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    CultureMap Video Exclusive

    This wedding dress has seen 5 brides and it's still fabulous: Showing off a most historic gown

    Joel Luks
    Mar 6, 2013 | 3:59 pm
    This wedding dress has seen 5 brides and it's still fabulous: Showing off a most historic gown
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    As heirlooms are passed down from generation to generation, the beloved objects unveil what's nearest and dearest to the family's heart. One exquisite gown, on view at Rienzi through June 30, sketches one family's journey through many joyful nuptial celebrations.

    Five brides and three generations of Reckling women have walked down the aisle wearing a soft ivory peau d'ange silk gown on display at the former residence of Carroll Sterling Masterson and Harris Masterson III, today the Museum of Fine Arts, Houston's home to its collection of European decorative arts. A cozy gallery at Rienzi — in what was previously the bedroom of Isla Carroll Cowan, daughter of Carroll Sterling's and her second husband, John Cowan, who died in a plane crash in the 1950s — exhibits The Wedding Dress alongside photos and ephemera that reminisce of days past.

    The original gown was purchased at the bridal salon of Neiman Marcus in downtown Houston for the October 1957 wedding of Isla Carroll Cowan's to Thomas R. Reckling III. The dress was crowned with an elegant, intricate veil crafted from antique Brussels rose point lace, which also adorned the hem, neckline and sleeves. The juxtaposition of new, contemporary design with vintage fabrics dialogs on this family's values to treasure the accoutrements of yore.

    The juxtaposition of new, contemporary design with vintage fabrics dialogs on this family's values to treasure the accoutrements of yore.

    The mid-1950s also mark an important era in the development of American bridal fashions. Actress Grace Kelly's magnificent 1956 wedding ceremony to Rainier III, Prince of Monaco, described by the press as the "Wedding of the Century," set a new trend with a frock designed by Helen Rose of MGM that featured a slim, fitted bodice and flared skirt, hallmarks of Isla Carroll Cowan's graceful formals.

    Alterations to the dress were made to appease the unique personalities of Randa Carroll Reckling's wedding in 1981, Katherine Christiana Reckling's wedding in 1983 and Isla Carroll Reckling' wedding in 1986. For her wedding to Joseph Paul Jornayvaz in 2010, Isla Carroll McConn requested the most significant modification, the removal of the sleeves.

    Also on view at Rienzi's The Wedding Dress are newspaper social page clippings, a digital, interactive photography slideshow of the receptions, and related miscellanies, including a garter belt worn by the five brides, a guest book, a gift box and a laced ring bearer's pillow.

    Rienzi's spring lecture at MFAH, set for 6:30 p.m. April 11, titled "Something Old, Something New: The Wedding Dress as Fantasy, Memory and Transformation," presented by by Hazel Clark, research chair of fashion for Parsons, The New School for Design, will focus on the gown as the center of fantasy.

    Watch the video (above) for CultureMap's personal tour with Rienzi's curatorial assistant Caroline Cole, who explains the meaning of the gown and the complementing items on display.

    Isla Carroll Cowan on the occasion of her marriage to Thomas R. Reckling III, Oct. 12, 1957

    Rienzi wedding gowns, March 2013, Isla Carroll Cowen, 1957
    Photo courtesy of © Gittings
    Isla Carroll Cowan on the occasion of her marriage to Thomas R. Reckling III, Oct. 12, 1957
    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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