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    Talk Opera to Me

    Arts scoop: Houston Grand Opera's new season is packed with sexy world premieres

    Joel Luks
    Jan 29, 2015 | 5:00 pm

    A melange of old and new, tradition and innovation, and favorites and unknowns are what opera buffs can expect for the Houston Grand Opera's 2015-16 lineup, which the organization just revealed.

    For the upcoming new season, HGO has programmed works that focus on people and their transformations.

    "Operas are sometimes built around lofty themes, attempting to illuminate something higher than 'mere' humanity," HGO artistic and music director Patrick Summers says in a statement. "But, excitingly, the entirety of HGO's 2015-16 season is built around idealistic characters engaged in epic and universal human journeys, and through them we connect to our own journeys."

    While main stage productions such as the world premiere of Carlisle Floyd's Prince of Players and the continuation of Wagner's Ring Cycle are of particular interest, so are the efforts of HGO's community engagement department, HGOco, which is gearing up for two world premieres: O Columbia by Gregory Spears, a chamber opera about the Columbia Space Shuttle; and a work by David Hanlon (Past the Checkpoints) that explores resilience through the many natural disasters that have threatened Galveston Island.

    Read on for the full season.

    Puccini's Tosca (Oct. 23-Nov. 14)
    What's notable: HGO brings back the 2010 production by British director John Caird with sets by Bunny Christie, but breathes new life by casting soprano Liudmyla Monastyrska in the passionate main role.
    Cast: Liudmyla Monastyrska as Tosca, Alexey Dolgov as Cavaradossi and Andrzej Dobber as Scarpia, with Canadian director John Caird and maestro Summers on the podium.

    Tchaikovsky's Eugene Onegin (Oct. 30-Nov. 13)
    What's notable:
    Birmingham Opera artistic director Graham Vick imagined this opulent production for Glyndebourne that was dubbed fresh in its embodiment of "everything that is pure and classical and candid about Tchaikovsky's musical response to Pushkin."
    Cast: Ekaterina Scherbachenko as Tatyana, Scott Hendricks as Onegin and Norman Reinhardt as Lensky, with conductor Michael Hofstetter.

    Rachel Portman's The Little Prince (Dec. 4-20)
    What's notable:
    When this heartwarming children-esque tale was adapted for the operatic stage in a collaboration between composer Rachel Portman and librettist Nicholas Wright, the HGO 2003 commission was deemed "full of warmth, wisdom and generous lyric beauty" (Boston Herald).
    Cast: Joshua Hopkins as The Pilot (complete casting has not been announced).

    Mozart's The Marriage of Figaro (Jan. 22-Feb. 7, 2016)
    What's notable: HGO presents this production with sets and costumes by Christopher Oram, whose vision was described as being attuned to "Mozart's comic masterpiece as both of its time and perennially modern."
    Cast: Adam Plachetka as Figaro, Joshua Hopkins as the Count, Ailyn Pérez as the Countess, Lauren Snouffer as Cherubino and Heidi Stober as Susanna. Santa Fe Opera chief maestro Harry Bicket conducts.

    Antonín Dvořák's Rusalka (Jan. 29-Feb. 12, 2016)
    What's notable: Move over Renée Fleming, there's room for more than one diva who can croon "Song to the moon." In this new-to-Houston production, all eyes will be on Ana María Martinez, whose interpretation of the title role at the Lyric Opera of Chicago was described as "one of the great soprano performances of the present era" (Opera News).
    Cast: Ana María Martinez as Rusalka, Brian Jagde as the Price and Richard Fink as the Water Goblin, with Santa Fe Opera chief conductor Harry Bicket.

    Carlisle Floyd's Prince of Players (March 5-13, 2016)
    What's notable:
    HGO adds another world premiere to its arsenal with this opera that's somewhat unusual for the American composer. Rather than the serious subject matter of previous works such as The Passion of Jonathan Wade and Susannah, Floyd bases his narrative on Jeffrey Hatcher's Compleat Female Stage Beauty, a story about the last female impersonator who lived in 17th century England.
    Cast: Directed by HGO newbie Michael Gieleta with Summers on the podium (complete casting has not been announced).

    Richard Wagner's Siegfried (April 16-May 1, 2016)
    What's notable:
    The production continues La Fura dels Baus' Ring Cycle that started as part of HGO's 2013-14 season. Locals will remember tenor Jay Hunter Morris, who's been selected for the title role, from HGO's one-man-show A Christmas Carol. The Paris, Texas-born singer was overwhelmingly praised for stepping in last minute for a Metropolitan Opera production of Siegfried, which also screened at movie theaters worldwide.
    Cast: Iain Paterson as The Wonderer, Jay Hunter Morris as Siegfried, Christine Goerke as Brünnhilde, Rodell Rosel as Mime and Summers on the podium.

    Rodgers and Hammerstein's Carousel (April 22-May 7, 2016)
    What's notable:
    This co-production in partnership with the Lyric Opera of Chicago is directed by Rob Ashford, whom local opera-goers will remember as the creative behind HGO's 2014 theatrical staging of Carmen.
    Cast: Andrea Carroll as Julie Jordan, Duncan Rock as Billy Bigelow, Lauren Snouffer as Carrie Pipperidge and Stephanie Blythe as Nettie Fowler. Richard Bado conducts.

    Mozart's The Marriage of Figaro.

    Houston Grand Opera HGO 2015-2016 season announcement January 2015 Mozart THE MARRIAGE OF FIGARO
    Photo by © Alastair Muir
    Mozart's The Marriage of Figaro.
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    Best April Theater

    The 9 best plays, musicals, and operas to see in Houston this month

    Tarra Gaines
    Apr 2, 2026 | 2:00 pm
    National tour of Six
    Photo by Joan Marcus
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    Houston theater companies seem to be feeling a bit nostalgic as they offer up some timeless and contemporary classics shows for audiences this month. Drama gets political, comedy gets historical, and an array of queens, knights, lunching ladies, and barbers sing. Celebrate the classics, and one world premiere, as theater blossoms across the city this month.

    Brother Andrew at A.D. Players (now through April 26)
    The family friendly and spiritual theater company's latest new work is this musical inspired by the New York Times Bestseller, God's Smuggler. The true story follows a young Dutch man who, after a dramatic conversion, takes on a new calling as Brother Andrew and risks his life to smuggle Bibles behind the iron curtain during the cold war. With music and lyrics by Christian rock star Neal Morse, Brother Andrew becomes an inspirational, thrilling musical, and Houston theater goers can be the first to see it.

    Six presented by Broadway at the Hobby Center (April 7-12)
    Let’s sing out “Yas, Queens!” as six divas take the Hobby stage once more to have (and belt) it out over who had a worst marriage to the king of bad husbands, Henry VIII. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Coincidentally resembling some of the hottest pop stars of our age, the 16th century royals: Catherine, Anne, Jane, Anna, Katherine with aK, and the second Catherine with a C (Henry had a type for names), finally get to tell their own side of the story in this theatrical concert extravaganza. Six is one of those rare musicals that after many years is still going strong on Broadway, but you don’t have book a flight to seek an audiences with the queens, as Broadway at Hobby brings them back to Houston.

    Company from Garden Theatre (April 10-19)
    Garden continues to celebrate its fifth season by remounting some of its audience's favorite shows, and the final musical of the season is no exception. Stephen Sondheim’s exploration of New York marriages through the eyes of a single and singular man, Bobby, also gave us Sondheim fans some of our most adored songs, like “Ladies Who Lunch” and “Being Alive.” Through a series of dinner parties, first dates, and candid conversations, Bobby explores the highs, lows, and absurdities of modern relationships, gaining insight into marriage, commitment, and his own persistent bachelorhood. Garden Theatre’s founding artistic director Logan Vaden, plays Bobby, alongside a cast of Garden regulars.

    The Designated Mourner from Catastrophic Theatre (April 10-25)
    Because of scheduling and production issues, Catastrophic made some changes to its announced season and brought back this contemporary political classic by American playwright and actor Wallace Shawn. Unfolding in a series of monologues and short scenes, three characters, a husband, wife, and her father, talk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country. Now teetering on the edge of authoritarianism, the government has targeted artists and intellectuals for imprisonment and execution. Catastrophic co-founder Jason Nodler, who will direct, says the power of Designated Mourner is that it pushes audiences to reflect on their own beliefs and ideals if confronted by such circumstances. Previous productions have left audiences thinking and questioning long after the final lines.

    Spamalot presented by Theatre Under the Stars (April 15-26)
    Clap your coconut shells together as the revival of the smash Broadway hit clops into Houston. As the original description so honestly stated, Spamalot is lovingly ripped from the film classic, Monty Python and the Holy Grail, but fans know the musical definitely expands on the film.

    Follow King Arthur and his nights of the Round Table on a set of meandering adventures through ancient England, a land full of flying cows, killer rabbits, French taunters, dancing girls, shrubbery, and watery lake tarts dispensing swords. While this revival garnered critical acclaim on Broadway for its new design and staging, the original book, lyrics, and music by Python member Eric Idle still remain, so expect to sing along with knightly songs like “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” and “Find Your Grail.”

    Othello from Classical Theatre Company (April 16-May 2)
    The Houston theater company that specializes in bringing new perspectives to theatrical masterpieces describes its 18th season as “sad plays for sad days.” In keeping with that theme, it brings the always complex and provocative Othello to the DeLuxe stage.

    The play follows the heroic Moorish general in the Venetian army, Othello, whose life is destroyed by his insidious and conniving ensign, Iago. Calling Othello his favorite Shakespeare play, company founder John Johnston finds many parallels between the play and our current political landscape, especially Othello’s blight and Iago’s ability to manipulate others using fear and racism as a wedge.

    Messiah from Houston Grand Opera (April 17-May 3)
    As the music rises to the heavens, the Wortham stage will be filled with images reminiscent of fantastic dreams in this rare staging of Handel’s Messiah, arranged by Mozart, as a full operatic production. Though classical music lovers likely are more accustomed to hearing Handel’s Messiah as a holiday tradition in concert halls, Wilson’s acclaimed production becomes a surreal, transformative experience.

    Performed by the HGO Orchestra and Chorus alongside soprano Ying Fang, countertenor Aryeh Nussbaum Cohen, tenor Benjamin Bliss, and bass-baritone Nicholas Newtona, as well as internationally celebrated dancer Alexis Fousekis, this Messiah production will be one audiences will not soon forget.

    Fences at Alley Theatre (April 17-May 10)
    It’s been some time since the Alley produced a work by August Wilson, one of the great American playwrights of the late 20th century, but this Pulitzer and Tony winner is certainly a momentous one to welcome Wilson’s work back to the Hubbard stage. Fences tells the story of a former baseball player, Troy Maxson, who struggles with the realities of life and the pursuit of happiness. The play explores themes of racial prejudice and unfulfilled dreams, while depicting the challenges of parenthood and the strength and bonds of family when they are tested.

    The Barber of Seville from Houston Grand Opera (April 24-May 10)
    One of the most beloved comic operas, Rossini’s The Barber of Seville gets a colorful and exhilarating new staging created and directed by Joan Font, founding director of the Barcelona-based company Comediants. The opera follows the story of the dashing Count Almaviva, who is captivated by the mysterious Rosina but thwarted in his pursuit by her pompous old guardian, Dr. Bartolo. In order to get close to the cloistered beauty, Almaviva enlists the help of the scheming barber Figaro and his clever tricks, leading to a series of elaborate disguises, intercepted letters, and outrageous mix-ups before true love triumphs at last.

    National tour of Six
    Photo by Joan Marcus

    Broadway at the Hobby Center presents Six.

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