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    Movie Review

    Key and Peele star takes horror movie in new direction with Get Out

    Alex Bentley
    Feb 24, 2017 | 9:00 am
    Key and Peele star takes horror movie in new direction with Get Out
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    The horror movie genre has traditionally been one that’s so full of schlocky gorefests that anything that even attempts to bring something artistic to the table is hailed as a revelation. Nearly every year, at least one horror film is proclaimed to be the next big thing, although even those don’t always live up to expectations.

    This year, that film is Get Out, an ingenious spin on horror movie tropes that may or may not completely please genre fanatics. Its protagonist is Chris (Daniel Kaluuya), a black man who is invited by his white girlfriend, Rose (Allison Williams), to meet her family at their country estate. Based on his life experience, Chris expects well-meaning but racially tinged interactions, and he is not disappointed.

    What does surprise him is the behavior of the African American housekeeper and groundskeeper, both of whom speak and act in seemingly unnatural ways. And when Allison’s mother (Catherine Keener) and father (Bradley Whitford) start acting strange as well, Chris gets the feeling he should vacate the premises as quickly as possible.

    Writer/director Jordan Peele (of Key and Peele fame) appears to be more interested in making a movie with social commentary than a true horror movie. That means that the film is light on actual scares and heavy on mystery as Chris tries to figure out what the hell is going on. Some may decry this approach, but in my estimation it makes the story much more effective.

    The film is far from heavy-handed, though. Peele uses his comedic instincts to bring lightness in throughout, and he deftly layers in brutally honest observations about race relations. And even though the blood and body count doesn’t measure up to your typical horror film, the elements that are there certainly do the trick.

    But it’s the performances, especially from Kaluuya, that truly make the film sing. His big eyes, combined with a friendly but cautious demeanor, sell every twist the plot has to offer. Stealing every scene he’s in is LilRel Howery, who plays Rod, Chris’s best friend. His reactions to Chris’s situation from afar provide comic relief that enhances everything else in the movie.

    On a purely visceral level, Get Out is not all that special. But on a storytelling level, it’s heads and tails above anything else you’re going to get from the genre.

    Bradley Whitford and Catherine Keener in Get Out.

    Bradley Whitford and Catherine Keener in Get Out
    Photo by Justin Lubin
    Bradley Whitford and Catherine Keener in Get Out.
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    Movie Review

    The Super Mario Galaxy Movie serves fans with Easter Eggs galore

    Alex Bentley
    Apr 1, 2026 | 1:30 pm
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie
    Photo courtesy of Nintendo and Illumination
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie.

    When The Super Mario Bros. Movie came out in 2023, it had two big things going for it. Audiences had little experience with a fully-animated video game adaptation, and certainly not from a property as revered as Super Mario Bros. And coming from Illumination Entertainment and featuring an all-star cast, the massive budget for the film was on the screen, showing how much effort the filmmakers put into at least the visuals.

    Three years later comes the sequel, The Super Mario Galaxy Movie, passing over a massive number of Mario games to go straight to 2007’s Super Mario Galaxy, originally put out for Nintendo’s Wii system. This time, the returning Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy), and Toad (Keegan-Michael Key), now joined by Yoshi (Donald Glover), are sent on a mission to save Princess Rosalina (Brie Larson) from the evil clutches of Bowser Jr. (Benny Safdie), who’s trying to prove his worth to his dad, Bowser (Jack Black).

    And that is about as much actual story there is to be found in a film that feels like a slog even at a brief 98 minutes. The filmmakers — directors Aaron Horvath and Michael Jelenic, co-directors Pierre Leduc and Fabien Polack, and writer Matthew Fogel — have lots of fun inserting references from a bunch of different Mario games, but they pay little attention to giving the characters anything to do that makes sense.

    Instead, small groups are shuttled around different points in the galaxy — sometimes using game mechanics, sometimes not — to accomplish minor goals that are forgotten almost as soon as they’re named. Nothing they do rises to the level of exciting or even interesting; everything is merely an excuse to showcase another part of Mario lore for the masses.

    It’s impossible to call the filmmaking lazy, as the visuals remain top notch and it’s clear the entire crew put a lot of effort into making every scene as appealing as possible. But the film is certainly cynical, throwing out empty treats like Fox McCloud (Glen Powell) or Bowser Jr.’s magic paintbrush to give Nintendo mega-fans a rush of serotonin without attaching those elements to anything substantial.

    This critic has long railed against using big-name actors in voiceover roles, arguing that few people know or care whose voice they’re hearing in animated films. Somehow, this film makes the idea worse, as the voices of people like Key, Glover, and Safdie are changed so that you would never know it’s them, something that’s especially strange for Glover since Yoshi only says one word — “Yoshi.”

    Even stranger is that, after making a joke in the first film about Mario not having an Italian accent, Pratt goes in and out of an accent in this film. At least he and Day feel like they’re having fun. Bowser is sidelined for a good amount of this film, giving Black not much to do overall. Taylor-Joy and Larson might as well be anonymous actors for all the impact they make on their roles.

    The Super Mario Galaxy Movie is the worst kind of fan service, delivering a shiny product that might make some people feel good in the moment, but something that is forgotten the second they step out of the theater. If Nintendo is to continue adapting their properties, they’d do well to give their fans a film they want to see more than once.

    ---

    The Super Mario Galaxy Movie is now playing in theaters.

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