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    Party on the Plaza 2020

    Party on the Plaza returns with rockin' lineup of free Houston concerts

    Johnston Farrow
    Johnston Farrow
    Feb 20, 2020 | 11:11 am

    For music fans, there's only one thing better than live music — and that's free live music.

    Avenida Houston, the downtown gathering spot next to George R. Brown Convention Center and Discovery Green, announced the return of Party on the Plaza, the spring concert series that runs from March 7 through April through May 7 on select Thursdays.

    This year’s lineup includes: St. Paul and The Broken Bones with The Dip (March 26), Caloncho with Superfónicos (April 9), co-headliners Robert Randolph and The Family Band and The Soul Rebels (April 23), and Ryan Bingham with Houndmouth (May 7). Admission to these shows are free.

    “We are thrilled to bring this talented group of performers into the heart of our city. Being able to provide the free concert series to the Houston community is an added bonus,” said Todd Holloman, head of live events and experiences at Houston First Corporation, in a statement. “Houston is a huge city, but music brings people together. It is our hope the ‘Party on the Plaza’ series becomes a gathering place for friends, families and neighbors near and far to kick back, relax with local food and drinks and experience collectively some amazing musical talents.”

    Party on the Plaza started in 2017 and has brought in numerous up and coming and established acts like The Old 97’s, Ghostland Observatory, Trombone Shorty, Bob Schneider, Robert Ellis, Los Amigos Invisibles, Ben Kweller and more to its downtown location. This year's lineup is perhaps its strongest yet.

    Alabama-formed St. Paul and the Broken Bones is a nationally known R&B soul act, having played on major nightly talk shows and festivals, featuring the charismatic lead singer, Paul Janeway. They'll be joined on the March 7 date by The Dip, a classic R&B bad, much loved in their hometown Seattle, and starting to make some waves outside of the Pacific Northwest. Latin flavor will heat up the Plaza on April 9 with the Mexican singer-songwriter Colancho and Austin eight-piece Colombian funk band, Superfónicos.

    On April 23, Robert Randolph and the Family Band will deliver the American funk and soul that has earned them four Grammy nominations and Randall a spot on the Rolling Stone list of Top 100 Guitarists of All Time. They'll be joined by the eight-piece New Orleans jazz, hip-hop, and rock mash up of then popular Gulf Coast act, The Soul Rebels, who also have a strong following and a couple of late night appearances under their belt.

    Party on the Plaza will wrap up on May 7 with an Americana bent with headliner Ryan Bingham, the former rodeo rider and alt-country star that won an Oscar for co-writing "The Weary Kind" from the film, Crazy Heart. Festival mainstay indie rockers Houndmouth will be on hand - a band that can easily sell out mid-sized theaters on a good night, set to release their fourth album this year.

    Avenida Houston is in the center of the thriving downtown core. The 97,000 square foot pedestrian plaza turns into a center for entertainment during the warmer months of the year with Party on the Plaza as one of its main draws. A variety of restaurants will be offering promotions and discounts during the concert series and visitors and families will be able to visit Discovery Green’s 12-acre park as well as the various public art installations.

    ---

    For more information on Avenida Houston's Party on the Plaza, including parking, visit www.AvenidaHouston.com/party.

    Robert Randolph and the Family band perform at Party on the Plaza on April 23.

    Robert Randolph
    Courtesy Robert Randolph
    Robert Randolph and the Family band perform at Party on the Plaza on April 23.
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    Movie Review

    Glen Powell delivers sly laughs in satirical How to Make a Killing

    Alex Bentley
    Feb 19, 2026 | 4:15 pm
    Glen Powell in How to Make a Killing
    Photo courtesy of A24
    Glen Powell in How to Make a Killing.

    Becoming a star in Hollywood and maintaining that stardom are two very difficult things to achieve, but Glen Powell has been adept at doing so over the past few years. A key supporting role in Top Gun: Maverick led to lead parts in films like Hit Man, Anyone But You, Twisters, and The Running Man. Powell is looking to keep his star power shining in the new dark comedy/thriller, How to Make a Killing.

    He plays Beckett, an outcast member of the ultra-wealthy Redfellow clan. Struggling to get by in a menial job in New York City while still living in New Jersey, Beckett’s only smidgen of hope is that he remains an heir to the vast Redfellow fortune. The only trick? Every other remaining family member must die before he’ll see a dime of that money. When even that menial job goes away, Beckett indulges the fantasy of bumping off his familial competition.

    Among those standing in his way are cousins Taylor (Raff Law), a finance bro, Noah (Zach Woods), a pretentious artist, and Steven (Topher Grace), a celebrity pastor; Uncle Warren (Bill Camp) and Aunt Cassandra (Bianca Amato); and grandfather Whitelaw (Ed Harris). Complicating matters, however, are an old childhood friend, Julia (Margaret Qualley), who starts asking more of Beckett than he can give; and new flame Ruth (Jessica Henwick), who happens to be dating Noah when he meets her.

    Written and directed by John Patton Ford (Emily the Criminal), the film is a tale of two halves. Narrated by Beckett in the form of telling his story to a prison chaplain, the story plays with audience expectations on multiple occasions. As Beckett ramps up to detailing exactly how he got started down the road toward being a serial killer, the film has a fun-if-macabre vibe.

    Under normal circumstances Beckett would be someone to despise, but since he’s an underprivileged person who’s taking aim at people who (mostly) don’t seem to appreciate their good luck, it feels okay to cheer for him. This follows a recent trend in “eat the rich” films, one that’s been influenced by a turn against real-life billionaires. Ford plays heavily into the theme and it works for a good portion of the film.

    However, things get a little murky in the second half of the movie. A few of the planned killings get less attention than others, making their — pardon the pun — execution less interesting/fun than the others. Also, Ford does a poor job of indicating just how much weight should be put on Beckett’s relationship with Julia, someone with whom he only has occasional interactions for the bulk of the film.

    It’s difficult to know the exact right way to showcase Powell, but this film doesn’t seem to be the best fit. Whether it’s the odd hairstyle/wig he’s given, or the varying degrees of confidence his character shows, his performance is up and down. Qualley’s acting style is over-the-top, and she needed to dial it down in this particular role. Henwick and Camp are the grounding forces in the film, keeping the story somewhat tethered to reality while almost everyone else makes a meal of their scenes.

    How to Make a Killing is serviceable entertainment that gives viewers a decent number of laughs and thrills. But Ford can’t find a way to make the story work all the way through, and a so-so performance by Powell keeps the film from rising above its mediocre station.

    ---

    How to Make a Killing opens in theaters on February 20.

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