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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 4, 2020 | 9:30 am

    Big music news this week. First off, as CultureMap predicted in December: Lizzo is coming to RodeoHouston.

    Also, congratulations to the little music venue that could. McGonigel's Mucky Duck, the intimate and friendly club near the intersections of Kirby Drive and Richmond Avenue (2425 Norfolk St.) is celebrating its 30th anniversary this year.

    Founded by Teresa and Rusty Andrews in the summer of 1990, the Duck is known for its loyal customers and shows with two sets a night instead of the traditional one. The venue has been an incubator for local talent, as well as a home away from home for touring musicians, often drawing names that could play — and sell — much bigger venues.

    That's the kind of love the Duck has built over three decades. Do yourself a favor and head over for a beer, a bite, and some of the best music in town, including one of the following shows of the week.

    CultureMap show of the week: Sarah McLachlan at Hobby Center
    Founder of Lilith Fair. 40 million albums sold worldwide. Multiple Grammy award wins. There's not much that Canadian singer-songwriter Sarah McLachlan hasn't done during her career. Starting off with ethereal, folk inflected pop of her early work, 1988's Touch and 1991's Solace, McLachlan started gaining a wider audience with the edgier, pop-oriented Fumbling Towards Ecstacy in 1993, right as the coffeehouse craze kicked into full gear, the perfect setting for her sound.

    McLachlan became a superstar when she founded Lilith Fair, bringing together female-led acts for a multi-city tour, blowing down the doors of a male dominated industry and showcasing the power women had in selling records. Her subsequent album, Surfacing, with hit songs "Adia," "Sweet Surrender," and the infamous SPCA song, "Angel," sold millions and drove the point home and now today's pop climate is now dominated by the ladies. McLachlan hasn't played Houston in ages, so this is a special treat to catch up with the expressive performer.

    Sarah McLachlan takes to the Hobby Center stage, located at 800 Bagby St., on Thursday, February 6. Tickets start at $50.50 plus fees. Doors open at 7 pm.

    Bob Schneider at McGonigel's Mucky Duck
    One of the favorites on the Texas music circuit, Bob Schneider, has been writing and releasing music for over 25 years. His former band The Ugly Americans once opened for Dave Matthews Band on tour and included members from Cracker and Mojo Nixon before he set off on his own. His solo career has been varied, embracing folk, rock, funk, and country, including his latest album, Blood and Bones, a mash-up of those styles with introspective slow-burners and upbeat rockers, such as the Beck-sounding "Texaco."

    Bob Schneider performs at McGonigel’s Mucky Duck, located at 2425 Norfolk St., on Thursday, February 6. Tickets start at $32 plus fees. Shows starts at 7 and 9:30 pm.

    Yola at Heights Theater
    Fresh off four Grammy nominations and a taping of Austin City Limits, British singer-songwriter Yola kicks off her American Walk Through Fire tour based on the 2019 album of the same name. She’s toured with Massive Attack, shared the stage with Dolly Parton of the Newport Music Festival, and Dan Auerbach of The Black Keys produced her critically acclaimed debut. (Not too shabby.)

    Combining country, soul, pop, and R&B, this might be the last chance audiences can see uber-talented performer in such an intimate setting. If you need proof of her power, check out her recent turn on NPR's Tiny Desk Concert series.

    Yola headlines Heights Theater, located at 339 W 19th St., on Friday, February 7. Thomas Csorba opens. Tickets start at $20 plus fees. Doors open at 7 pm.

    Highly Suspect at Revention Music Center
    Consisting of a trio of friends, Johnny Stevens on guitar and vocals, and twins Rich and Ryan Meyer on bass and vocals and drums, respectively, the Brooklyn-based group Highly Suspect capitalized on the success of their hit 2016 album, The Boy Who Died Wolf, to earn key slots at major music festivals across the country. It was just a few years ago we saw them play a well-received set at the now defunct In Bloom Festival. Based on their hits, “Lydia,” “My Name is Human,” and “Little One,” we suspect these guys really like Queens of the Stone Age and Kings of Leon.

    Highly Suspect performs at Revention Music Center, located at 520 Texas Ave., on Saturday, February 8. NAV opens. Tickets start at $35 plus fees. Doors open at 7 pm.

    CultureMap recommends: The New Pornographers at White Oak Music Hall
    The second Vancouver act to grace local stages this week (Sarah McLachlan being the other), the Canadian indie supergroup the New Pornographers are on the road with their smart, energetic, and catchy-as-hell sound, touting their latest critically acclaimed album, In the Morse Code of Brake Lights.

    Bringing together some of the best musicians from the West Coast, including the incredible vocal pipes of Neko Case and sharp lyricism of leader A.C. Newman, the Pornographers haven't released a bad album, starting out with a magnificent run of three almost perfect offerings in 2000's Mass Romantic, 2003's Electric Version, and 2005's high watermark, Twin Cinema. In other words, there are few, if any, bands around that do indie-rock better.

    The New Pornographers brings supergroup vibes to White Oak Music Hall, located at 2915 N. Main St., on Sunday, February 9. Diane Coffee opens. Tickets are $30 plus fees. Doors open at 7 pm.

    CultureMap recommends: Canadian indie supergroup The New Pornographers plays White Oak Music Hall on Sunday, February 9.

    The New Pornographers
    Photo by Jenny Jimenez
    CultureMap recommends: Canadian indie supergroup The New Pornographers plays White Oak Music Hall on Sunday, February 9.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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