostwrite her next book in order to continue her legacy.

The person hired for the job is Lowen Ashleigh (Dakota Johnson), an aspiring author whose books mostly get ignored. She’s eager to take on the project, but the reality of Verity’s situation throws her for a loop. When she discovers a secret file that seems to be Verity admitting to some very bad things, Lowen starts to spin even more, imagining situations that may not actually be happening.

Directed by Michael Showalter and adapted by Nick Antosca from the book by Colleen Hoover, the film initially has a nice rhythm to it, setting up the three main characters well and building up tension. Though current day Verity can’t speak or move, the film gets to the heart of her through old interviews Lowen watches to get to know her mind better. Using that footage and other small moments at the house, a type of rivalry develops between the two characters.

Strangely, though, Showalter and Antosca fail to capitalize on the early momentum. The story stagnates about halfway through the movie and never delivers on what it seems to be promising. Whether they’re too true to Hoover’s original story or change things too much is difficult to tell for those who haven’t read the book, but either way, the result is a big tease with not much in the way of a payoff.

What’s most disappointing about the film is its inability to decide on a tone. There are some points where it feels like over-the-top, campy fun, and others where it seems like the filmmakers are going for a straight-up horror vibe. The down-the-middle approach that they land on serves neither the story nor the characters well. Moments that should be full of suspense or could get laughs often fall flat because of the indecisiveness of the filmmakers.

Due to her character’s affliction, Hathaway is reduced to a supporting role in the film, but she gets by on presence alone and still has a few scenes where she demonstrates her star power. Johnson delivers a good performance despite her typical lack of emotion. Like many of her roles, it’s her body that seems to get more attention than her acting. Hartnett is on a roll thanks to recent roles in Oppenheimer and Trap, and he puts in solid work here, as well.

Verity has the bones of a tense thriller, but it’s filled in with a bunch of questionable story beats that don’t prove as satisfying as the premise. The meta-plot of the authors of thrillers becoming involved in a thriller themselves should have been juicy and full of great twists, but ultimately it’s as catatonic as Verity herself.

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Verity is now playing in theaters.

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