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    Music Matters

    Confessions of an Eagles rock band groupie: How to make Don Henley smile

    Jane Howze
    Jan 19, 2014 | 11:28 am

    LOS ANGELES — I really did not get the Eagles until I saw a documentary about the band at the Sundance Film Festivallast January. But I was so enthralled I rushed out to buy tickets to their one performance slated for 2013 in Las Vegas, only to find out the following week that they had booked a 50-city "goodbye" tour.

    Fortunately, with my business travels I was able to see them again in New York, Dallas, Birmingham and Philadelphia.

    Attending a recent concert in southern California, where they are performing a series of concerts through Jan. 25, was almost an afterthought. Because I reviewed the Philly concert for CultureMap, I got linked up to an Eagles fan club who got first shot at tickets for the newly re-opened Forum in Los Angeles. I signed up as a lark, only to learn I had scored tickets in the third row. Word was that they would wrap up their tour in LA and call their days as Eagles fini. Of course, once I committed to go, they announced 20 or 30 more dates, including a stop in Houston next month and a European tour.

    So what is there new to say about this concert?

    The Eagles performed "Seven Bridges," which was not done at previous concerts, and it was wildly received.

    Otherwise, the performance didn't have a note or word out of place. Even Glenn Frey's repartee of, "I'm from Detroit where mother is half a word," was said at the exact same moment in the same way. The only thing I noticed different was the concert started at 8:26 p.m. rather than 8:05 as usual.

    There are crazy people who sit in the front rows of concerts. I found this to be true at the 2012 Paul McCartney show at Minute Maid Park and it just as true here as a woman behind me got so drunk that she fell over on me as she tried to dance. She yelled. She cursed. She sung badly and loudly. Thankfully her boyfriend took her home before the end.

    What started as a mild admonishment from Frey at concerts last summer that "you guys in the front rows, put away your cameras and phones and listen to the music" has become almost a witch hunt as imposing security guards kept walking up and down the aisles in the front looking for cellphones. But anyone who knows anything about the Eagles knows that they are control freaks. And most of us stealthily got our pictures.

    Frey asked those in front to stay seated during ballads, which resulted in much of the front section staying seated more than they would have normally. I think we all weren't clear what was a ballad and what wasn't since many of their songs are in that in-between space.

    Although I know only a handful of people in LA, what are the chances of running into three of them at the concert, including one who was sitting directly in front of me? Count me grateful.

    And count the Eagles grateful, too. Unlike the other concerts where they left the stage so quickly that it appeared they were rushing to catch a bus, this time they went to each part of the stage, made eye contact and received the accolades they so richly deserved.

    And I actually saw Don Henley smile — first time in six concerts. The band looked connected and they did connect. And, when they're at Toyota Center on Feb. 21, I won't be too tired to go with my friends.

    Glenn Frey, center, made sure that those in the front row didn't text during songs.

    Glenn Frey and Timothy B. Schmit perform at Eagles concert
      
    Photo by Jane Howze
    Glenn Frey, center, made sure that those in the front row didn't text during songs.
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    Houston's interdimensional art exhibit books 4 local acts for summer concerts

    Jef Rouner
    May 12, 2025 | 5:37 pm
    The four members of Swimwear Department hugging
    Photo provided by Meow Wolf
    Swimwear Department is heading to Meow Wolf

    Things are heating up this summer at Meow Wolf as they host their first ever summer concert series. Four hometown bands will take the stage at the immersive art complex for a series of shows in June and July.

    “Houston’s music scene has always been bold, genre-defying, and deeply original, so it felt natural to bring that same energy into our Radio Tave world,” said Aaron Johnson, general manager of Meow Wolf Houston. “This concert series is about celebrating the artists who define Texas' sound and give guests a new reason to experience Meow Wolf in a whole new way.”

    Ever since Meow Wolf first opened during Halloween last year in Fifth Ward, the collection of artistic spaces has wowed, delighted, and sometimes confused audiences. Cowboix Hevvven, the venue's "dive bar" with possible links to extraterrestrials, was designed by fifth generation Texan Cole Wilson and features a jukebox of 30 original songs Wilson created in collaboration with other Texas artists. Radio Tave, Meow Wolf's name for the exhibit as a whole, has been a huge critical and popular hit for Meow Wolf, winning two Webby Awards last month.

    It's also the perfect place to show off some of the more esoteric bands that make up the Houston sound. The odd four-piece rock band Swimwear Department burst onto the scene in 2023, winning over audiences with their songs about pools and malls as well as a series of stellar music videos shot around the city. Their potent mix of quirk and early-alternative music has made them one of the best novelty acts in Houston.

    Meanwhile, The Mighty Orq and Mango Punch have been mainstays for more than a decade. Orq is swamp blues royalty, and always adds a sense of the strange to his concerts thanks to his near-mystical aura. Mango Punch is almost custom built for Meow Wolf thanks to a hectic swirl of Top 40, disco and cumbia.

    The schedule for the concerts is below with links to tickets.

    • Swimwear Department, June 6, 8 pm
    • Night Drive, June 20, 8 pm
    • The Mighty Orq, July 11, 8 p.m.
    • Mango Punch, July 25, 8 p.m.

    Though Houston has never hurt for places weird bands can play, wedding the popular immersive art space at Meow Wolf with concerts is an opportunity to reframe music as performance art rather than just something to listen to while having a drink (though you can still do that at Meow Wolf). Should the summer concert series prove a success, it could quickly become one of the prime venues in the city, at least for groups looking to be a little out there.

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