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    Movie Review

    Black Panther an early contender for best movie of 2018

    Alex Bentley
    Feb 16, 2018 | 8:29 am
    Black Panther an early contender for best movie of 2018
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    Movies in the Marvel Cinematic Universe have been enormously successful, if not universally beloved, because they tend to follow a certain formula. Introduce a particular hero, add in a certain level of snark, pair him with one or more other heroes, challenge him with the villain of the month, and repeat.

    The problem with this style is that it's repetitive and there's very little at stake. While most of the previous 17 MCU films are fun, few of them have anything remotely comparable to real emotion. They merely contain cartoon figures whose job is to entertain us, and nothing more.

    Black Panther changes all that. No longer does a hero have to be a loner who joins up with others only when necessary. Instead, T'Challa/Black Panther (Chadwick Boseman) relies on a whole host of people from his home country of Wakanda to be the leader and hero he is.

    Notably, that group is composed mostly of women, including his stoic mother, Ramonda (Angela Bassett); spy and ex-girlfriend, Nakia (Lupita Nyong'o); tech wizard and little sister, Shuri (Letitia Wright); and leader of the Dora Milaje, an all-female warrior group, Okoye (Danai Gurira).

    The plot of the film is also very personal. Following the death of his father in Captain America: Civil War, T'Challa is on the hunt for Ulysses Klaue (Andy Serkis). Klaue has a long history of running afoul of Wakanda, constantly trying to steal the ultra-valuable vibranium from them. Klaue is now being helped by the mysterious Erik Killmonger (Michael B. Jordan), whose link to Wakanda has him on a unique mission.

    Writer/director Ryan Coogler (Fruitvale Station, Creed) and co-writer Joe Robert Cole have crafted about as perfect a superhero movie as one could imagine. They refuse to cut any corners, fleshing out the story of every significant character so that it's clear this is not a one-man show for Black Panther. The action scenes are not just an excuse for random mayhem; they serve a clear narrative purpose each and every time.

    The filmmakers also don't shy away in the slightest from making this a truly African film. From the costumes to the hairstyles to the tribal customs, every detail is designed to immerse the audience in the world of Wakanda, and to pay homage to African people in general.

    Most importantly, the film actually has something to say about the real, non-movie world. Yes, it's a work of fiction, but it's very much grounded in the realities of the world we live in. The plight of Africans, African-Americans, and people of color around the world is at the heart of the plot. To not only acknowledge racial inequities but to make them the driving force sets Black Panther apart from other superhero films in an astonishing way.

    Despite having played a trio of real-life African-American heroes, T'Challa might be Boseman's best role to date. There's no legacy to uphold, so he's free to play the character however he wants, and he makes it one of Marvel's most relatable heroes to date.

    He's helped immensely by the main quartet of women, especially Nyong'o, Wright, and Gurira. Nyong'o and Gurira demonstrate just as much strength and skill as Boseman despite their characters not being artificially enhanced. And Wright steals the movie every time she's on screen with her effervescent spirit.

    Black Panther feels altogether different from anything Marvel has ever made, and that's a great thing. It's deserving not only of high praise, but of being put into early consideration for best movie of the year.

    Chadwick Boseman in Black Panther.

    Chadwick Boseman in Black Panther
    Photo courtesy of Marvel Studios
    Chadwick Boseman in Black Panther.
    movies
    news/entertainment

    50 years of TRF

    First Renaissance Festival since owner's death draws strong attendance

    Jef Rouner
    Dec 10, 2025 | 12:45 pm
    Texas Renaissance Festival
    Photo by Steven David Photography
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    Those who were worried about the Texas Renaissance Festival (TRF) not performing well the first year after a court mandated its sale and the death of its founder can rest easy. The final gate totals show that the 2025 season was just as well attended as previous ones.

    “The 51st annual Texas Renaissance Festival was another successful season thanks to our wonderful guests and dedicated team members,” TRF marketing director Tyler Moyer said. “Our team worked tirelessly to bring the magic of the Renaissance to life every weekend, and we’re grateful that our patrons love us more and more with every passing year. We’re so thankful to everyone who helped make this another great event, and we can’t wait to welcome folks back in 2026.”

    In total, 492,910 patrons visited TRF over its eight themed weekends, with almost 100,000 coming through the gates for the final, extended Christmas weekend alone. On Friday, November 28, some, including this reporter, might have felt the event felt too crowded. Still, people made merry in medieval Santa costumes and the occasional Krampus.

    While attendance was down about 8 percent from 2024 (533,356), that year featured many 50th anniversary celebrations. Over the past five years, TRF has averaged about 486,000 visitors according to the TRF media office. The numbers for 2025 are even more impressive considering that the last week of October featured torrential rain across the Houston area.

    There was much concern about how well the festival would run. Earlier this year, founder George Coulam lost a court case mandating that he sell the festival after Coulam attempted to back out of a deal with Austin developer Meril Rivard. The matter was further complicated by Coulam's death in May, throwing the appeal process into chaos.

    Throughout the tangled legal maneuverings, everyone running the festival vowed to keep it going just as it is. Grimes County Judge Gary W. Chaney appointed a pair of special masters to administrate TRF at the top while the matter sat in court, which they appear to have done flawlessly if the gate receipts are any indication.

    Now that the season is over, all parties involved with the lawsuit will have free rein to continue the fight and another indicator of how popular and profitable TRF is. The 90 day appeal window open to Coulam's beneficiary closes in early 2026, Hopefully, the matter will be settled before the next season looms.

    texas renaissance festival
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