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    A Walking Maze In The City

    A new walking maze for Houston: Freedmen's Town Labyrinth brings magic to a demolished church site

    Barbara Kuntz
    Barbara Kuntz
    Jan 20, 2015 | 1:51 pm

    Crossing paths in a labyrinth isn't an objective in the meditative experience of walking these historically based creations, but that's just how one such "maze" came to being in Houston's Fourth Ward.

    Welcome, and welcome all, to the Freedmen's Town Labyrinth.

    That invitation is whole heartedly extended by the diverse group of dedicated high school students, Rice University's Boniuk Institute for the Study and Advancement of Religious Tolerance, a noted Houston artist, a certified labyrinth walker from University of Houston-Downtown, parents, master gardeners, community residents and more volunteers who came together from different walks of lives with a united and focused goal to create the Freedmen's Town Labyrinth.

    "This is my church. It's my only church. I'm a lifelong member."

    Even a deacon at Mt. Carmel Missionary Baptist Church, where the labyrinth now sits in the congregation's former prayer garden at 1407 Valentine St. watched over by the towering downtown skyline, continues to devote her heart and soul to these hallowed grounds and her beloved community.

    The church was demolished in 2008 due to structural insecurities in that location in the Fourth Ward, a historic residential neighborhood founded and built by previously enslaved families and their descendants immediately after emancipation in 1865. A Texas Historical Commission marker now stands noting the church's spiritual and cultural significance in Freedmen's Town.

    "This is my church. It's my only church. I'm a lifelong member," says Lue Williams, deacon, as she tends to the flowers and numerous other plantings donated to beautify the labyrinth site.

    The beginning of a circle
    The months-long adventure began last spring when 20-plus students from across the city were recruited into the Boniuk Institute's Sacred Sites Quest (SSQ) for a school year of touring sacred spaces and places of worship around the city including churches, cathedrals, synagogues, temples, prayer gardens and labyrinths. The interfaith course, now in its fifth year, culminates with a Capstone Art & Service Project.

    "The goals of the the Capstone Art & Service Project are to enable the students who SSQ'd together to leave a tangible legacy somewhere in Houston by beautifying some part of the city in some way via their final art and service project," explains Michael Pardee, program manager and community liaison to the Boniuk Institute. "The Capstone Art & Service projects for our first three SSQs essentially entailed painted murals, the most massive of which we installed on the walls of the Bread of Life ministry associated with St. John's Methodist Church downtown.

    "For the Q4 Lab, in particular, we wanted to CREATE a Sacred Site of our own."

    Enter more pilgrims
    Reginald Adams, Houston public artist and community developer, had joined the Boniuk Institute board of directors about five years ago, about the same time Pardee came on board as executive director. Adams serves as the artistic and creative director for the SSQ, and opens his studio and gallery space to the students throughout the course.

    "At the culmination of each SSQ tour the students come into my studio space for a series of workshops," Adams says. "Collectively the students synthesize their observations, learnings and reflections into a design/build for a site specific public art Capstone Project. It was within my art studio and gallery space that students experimented with building temporary labyrinth patterns, learned sacred geometry and produced the glass and ceramic tile mosaic benches that are nestled within each bastion or corner of the HFTL."

    "The labyrinth has actually changed my daughter's world and how she sees art, community and spirituality combined."

    The students chose to replicate a medieval labyrinth found on the floor of Chartres Cathedral in France and used remaining bricks from the original Mt. Carmel Missionary Baptist Church to create the maze. The benches, which the young pilgrims have consecrated as “Heart of Serenity” seats, provide strategic places for walkers to sit, reflect and/or meditate.

    Shazma Matin, a mother of one of the St. John's students participating in SSQ4, remembers those steps — and the very beginning design phases.

    "They used Post-It notes, sticking them on the floor, to first determine how they wanted the labyrinth to look," Matin says. "And this was all done on weekends. These students became so dedicated to this project. It was amazing to see the effort this very diverse group of young people put forth."

    Another parent, Lori Farris, shares the same sentiment.

    "The labyrinth has actually changed my daughter's world and how she sees art, community and spirituality combined," Farris says. "This is a wonderful story about lives intertwining and how magical things can happen if people learn to work together. Saving something is so powerful."

    Jay Stailey, instructor at UH-D, as well as labyrinth coach and walk facilitator, offered his expertise along the way and continues to host solstice and full-moon walks at Freedmen's Town Labyrinth, the next scheduled for Feb. 3. More than 200 people have participated in or either joined as audience members as walkers slowly round the 11-circuit labyrinth, the number of times the path goes around the circle, with glowing lanterns placed about to light the path.

    Welcome walkers
    Houston is home to about two dozen labyrinths scattered from St. Thomas University to Spotts Park in the Heights area to Swiney Park in the Fifth Ward. Stailey offers suggestions why a labyrinth walk just might be calling for you.

    "Labyrinths can serve a variety of purposes and walkers approach them with different reasons," Stailey says. "Some walk for clarity or reflection or to de-stress. Used as a walking meditation, it is also used as a place of prayer. I have often approached the labyrinth with a problem and walked away with the intent of clearing my head and leaving room for a solution to appear. Sometimes it works."

    Stailey says for beginners, as well as the community of labyrinth walkers, being acquainted the three "Rs" is a good starting point.

    • Release stress as you walk the path from the entrance to the center.
    • Receive the wisdom of the labyrinth as you take time in the center to reflect, contemplate, pray, etc.
    • Return to the world on the same path taking what you learned on the walk.

    He adds, "When multiple people walk the labyrinth at the same time, often people 'run into each other' and they often 'rub elbows' with each other, but they do not literally cross paths with each other. Though metaphorically, it happens every time we walk, because strangers from different backgrounds and cultures come together on the path."

    The Freedmen's Town Labyrinth.

    6 Freedmen's Town Labyrinth January 2015
    Photo by Alex Barber
    The Freedmen's Town Labyrinth.
    unspecified
    news/arts

    Get inspired

    Noted Houston street artist paints vibrant new mural at downtown venue

    Jef Rouner
    Dec 15, 2025 | 4:29 pm
    GONZO247 poses in front of his new mural, "Houston is Inspired" inside Hobby Center
    Photo courtesy of Hobby Center for the Performing Arts
    GONZO247 poses in front of his new mural, "Houston is Inspired" inside Hobby Center

    Visitors to the Hobby Center for the Performing Arts can now see an incredible new mural by one of Houston's most iconic street artists.Mario Enrique Figueroa, Jr., known as Gonzo247, debuted his piece, "Houston is Inspired" on Friday, December 12.

    “This piece is all about capturing the energy that makes Houston, Houston," said the artist in a statement. "It’s that raw, vibrant hustle — the music, the culture, the stories we’ve been telling for generations. I wanted to create something that pulls people in, gets them hyped for what they’re about to experience. Every color, every shape, every detail is telling a story, a vibe. This ain’t just a mural or a piece of art — it’s a journey. It's about the grind, the growth, and the inspiration we pass on to each other, on and off the stage.”

    The piece is called "Houston is Inspired," after the program at Hobby meant to showcase local performers by offering them week-long residencies on a prestigious stage. This season includes CJ Emmons's one-man comedy musical show I'm Freaking Talented; a rhythmic interactive storytelling experience called Our Road Home by Jakari Sherman; and Lavanya Rajagopalan's combination of music, dance and verse, Kāvya: Poetry in Motion. Information about all three shows, including ticket prices and availability, can be found at TheHobbyCenter.org.

    The last show (debuting May 1) was a particular inspiration to Gonzo247. Viewers may notice a pair of hands in a traditional Indian dance pose, a direct reference to Rajagopalan's show.

    The Houston is Inspired program was launched launched in the 2023-2024 season. In addition to the residency in Zilkha Hall, artists are given a $20,000 stipend for production and marketing costs. It is now a permanent fixture of the Hobby season. Applicants for future seasons can submit here.

    Known for his original "Houston is Inspired" mural in downtown's Market Square, Gonzo247 has been an active force in Houston art for 30 years, including producing the video series Aerosol Warfare about the street art scene in the 1990s and 2000s as well as founding the Graffiti and Street Art Museum. He also served as the artist liaison for Meow Wolf's Houston installation. If anyone's visual vision is perfect to welcome audience members to shows highlighting homegrown talent, it's him.

    “Art’s all about telling stories, but it ain’t just what you see — it’s what you feel," he said. "This piece speaks to the heart of everything we’re about: culture, rhythm, struggle, and triumph. When you walk into the space, you gotta feel the anticipation, the energy building up. That’s what I wanted to capture — the vibe of the whole city, the passion in the work, and that next-level hunger to rise up and create something fresh. It’s like the beat drops, and everything just connects.”

    visual-artdowntownmuralgonzo247
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