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    Movie Review

    Coming 2 America offers fun nostalgia trip but little else

    Alex Bentley
    Mar 5, 2021 | 5:30 pm
    Coming 2 America offers fun nostalgia trip but little else
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    The nostalgia for everything related to the 1980s has been in high gear in recent years, popping up in everything from Netflix’s Stranger Things, Steven Spielberg’s Ready Player One, and reboots of multiple ‘80s properties. Now, on the heels of the return to the Bill & Ted franchise with the original actors, comes the long-awaited sequel to Coming to America, appropriately titled Coming 2 America.

    Thirty-three years after the original, Prince Akeem (Eddie Murphy) of Zamunda is still married to Lisa (Shari Headley), and he now has three daughters, Meeka (Kiki Layne), Omma (Bella Murphy), and Tinashe (Akiley Love), which puts a crimp in the tradition of having a male heir inherit the throne. Akeem’s ailing father, King Jaffe Joffer (James Earl Jones), surprisingly informs him that he conceived a son during his initial trip to America, sending him on a trip back to Queens to find his son and bring him back to his rightful home.

    While the plot involving the son, Lavelle Junson (Jermaine Fowler), starts off promising enough with hilarious introductions of Lavelle’s mom (Leslie Jones) and uncle (Tracy Morgan), things devolve upon the return to Zamunda. Fans of the original film will find some striking similarities in the two films' plots, with Lavelle traveling almost exactly the same road as Akeem, but in reverse.

    Directed by Craig Brewer, who also helmed Murphy’s Dolemite is My Name, and written by Barry W. Blaustein, David Sheffield, and Kenya Barris, the film offers plenty of callbacks to the first film but little of substance for the sequel to stand on its own. Instead of finding an interesting way to involve Akeem’s three daughters, the story falls back on most of the same jokes that it made the first time around.

    That’s not to say that those things aren’t funny, but there’s only so much pleasure to be had out of rehashing McDowell’s/McDonald’s jokes or seeing Murphy and Arsenio Hall pull quadruple duty as multiple characters. They do some things right, though, including giving Jones and Morgan room to roam, a lavish scene that involves cameos by Morgan Freeman, En Vogue, Salt-N-Pepa, and Gladys Knight, and multiple appearances by Trevor Noah as a Zamundan newscaster.

    But those pleasurable moments are few and far between, with most scenes sticking to elements that involve very little effort for either the filmmakers or the audience. On the plot side, it seems like the filmmakers want to have their cake and eat it too, giving lip service to Meeka and her ambitions while still focusing on the antiquated story about Lavelle. Lavelle is shown to be conflicted about his new role, but the approach of the film never sells this aspect.

    Murphy (and, to a lesser degree, Hall) is obviously the main draw, and much like the film as a whole, his presence is enjoyable but not impactful. Akeem is not as over-the-top as some of his other roles, and seeing him as a dad makes him recede even more. The filmmakers missed a real opportunity in not giving Layne, who impressed in both If Beale Street Could Talk and The Old Guard, more to do, as she’s much more dynamic than Fowler.

    Coming 2 America is far from a disaster, but it doesn’t deliver anything more than surface fun for those who still remember and love the original film. Nostalgia has its place, but it needs to be complemented by something new and meaningful, and that part is all but missing here.

    ---

    Coming 2 America is streaming exclusively on Amazon Prime Video.

    Arsenio Hall and Eddie Murphy in Coming 2 America.

    Arsenio Hall and Eddie Murphy in Coming 2 America
    Photo by Quantrell D. Colbert/Amazon Studios
    Arsenio Hall and Eddie Murphy in Coming 2 America.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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