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Movie Review

Den of Thieves borrows and steals for solid entertainment

Alex Bentley
Jan 18, 2018 | 5:20 pm
Den of Thieves borrows and steals for solid entertainment
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When it comes to movies about crime, filmmakers tend to focus on stories about bank robberies. Unlike other more heinous crimes, bank robberies — especially sophisticated ones — are intriguing, with the audience often left rooting for the criminals to get away with them. That goes double when the cops put in charge of taking down the robbers are equally unsavory, as is the case in Den of Thieves.

The film, written and directed by Christian Gudegast, pits a notorious robbery crew, led by Merrimen (Pablo Schreiber), against the Major Crimes unit of the L.A. County Sheriff’s Department, led by Nick Flanagan (Gerard Butler). As the robbery crew, which also includes Levi (Curtis “50 Cent” Jackson) and Donnie (O’Shea Jackson, Jr.), becomes more brazen, Nick and his group — known as the Regulators — increase their questionably legal tactics to stop them.

Part of the gambit of the film is for the audience to decide which side they’re on — the Outlaws or the Regulators. And for much of the running time, it’s a true moral conundrum. Do you side with the guys who acknowledge they’re criminals, with all of the seedy things that go with it? Or do you side with the cops who behave like criminals, not giving a damn what anyone outside of their tight-knit group thinks?

Gudegast puts a lot of effort into the two competing factions posturing toward each other, but he doesn’t spend as much time getting to the heart of who they are. There are a couple of feeble attempts at showing some of the men’s home lives, but they’re so lackluster that you wonder why they were included at all.

Instead, it’s the interactions within and between the groups that make the film what it is, with the hard-boiled characters that inhabit each side keeping things interesting. This is somewhat surprising on the Regulators’ end, as, apart from Nick, they all tend to blend together. However, the menacing feel put forth by them, and the film in general, makes up for a lack of details.

The story is close to standard-issue when it comes to bank robbery movies, but Gudegast has a feel for pulling off twists without telegraphing them. The elaborate high-stakes robbery at the center of the third act conjures comparisons to other robbery films like Ocean’s Eleven, Heat, and Inside Man, even if the film isn’t quite as high quality as those classics.

Nick is a character who’s right up Butler’s alley, someone’s who’s rough, uncouth, and ready to rumble at a moment’s notice. Schreiber is familiar for anyone who’s watched The Wire or Orange is the New Black, but this is his most high-profile role to date. He proves to be a natural leader, even when in the presence of the more well-known 50 Cent. But the best of all is O’Shea Jackson, Jr., who proves that he’s capable of much more than just playing his dad in Straight Outta Compton.

You probably won’t remember Den of Thieves once the calendar turns to February, but it more than fits the bill for solid entertainment on a cold winter’s day.

Gerard Butler in Den of Thieves.

Gerard Butler in Den of Thieves
Photo courtesy of STX Entertainment
Gerard Butler in Den of Thieves.
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Movie Review

Meta-comedy remake Anaconda coils itself into an unfunny mess

Alex Bentley
Dec 26, 2025 | 2:30 pm
Jack Black and Paul Rudd in Anaconda
Photo by Matt Grace
Jack Black and Paul Rudd in Anaconda.

In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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Anaconda is now playing in theaters.

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