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    Menil Fiesta mashup

    Art on aisle 12: Artists hijack supermarket for boundary-bending exhibition of paintings

    Tyler Rudick
    Feb 4, 2014 | 8:31 am

    Attention, shoppers. The UH School of Art unveils a new exhibition this week at one of the city's busiest and least-likely venues — the Fiesta megamarket across from Reliant Park.

    Conceived by professors Aaron Parazette and Gael Stack, the "Menil/Fiesta" project has become a rite of passage for UH painting majors, a challenge designed to dilute the traditionally-held boundaries of where art can and cannot exist.

    Students in their junior year are asked to visit both the Menil Collection and a Fiesta grocery store, gathering images and ideas to form the basis of an original series of paintings.

    "We want students to approach these places with an eye for both contrasts and similarities."

    "We want students to approach these places with an eye for both contrasts and similarities," Parazette tells CultureMap. "These complex questions of context and commercialism that arise, and each student has to find a way to present them."

    Since the project was launched, artistic solutions have ranged from sharp juxtapositions, like donuts atop a Picasso portrait, to abstract fusions common grocery items and iconic modernist tropes (imagine green bell peppers and Barnett Newman "zips").

    In celebration of the program's 10th year, the UH School of Art has partnered with Fiesta to display the paintings of an actual grocery store. The exhibition, which includes 21 past and recent works, winds itself above the shelves and end displays of the Fiesta Mart at 8130 Kirby, just south of the Texas Medical Center.

    "I couldn't be more pleased with the show," says Parazette, laughing that the store's 22,000 weekly transactions are giving the young painters an audience of a lifetime.

    "Museums and galleries are non-competitive spaces for art, which gets all this breathing room. But here, these paintings have to compete with balloon and freezer cases . . . And it's wonderful to see how well the pieces hold up."

    The Menil/Fiesta show officially opens Thursday at the Kirby Fiesta with an artists' reception from 7:30 to 9 p.m. in the frozen food section. The in-store exhibit remains on view through the end of the nearby Houston Rodeo on March 23.

    The UH School of Art project celebrates its 10th year with an in-store show at the Kirby Fiesta across from Reliant.

    3 UH School of Art hijacks Kirby super-Fiesta for new painting exhibit
    Photo courtesy of Aaron Parazette
    The UH School of Art project celebrates its 10th year with an in-store show at the Kirby Fiesta across from Reliant.
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    Remembering the Flood

    Texan wins Pulitzer Prize for heartbreaking story of Guadalupe flood

    Brianna Caleri
    May 5, 2026 | 2:00 pm
    Guadalupe River July 4 flood
    Photo by Brandon Bell/Getty Images
    Aaron Parsley has won a Pulitzer Prize for "Where the River Took Us," published days after the flood.

    Many Houstonians know someone who was impacted by the July 4, 2025 flood that killed more than 100 people. But one story cut through the chaos with an emotionally raw, first-person view of what actually happened. Texas Monthly senior editor Aaron Parsley published his survival story in "Where the River Took Us." On Monday, May 4, he has won the Pulitzer Prize for feature writing.

    The prestigious journalism award has 23 winners each spring. For features, the judges chiefly consider "quality of writing, originality and concision."

    "Where the River Took Us," brought readers moment-by-moment from Parsley's family house on the Guadalupe River, to family members including Parsley rushing down the river itself, to reunification for most of the family and grief for his 20-month-old nephew, Clay, who drowned.

    Parlsey renders each scene with arresting detail, recalling dialog and individual pieces of refuse raging past in the water: branches, furniture, a car with headlights still on. Adding to the immersion were photographs by Jordan Vonderhaar and Parsley's family. Published just days after the flood, the account was one of the first deep looks at what happened for readers who had only seen general news coverage and disorganized posts on social media.

    “In a matter of hours, Aaron uncovered the singular experiences of family members wrenched from one another and thrown into a raging flood," said Texas Monthly editor in chief Ross McCammon in a story announcing the Pulitzer award. "He then braided those stories together to convey what a tragedy of this sort actually feels like. This is a deeply reported story of horror, courage, and love, and it is one of the finest magazine stories ever written.”

    “I am grateful to my family for trusting me and to everyone at Texas Monthly for offering their support, talent, and meticulous care during the process of writing, reporting, and all that goes into putting this story into the world,” said Parsley. “It means everything to me, and I’m deeply proud to be a part of the Texas Monthly team.”

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