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    Cutting-edge architect

    $20 million for a campus changer: Rice's new arts center to have a bold, risky look

    Tyler Rudick
    Feb 14, 2013 | 11:03 am

    Thanks to a generous donation from the Moody Foundation, Rice University is $20 million closer to creating its much-anticipated arts center.

    The 50,000-square-foot building, now dubbed the Moody Center for the Arts, will be located near the Rice Media Center on the south side of campus and has a tentative grand opening planned for 2015. Costs currently are estimated around $30 million, leaving the university already two thirds towards its goal.

    Los Angeles architect Michael Maltzan — known for MoMA's outpost in Queens — has been hired for the pre-design phase.

    Los Angeles architect Michael Maltzan — known for converting a Queens stapler factory into temporary exhibition space during MoMA's most recent renovations — has been hired for the pre-design phase to develop three types of spaces: interdisciplinary classrooms and studios, a theater for experimental productions and a pair of exhibition areas.

    With his designs ranging from LA's hyper-contemporary Inner City Arts campus to his controversial St. Petersburg Pier in Florida, Maltzan might not be the first architect that comes to mind for Rice's rather conservative set of campus buildings. But with the Brochstein Pavilion and James Turrell's skyspace, the university appears to be ready to break from its trademark Spanish Revival style.

    "We feel that Maltzan captures the spirit of what we hope the building will achieve," says Caroline Levander, an English professor whose post as vice provost for interdisciplinary initiatives has pushed her to the front line of the center's design committee.

    "The Moody Center is meant to be a hub of collaborative innovation that encourages risk-taking in art. These will be new, additional spaces that will connect disciplines from across the Rice campus. In our interdisciplinary areas, which we're calling the Arts Design Kitchen, you may have an engineer working with a historic preservation specialist or a musician co-teaching a class with a visual artist."

    The center will provide Rice with its first official student/faculty gallery as well as a secure exhibition space that will allow the university to borrow work from other museums. The 150-seat studio theater will be open and flexible enough to enable dance instruction, another first for the school.

    "We feel the building will offer opportunities to create robust partnerships not only throughout the campus, but throughout Houston," Levander says. "The Moody Center will be an integral part of the city's arts community."

    Inner City Arts in downtown Los Angeles

    Michael Maltzan, Inner City Arts
    Michael Maltzan Architecture
    Inner City Arts in downtown Los Angeles
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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