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    Building blocks

    Gerald Hines donates $1 million to UH after its college kid architects stand toe to toe with best in world

    Shelby Hodge
    Mar 7, 2015 | 5:48 pm

    While several hundred students, faculty and friends of the University of Houston Gerald D. Hines College of Architecture had gathered to get a look at the international award-winning project "Risky Habit(at)," dean Patricia Oliver had a surprise in store.

    Gerald Hines, for whom the architecture college is named, has committed $1 million for the college's international programs. In announcing the gift, Oliver noted, "He was so impressed by the work of the students that he wanted to insure that students in the College of Architecture would have that (international) opportunity into the future."

    Hines and UH System chancellor and president Renu Khator were among notables who had joined the college in Italy last June when their entry in the Venice Biennale won the prestigious Global Arts Affairs Foundation Prize. The UH students bested entries from 100 architects representing 40 countries and two Pritzker Prize winners.

    "This project has proved to everybody that our students can stand shoulder to shoulder with the best architects in the world."

    "This was a journey that was really special for the college because it got us to an international platform," noted professor Peter Zweig, who led the effort with professor Tom Colbert. "And I think by winning the first award in the world with Pritzker Prize winners and over 100 architects internationally, it really put the college on the map."

    “Risky Habit(at]): Dynamic Living on Buffalo Bayou,” presents an overview of Buffalo Bayou and its relationship to the city, presenting solutions to the challenges faced by both the city and its waterways. In addition to models and story boards, the exhibition includes videos from the bow of a cargo ship as it traverses the Houston Ship Channel both day and night.

    In her remarks to the gathering, Oliver said, "This project has proved to everybody that our students can stand shoulder to shoulder with the best architects in the world."

    The attention the winning project has brought to the college has also led to the creation of a center for sustainability resilience, beginning in June, and it has opened the door for a future program in urban systems.

    "There is a lot of building that has happened because of this project," Oliver said.

    Students peruse the display on exhibit through mid-April.

    News, UH College of Architecture, Venice Biennale reception, March 2015, Pete Zweig, Patricia Oliver
      
    Photo by Shelby Hodge
    Students peruse the display on exhibit through mid-April.
    unspecified
    news/innovation

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    the future of fashion

    Houston startup showcases sustainable, alternative leather at the rodeo

    Maurice Bobb, InnovationMap
    Apr 10, 2025 | 4:00 pm
    Rheom Materials rodeo outfit
    Courtesy of Rheom Materials
    The commercial showcaes the material's durability and performance.

    Last month’s Houston Livestock Show and Rodeo stirred up another rootin’ tootin’ time for Houstonians and beyond.

    But before the annual event galloped into the sunset, there were quite a few memorable innovations on display, with one notably coming from Rheom Materials.

    The Houston-based pioneer of next-generation materials presented its scalable, bio-based alternative known as Shorai, a 93 percent bio-based leather, through two custom, western-inspired outfits that showed off cowboy flair through a sustainable lens.

    “I'm a Houstonian, I love the rodeo,” Megan Beck, Rheom’s business development manager, recalls. “We're sitting there talking about it one day and we're like, ‘Okay, we've got to do something with this leather to show people how good it can look in apparel, how easy it is to wear.’”

    Buoyed by the idea that their materials are meant to “change your impact, not your life,” Rheom captured the real-life energy of their bio-leather outfits under the rodeo’s neon lights in a short commercial video and photo shoot with models donning the samples, while dancing and enjoying the festivities. Rheom created a skirt, a leather jacket, and then a leather top for the look.


    View this post on Instagram
    A post shared by Rheom Materials (@rheommaterials)


    “Houston is such a vibrant city,” Beck says. “There's so much innovation here. I think the rodeo is just a really, really great example of that. And so we wanted to take this opportunity to take some of these garments out there and go on the slide, go on some of the rides, go into the wine garden and go dancing, because if you've ever felt some of the materials in the market in this space, they're very stiff, you can't really move in them, they're a little fragile, they kind of fall apart.”

    Not only do the models in the video look fashionable, but they also look comfortable, and the leather looks natural and supple. And to the naked eye, Shorai appears to be like the leather most wearers are accustomed to.

    “What we really wanted to showcase in this is the energy and the movement of the leather, and to show people how good it can look in apparel, and how easy it is to wear, which I think we were able to accomplish,” Beck says.

    Next up, Beck says Rheom wants to scale production of Shorai, the Japanese word for “future,” at a competitive price point, while also reducing its carbon footprint by 80 percent when compared to synthetic leather. According to Beck, Rheom plans to see Shorai products come to market sometime this year.

    “We have companies globally right now that are testing materials, that are prototyping, that are making garments, making handbags and footwear, and making eyewear because we have a plastic, as well,” Beck says. “So, this year, I do believe we'll start seeing those products actually come to market, which is very, very exciting for us.”

    And with their large-scale production partner already set up for Shorai, Rheom plans to start its first production run of the product soon.

    “In April, we'll actually be starting our first production run,” Beck says. “We'll be doing it at full scale, full width, and a full run of materials. So over the next five years, we're only going to just try to increase that capacity.”

    ---

    This story originally was published on our sister site, InnovationMap.

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