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    best february art

    11 vivid and eye-catching February art events no Houstonian should miss

    Tarra Gaines
    Feb 13, 2020 | 10:10 am

    Spring might not have arrived yet, but art certainly blooms this February in Houston. The Museum of Fine Arts, Houston sets the pace with three new giant exhibitions in the coming weeks, while local galleries get ready for new work from some of Houston’s most inventive multidisciplinary artists.

    From art antiquities 4000 years old, to the freshest innovative contemporary art, get ready for some radical beauty this month.

    Museum highlights

    "Radical: Italian Design 1965–1985, The Dennis Freedman Collection" at the Museum of Fine Arts (February 14-April 26)
    The MFAH begins a month of big openings with this valentine to lovers of design as art. Featuring nearly 70 pieces of furniture, lighting design, architectural models, paintings, and objects, the exhibition was organized by the MFAH and is the first museum in 50 years to focus on this iconic 20th century design movement. Half of the object are gifts of Dennis Freedman and half are acquisitions from his collection. Look for prototypes, one-of-a-kind, and limited edition works by vanguards of the movement including Archizoom Associati, Lapo Binazzi, Ugo La Pietra, Alessandro Mendini, Gianni Pettena, Ettore Sottsass, Studio Alchimia, and Superstudio.

    "Francis Bacon: Late Paintings" at the MFAH February 23-May 25)
    The only U.S museum to present this monumental exhibition from the Centre Pompidou in Paris, the MFAH will showcase 40 paintings from the great modern artists, including several of his most revered triptychs. Maybe get that guest room ready because the exhibition has already made several must-see lists from national art reviews and will likely bring in serious modern art connoisseur to town.

    "Eternal Offerings: Chinese Ritual Bronzes" at Asia Society Texas Center (February 29-August 9)
    The exhibition explores the ritual significance of ancient Chinese bronzes, giving an new perspective on innovations of form and ornamentation, and the advanced techniques of casting of these ancient objects dating from the Shang to the Han Dynasties (1600 BCE to 220 CE). Bronze designs influenced other art forms in China, and later examples in jade, blue and white ceramics, and cloisonné will also be featured.

    "Glory of Spain: Treasures from the Hispanic Society Museum & Library" at the MFAH (March 1-May 25)
    And the art hits just keep coming at the MFAH, as it presents this exhibition from the collections of the New York–based Hispanic Society Museum & Library focused on the art and culture of Spain, Portugal, Latin America, and the Philippines, from antiquity up until the early 20th century. Look for 200 objects, including paintings, drawings, sculpture, illuminated manuscripts, maps, textiles, porcelains and ceramics, and metalwork and jewelry and masterpieces from El Greco, Velázquez, and Goya.

    Gallery openings and public installations

    "Intersections" at University of Houston-Downtown’s O’Kane Gallery (now through April 2)
    With a little help from fungi, artist/Scientist Seri Robinson uses spalted wood (wood affected by fungi which alters its pigmentation, creating patterns and colors) to create stunning woodturned sculptures. The exhibition showcases 19 objects by Robinson, each exploring the intersection between the internal and external.

    "perhaps, there is no sequel," the third iteration of Rice Public Art’s Platform Series (February 18-September 1)
    Created by Brooklyn-based artist Kameelah Janan Rasheed, this “poetic gesture” will be installed across four large banners situated at the center of campus. The Platform Series invites contemporary artists to respond to artworks, architectural structures, and research at Rice University. Inspired by the late composer Benjamin Patterson, renowned for his instrumental role in the groundbreaking 1960s Fluxus movement, Rasheed’s installation grapples with concepts of futurity, certainty, and underscores critical issues of exclusion and vulnerability through lyrical yet unequivocal words.

    "2020: Discovering Repeating Patterns" at Sawyer Yards (February 20-April 11)
    Faced with what might be a volatile year, the artists of Sawyer Yards’ Spring Street Studios get artfully philosophical with a campus-wide tenant exhibition billed as an exploration of a sense of unity, coherence, and continuity in the rhythm and harmony of their art.

    "Devices: Then and Now" at Heidi Vaughan Fine Art (February 22-March 29)
    This collection of photographs and sculptures by the art duo Hillerbrand+Magsamen harks back to their "147 Devices for Integrated Principles," the live lecture-performance from 2018. This exhibition from local artists (and the first CineSpace Film Fest winners) presents the collaborative family team’s inventions and new functions for ordinary objects made from old toys, tin foil, insulation foam, packing blankets, recycled plastics, pins, and rhinestones.

    "Nick Vaughan and Jake Margolin: 50 States: Louisiana" presented by DiverseWorks at the MATCH Gallery
    Part of their 50 states project, the married artists marry research, video, performance art, and sculpture to create multidisciplinary projects that illuminate not-quite-completely-lost LGBTQ history. For the DiverseWorks commissioned exhibition on Louisiana, they find connections between the 1700s Louisiana indigo trade and 1970s Mardi Gras gay ball culture. Through video, sculpture, and sound, the artists will envelop audiences in a 300-year span of queer life along the Mississippi.

    Francis Bacon: Late Paintings opens at the MFAH February 23.

    Skyler Gisondo in The Binge
      
    Photo courtesy of Hulu
    Francis Bacon: Late Paintings opens at the MFAH February 23.
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    Salutations, Soo Youn

    Houston Ballet principal dancer announces retirement after 13 years

    Holly Beretto
    Jun 20, 2025 | 10:00 am
    ​Houston Ballet Principal Soo Youn Cho
    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.
    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

    Houston Ballet principal dancer Soo Youn Cho has announced her retirement, after 13 years with the company.

    For more than a decade, she has captivated audiences with her elegance, emotional authenticity, and technical brilliance. Audiences have seen her in roles such as Aurora in The Sleeping Beauty, Kitri in Don Quixote, Odette/Odile in Swan Lake, the Sugar Plum Fairy in The Nutcracker, and Suzuki in Madame Butterfly, among many others.

    Cho’s retirement follows a period of recovery from spinal surgery prompted by chronic back issues that intensified during and after her pregnancy.

    "This decision was not made lightly, but with a great deal of reflection and acceptance over the past year," said Cho. “Since I first began ballet at the age of four, it has been the greatest love of my life. Even through pain and injury, I felt joy and purpose in every moment. I gave my best to every step along the way, and I now leave the stage with a peaceful heart and deep gratitude.”

    Cho further said that even before becoming pregnant, she had been managing chronic back issues throughout her career.

    “With dedication, careful conditioning, and the unwavering support of those around me, I was able to continue dancing for many years,” she said. “Despite my best efforts to recover, I’ve come to the difficult realization that I won’t be able to return to dancing at the level I once did. With a heavy but full heart, I’ve decided to retire from the stage.”

    Born in Korea and trained there, as well as in Canada and Germany, Cho danced with Opera Leipzig Ballet in Leipzig, Germany and the Tulsa Ballet in Tulsa, Oklahoma, where she was promoted to principal in 2010. She joined the Houston Ballet in 2012 as a demi soloist. She quickly rose through the ranks, promoted to soloist in 2014, then first soloist in 2016. In 2018, she became the Houston Ballet’s first Korean principal.

    Upon achieving the designation, she said, “I feel like I have made an important mark in history, along with other great dancers, for my people in such a great company.”

    Cho’s roles onstage reflected her wide artistic range and commitment to storytelling through dance. Her Houston Ballet colleagues and audiences admire and praise the passion and sincerity she brought to every performance. One of those, Cho’s portrayal of Suzuki in Madame Butterfly, is especially close to her heart, not only for its emotional depth but for the lifelong friendship it sparked with fellow principal Yuriko Kajiya.

    “Becoming part of this Company and working alongside such extraordinary people has been one of the greatest blessings and privileges of my life. I close this chapter with a full heart and immense appreciation for the art, the audiences, and the people who made it all so meaningful.”

    Cho said that while she doesn’t yet know what will come next, she departs the company filled with gratitude.

    “Looking back, I feel nothing but gratitude,” she said. “Gratitude for the incredible colleagues and mentors I’ve shared the studio with. Gratitude for the audiences who supported us performance after performance. And gratitude for the art form itself — so demanding, so beautiful, and so deeply rewarding. I leave the stage with peace in my heart. Because I gave everything I had to this journey, I can move forward without regret.”

    \u200bHouston Ballet Principal Soo Youn Cho
      

    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.

    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

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