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    Movie Review

    Amy Poehler's Moxie empowers teen girls in fight against toxic masculinity

    Alex Bentley
    Mar 3, 2021 | 3:31 pm
    Amy Poehler's Moxie empowers teen girls in fight against toxic masculinity
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    For way too long, the stories of boys and men have been prioritized in Hollywood and beyond. In fact, it’s only been in the last few years, that films like Blockers, Booksmart, and Yes, God, Yes, which offer a young female perspective on screen and female leadership behind the scenes, have finally started to come to the forefront.

    The latest in that lineage is Moxie, which comes off as a combination between the light airiness of a teen comedy and the righteous indignation of Promising Young Woman. Moxie is not a person but rather an idea thought up by Vivian (Hadley Robinson), a brainy-but-shy high schooler who rarely oversteps her bounds. But the arrival of new student Lucy (Alycia Pascual-Peña), who’s unafraid to stand up for herself, and a series of small-to-large inciting events awaken a new side of Vivian.

    Soon she’s digging into the protest history of her mom (Amy Poehler) to create an anonymous zine she dubs Moxie to call out the rampant toxic masculinity and culture that supports it at her school. Slowly but surely, Moxie builds a loyal following, with supporters protesting in a variety of increasingly bold ways.

    Directed by Poehler and adapted by Tamara Chestna and Dylan Meyer from the novel by Houston English teacher Jennifer Mathieu, the film is different from most teen movies in that it offers a broad range of viewpoints and tries to flesh out its main characters. Vivian’s best friend Claudia (Lauren Tsai), is Chinese, and the initial Moxie group features mostly Black and Latino girls. Without being condescending to them, the film gives these characters the opportunity to comment and expand upon Vivian’s message.

    While the film is mostly light in tone, it doesn’t back away from the seriousness of the topics that arise as part of the story. Underneath the fun of seeing these girls taking charge and trying to right the wrongs of their school lies genuine hurt that’s too often experienced by women in the real world. The filmmakers take care to illuminate various injustices and crimes without coming off as wishy-washy or preachy.

    The combination of feminism and romance has been antithetical in some other films, but Poehler and her team make it work through Vivian’s crush on Seth (Nico Hiraga). True, Seth is the hunky ideal of a feminist ally, but his support allows Vivian to become even more confident in her new outlook. Their bond also belies the concept that any woman who’s interested in advancing the cause for females is a man-hater.

    Robinson, previously best known for playing creepy twins in the Amazon series Utopia, does a great job at making Vivian come out of her shell in a believable way. She’s matched by Pascual-Peña, who’s magnetic every time she comes on screen. While the film belongs to the younger up-and-coming actors, the presence of well-known people like Poehler, Marcia Gay Harden, Ike Barinholtz, and Clark Gregg help the film navigate through some of its sticky points.

    Moxie is a blast of pure energy that proves that stories centered on and made by women need to continue being highlighted. The fact that it can deliver its serious point in a highly entertaining way makes the case that audiences need more movies like it, and the sooner the better.

    ---

    Moxie is now streaming exclusively on Netflix.

    Nico Hiraga, Amy Poehler, and Hadley Robinson in Moxie.

    Nico Hiraga, Amy Poehler, and Hadley Robinson in Moxie
    Photo by Colleen Hayes/Netflix
    Nico Hiraga, Amy Poehler, and Hadley Robinson in Moxie.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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