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    Frederica Von Stade is back

    Putting a ring on it: Houston Grand Opera reveals its new season and there's extra drama

    Joel Luks
    Jan 16, 2013 | 6:00 pm

    In this world you're either growing or you're dying — so get in motion and grow. Words to live by from Lou Holtz, a famous American football coach, author and motivational speaker.

    His adage, evident in the master plan of Houston Grand Opera's 2013-14 season, holds true when it comes to the ideal strategy for presenting arts organizations. The Grammy-, Emmy- and Tony-winning company will offer many firsts in the new season, which was just announced Wednesday.

    Among them are world and American premieres, commissions and new productions alongside standard repertoire. Together they represent a 45 percent increase in the number of performances staged at Wortham Theater Center and out in the community.

    Artistic and music director Patrick Summers and managing director Perryn Leech tracked a 35 percent rise in subscription sales from 2007, an achievement that offers a financially stable foundation from which to expand its programs, services and scope.

    "The growth in demand for tickets is in alignment of Houston's growth, strong economy and HGO's consistently high level of performances and varied repertoire choices," Summers tells CultureMap. "One of the best kept secrets in the East Coast centric opera world is that Houston possesses one of the great and diverse opera audiences."

    Here's what opera fans can expect: A mixture of drama (it's opera after all), innovation and charming entertainment.

    Fulfilling the promise HGO made a couple of years ago, the prelude opera of Richard Wagner's Der Ring des Nibelungen, Das Rheingold (April 11-26, 2014) sets in motion a four-year venture that follows the Norse tale of fate, destiny, celestial heroes and villains. A production of La Fura dels Baus, whose notoriety stems from the opening spectacle of Barcelona's 1992 Olympic Games, the production promises to present acrobats fashioning vignettes flowing with imaginative visual content.

    Scottish bass-baritone Iain Paterson makes his HGO debut as Wotan, HGO Studio alum, mezzo-soprano Jamie Barton complements him as Fricka with Slovak tenor Stefan Margita as Loge.

    "One of the best kept secrets in the East Coast centric opera world is that Houston possesses one of the great and diverse opera audiences."

    Will there be live elephants? That's the big tongue-in-check question posed when a revival Verdi's Aida (Oct. 18-Nov 9) is staged.

    The production, which features sets and costumes by fashion designer Zandra Rhodes, collaborates with Dominic Walsh Dance Theater to bring to life the grand dance sequences. Opera giants like Dolora Zajick as Amneris and the pride of the Ukraine National Opera, Liudmyla Monastyrska, as Aida sing along more familiar faces of HGO, including baritone Scott Hendricks and conductor Antonino Fogliani.

    Rigoletto (Jan. 24-Feb. 1, 2014) continues the season's Verdian obsession. Rigoletto was performed in 2009 with Albina Shagimuratova, who stole the show, and though rumors infer that she may have been at one point recast as Gilda, the coloratura role remains to be fulfilled. Confirmed are bass-baritone Ryan McKinny as the title character and tenor Stephen Costello as the Duke of Mantua.

    On the lighter side, and aligned with a trend at HGO to mount one or two pop-ish works in the genre, Johann Strauss' Die Fledermaus (Oct. 25-Nov. 10) will be staged in Art Deco-style as envisioned by Australian director Lindy Hume. This charming operetta's cast includes Studio alum Liam Bonner, soprano Wendy Bryn Harmer and the zestful mezzo Susan Graham in drag, singing a trouser role as Prince Orlofsky. A dose of celebrity is added with four-time Grammy Award-winner Anthony Dean Griffey as Alfred.

    Along those gaily flamboyant tunes, fashion icon Isaac Mizrahi designs Stephen Sondheim's A Little Night Music (March 7-23, 2014). Soprano Elizabeth Futral, Studio alum Chad Shelton and mezzo Joyce Castle join in the musical theater fun.

    On a serious note, the North American premiere of Polish-Jewish exiled composer Mieczyslaw Weinberg's The Passenger (Jan. 18-Feb. 2, 2014), a setting based on a novel by Auschwitz survivor Zofia Posmysz, journeys with a former SS officer, Linda, aboard an ocean liner. There, she identifies a concentration camp prisoner. The opera dates back to 1968, though its fully-staged premiere did not occur until 2010 at the Bregenz Festival. South African mezzo Michelle Breedt and Canadian tenor Joseph Kaiser are featured in this poignant, emotional story.

    The world premiere of Ricky Ian Gordon's A Coffin in Egypt (March 14-22, 2014) marks the inaugural commission in a series of operas, and continues HGO's focus on being a catalyst for the creation of new, fresh, contemporary works that speak to audiences today. Frederica Von Stade, whose apparent retirement from the operatic stage didn't last very long, comes back to take on the lead role.

    "This new opera has deep Texas roots," Summers writes in a statement. "It is based on a play of the same name by the renowned Texas writer Horton Foote. Ricky Ian Gordon is a very theatrically driven composer with a style that is perfectly suited to opera."

    The main stage season closes with another new production of an old time favorite. Bizet's Carmen (April 25-May 10, 2014), directed by American director/choreographer Rob Ashford, an on-trend young Broadway director, is set to be a show stopper with talent like Puerto Rican soprano Ana María Martínez, another Studio alum, as the sassy gipsy, tenor Brandon Jovanovich as the love stricken Don José, and bass-baritone Ryan McKinny as Escamillo.

    HGO's community engagement arm, HGOco, carries on the métier of the Song of Houston's East + West initiative with two additional world premieres. The Vietnamese Lunar New Year will be observed with Bound (January 2014) by librettist Bao-Long Chu and composer Huang Ruo. To coincide with the Indian festival of Holi, Jack Perla, whose Courtside premiered in 2011 as part of the same venture, alongside wordsmith Chitra Banerjee Divakaruni, make this the company's 53rd world premiere since 1973.

    ___

    Tickets go on sale 9 p.m. Thursday. Information on Houston Grand Opera subscription and single ticket sales can be found online or by calling 713-228-OPERA (6737).

    Das Rheingold, the prelude opera of Richard Wagner's Der Ring des Nibelungen, sets in motion a four-year to perform the complete cycle.

    Houston Grand Opera, Rheingold
    Photo by Tato Baeza
    Das Rheingold, the prelude opera of Richard Wagner's Der Ring des Nibelungen, sets in motion a four-year to perform the complete cycle.
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    Best April Theater

    The 9 best plays, musicals, and operas to see in Houston this month

    Tarra Gaines
    Apr 2, 2026 | 2:00 pm
    National tour of Six
    Photo by Joan Marcus
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    Houston theater companies seem to be feeling a bit nostalgic as they offer up some timeless and contemporary classics shows for audiences this month. Drama gets political, comedy gets historical, and an array of queens, knights, lunching ladies, and barbers sing. Celebrate the classics, and one world premiere, as theater blossoms across the city this month.

    Brother Andrew at A.D. Players (now through April 26)
    The family friendly and spiritual theater company's latest new work is this musical inspired by the New York Times Bestseller, God's Smuggler. The true story follows a young Dutch man who, after a dramatic conversion, takes on a new calling as Brother Andrew and risks his life to smuggle Bibles behind the iron curtain during the cold war. With music and lyrics by Christian rock star Neal Morse, Brother Andrew becomes an inspirational, thrilling musical, and Houston theater goers can be the first to see it.

    Six presented by Broadway at the Hobby Center (April 7-12)
    Let’s sing out “Yas, Queens!” as six divas take the Hobby stage once more to have (and belt) it out over who had a worst marriage to the king of bad husbands, Henry VIII. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Coincidentally resembling some of the hottest pop stars of our age, the 16th century royals: Catherine, Anne, Jane, Anna, Katherine with aK, and the second Catherine with a C (Henry had a type for names), finally get to tell their own side of the story in this theatrical concert extravaganza. Six is one of those rare musicals that after many years is still going strong on Broadway, but you don’t have book a flight to seek an audiences with the queens, as Broadway at Hobby brings them back to Houston.

    Company from Garden Theatre (April 10-19)
    Garden continues to celebrate its fifth season by remounting some of its audience's favorite shows, and the final musical of the season is no exception. Stephen Sondheim’s exploration of New York marriages through the eyes of a single and singular man, Bobby, also gave us Sondheim fans some of our most adored songs, like “Ladies Who Lunch” and “Being Alive.” Through a series of dinner parties, first dates, and candid conversations, Bobby explores the highs, lows, and absurdities of modern relationships, gaining insight into marriage, commitment, and his own persistent bachelorhood. Garden Theatre’s founding artistic director Logan Vaden, plays Bobby, alongside a cast of Garden regulars.

    The Designated Mourner from Catastrophic Theatre (April 10-25)
    Because of scheduling and production issues, Catastrophic made some changes to its announced season and brought back this contemporary political classic by American playwright and actor Wallace Shawn. Unfolding in a series of monologues and short scenes, three characters, a husband, wife, and her father, talk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country. Now teetering on the edge of authoritarianism, the government has targeted artists and intellectuals for imprisonment and execution. Catastrophic co-founder Jason Nodler, who will direct, says the power of Designated Mourner is that it pushes audiences to reflect on their own beliefs and ideals if confronted by such circumstances. Previous productions have left audiences thinking and questioning long after the final lines.

    Spamalot presented by Theatre Under the Stars (April 15-26)
    Clap your coconut shells together as the revival of the smash Broadway hit clops into Houston. As the original description so honestly stated, Spamalot is lovingly ripped from the film classic, Monty Python and the Holy Grail, but fans know the musical definitely expands on the film.

    Follow King Arthur and his nights of the Round Table on a set of meandering adventures through ancient England, a land full of flying cows, killer rabbits, French taunters, dancing girls, shrubbery, and watery lake tarts dispensing swords. While this revival garnered critical acclaim on Broadway for its new design and staging, the original book, lyrics, and music by Python member Eric Idle still remain, so expect to sing along with knightly songs like “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” and “Find Your Grail.”

    Othello from Classical Theatre Company (April 16-May 2)
    The Houston theater company that specializes in bringing new perspectives to theatrical masterpieces describes its 18th season as “sad plays for sad days.” In keeping with that theme, it brings the always complex and provocative Othello to the DeLuxe stage.

    The play follows the heroic Moorish general in the Venetian army, Othello, whose life is destroyed by his insidious and conniving ensign, Iago. Calling Othello his favorite Shakespeare play, company founder John Johnston finds many parallels between the play and our current political landscape, especially Othello’s blight and Iago’s ability to manipulate others using fear and racism as a wedge.

    Messiah from Houston Grand Opera (April 17-May 3)
    As the music rises to the heavens, the Wortham stage will be filled with images reminiscent of fantastic dreams in this rare staging of Handel’s Messiah, arranged by Mozart, as a full operatic production. Though classical music lovers likely are more accustomed to hearing Handel’s Messiah as a holiday tradition in concert halls, Wilson’s acclaimed production becomes a surreal, transformative experience.

    Performed by the HGO Orchestra and Chorus alongside soprano Ying Fang, countertenor Aryeh Nussbaum Cohen, tenor Benjamin Bliss, and bass-baritone Nicholas Newtona, as well as internationally celebrated dancer Alexis Fousekis, this Messiah production will be one audiences will not soon forget.

    Fences at Alley Theatre (April 17-May 10)
    It’s been some time since the Alley produced a work by August Wilson, one of the great American playwrights of the late 20th century, but this Pulitzer and Tony winner is certainly a momentous one to welcome Wilson’s work back to the Hubbard stage. Fences tells the story of a former baseball player, Troy Maxson, who struggles with the realities of life and the pursuit of happiness. The play explores themes of racial prejudice and unfulfilled dreams, while depicting the challenges of parenthood and the strength and bonds of family when they are tested.

    The Barber of Seville from Houston Grand Opera (April 24-May 10)
    One of the most beloved comic operas, Rossini’s The Barber of Seville gets a colorful and exhilarating new staging created and directed by Joan Font, founding director of the Barcelona-based company Comediants. The opera follows the story of the dashing Count Almaviva, who is captivated by the mysterious Rosina but thwarted in his pursuit by her pompous old guardian, Dr. Bartolo. In order to get close to the cloistered beauty, Almaviva enlists the help of the scheming barber Figaro and his clever tricks, leading to a series of elaborate disguises, intercepted letters, and outrageous mix-ups before true love triumphs at last.

    National tour of Six
    Photo by Joan Marcus

    Broadway at the Hobby Center presents Six.

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