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    a lone starlet

    From Texas to Broadway: a local star shines in her Color Purple homecoming

    Tarra Gaines
    Jan 8, 2018 | 8:35 am

    Never underestimate the power of a good ol Texas high school musical theater production. Adrianna Hicks, the star of the national touring The Color Purple revival, certainly doesn’t because growing up in McKinney, Texas, a school rendition of Guys and Dolls changed the course of her life.

    In The Color Purple musical, Hicks plays Celie, the abused but ultimate survivor female hero first brought to life in Alice Walker’s Pulitzer prize-winning novel. Whoopi Goldberg earned her first Oscar nomination in the Steven Spielberg directed film adaptation. The story was then turned into a musical, a Broadway hit back in 2005, but the 2015, John Doyle directed revival quickly became a critical darling, earning the Tony Award for best musical revival.

    As the national tour of the show heads to Houston, CultureMap caught up with Hicks by phone to learn more about this new version and how she feels coming back to her home state she left more than a decade ago on a journey to Broadway.

    Musical Calling
    As a girl, church choirs gave Hicks a passionate love of music and later she learned to play the flute and joined the school band.

    “I’m very thankful because it helped me to learn to read music, how to join with other instruments and to appreciate the art of classical music,” she explained of her early music experiences, yet only during her sophomore year at McKinney High did she have her theatrical epiphany.

    “Even today I have those images in my mind,” she described of that Guys and Dolls production, the first live musical she remembers seeing. And that show became her revelation that there existed a performing art where music, dance and acting melded into one form. At that moment, she knew: “This is what I want to do.”

    Hicks soon got herself up on that high school stage, playing the butler in Joseph and the Amazing Technicolor Dreamcoat.

    “I had my mini-solo that lasted a couple of bars, a couple of lines. That was it, but I’ll never forget being so nervous,” she confessed, going on to recount her next part, the Sour Kangaroo in Seussical, which she laughingly describes as her first meaty, “character role," and Alice in Big River. She still remembers the joy in having a beautiful solo number.

    In a rather wondrous coincidence, or perhaps performing arts destiny, her senior year also introduced Hicks to the show she now stars in, as the Thespian program at McKinney took seniors to New York for spring break. The final show they saw during the trip: The Color Purple, with the kids even participating in a talkback with some of the actors.

    Broadway Home
    Fast forward a decade to 2015 when Hicks had moved to New York and won a swing role in Broadway revival, playing an understudy for seven of the nine female parts in the show, including Celie, an experience that gave Hicks an intimate understanding of each of those characters’ perspectives.

    That year, a new group of Texas high school students with a love of musical theater came to Broadway for the same spring break program and this time it was Hicks who sat in front of them, giving them guidance and encouragement.

    “It was incredible. I told them: guys I was in your position ten years ago. It’s the show that just keeps on giving,” she said of that very special moment of her musical world coming full circle.

    The New Celie
    Even as she brings inspiration to the next generation of theater kids, she draws insight from the many extraordinary actresses to have played Celie. Still, Hicks believes each performer has added their own uniqueness to the role, and she can do no less.

    “There’s no way I can fill any of these women’s shoes. I’m so honored and humbled that they’ve called me to continue the journey of this character,” she said. “All I have to bring is myself and that’s exactly what they had. I look at that in the sense that all these women could only be true to the essence of who they were and that brought out a different element of Celie. We’re all intricately created beings.”

    This stripped-down production in particular calls on Hicks to bring much of herself. The show goes back to the emotional core of the story, relying on the words, music and performances to reveal the intricacies of the characters. This Color Purple has no elaborate sets, and gives the actors only minimal costume changes and makeup; meanwhile, Hicks must play Celie’s growth and change from an adolescent to middle aged woman.

    “It’s a challenge because in our production you can’t hide behind anything, the set, makeup, costume changes,” she describes, going on to praise director Doyle for helping them trust their bodies to do the work.

    A Journey Full Circle
    All that work earned her a home on Broadway, but now as the star of the touring production, she comes home to Texas.

    Though she must keep to a tight performance schedule through Houston, Dallas and San Antonio, she plans to visit friends and family, especially her mother. She also wants to go back to her high school, where her musical theater journey began, and visit with some of her old teachers.

    “That would be wonderful because they were the ones who helped me get to this point.”

    ---

    The Color Purple runs at the Hobby Center Tuesday, January 9, through Sunday, January 14, 2018.

    Adrianna Hicks and the cast of The Color Purple.

    Adrianna Hicks (Celie) and the North American tour cast of The Color Purple
    Photo by Matthew Murphy
    Adrianna Hicks and the cast of The Color Purple.
    theater
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    Best September Theater

    12 best plays, musicals, and ballets  opening on Houston stages this month

    Tarra Gaines
    Sep 2, 2026 | 10:30 am
    Broadway at the Hobby Center presents The Sound of Music
    Photo by Jeremy Daniel
    Broadway at the Hobby Center presents The Sound of Music

    As this summer’s Odyssey demonstrates, audiences seem ready for new versions of the classics. Houston theater and performing arts companies are giving an ovation to this trend as they begin their daring and dramatic fall seasons. Major award winners, literary masterpieces, and contemporary classics will ignite Houston stages this month from Romeo and Juliet to The Sound of Music to Manon. Houstonians looking for something more recent and edgy will want to see 21st century Pulitzer and Tony winners, plus a cool comedy or two.

    Broadway at the Hobby Center presents The Sound of Music
    Photo by Jeremy Daniel
    Broadway at the Hobby Center presents The Sound of Music

    Collective Rage: A Play in 5 Betties from Mildred’s Umbrella (September 3-19)
    Five women with little in common but their first name, Betty, meet in this contemporary mad comedy from Jen Silverman. And as the Houston theater that focuses on plays about and by women, no company is better to bring the five Betties to life than Mildred’s Umbrella.

    From an affluent New York society woman to a would be actress to the owner of a boxing gym, these five Betties find connection and an outlet for their collective rage by forming a theater collective and staging “Pyramus and Thisbe,” the mini-farce within Shakespeare’s Midsummer Night’s Dream. Yes, this is a play about the making of a play within a play, as Silverman creates comedy by shattering the roles women adhere to.

    Pecos Bill from Houston Ballet (September 11-20)
    Houston Ballet leaps into a new season with three works that illustrate the depth and breadth of the company’s skills. Have some down-home fun with Stanton Welch’s rollicking ballet depicting the adventures of the mythic cowboy, Pecos Bill. The company will also show off its classical expertise with George Balanchine’s elegant and dynamic Symphonie Concertante. For a debut treat, HB will perform celebrated choreographer Lar Lubovitch’s Meadow. While this will be the first time the company dances a Lubovitch piece, HB co-artistic director Julie Kent was in the original cast for its world premiere by the American Ballet.

    Proof from 4th Wall Theatre (September 11-October 3)
    The first of two Tony and Pulitzer double winners on this month's must-see list, Proof was a Broadway hit then film in the early 2000s and since has become a emotional showcase for regional actors around the country. Twenty-five years after its debut, this complex story of family, trust, grief, and genius still resonates. As the play unfolds, the audience meets Catherine, who has given up years of her life to take care of her brilliant mathematician father as he wrestles with mental illness. After his death, Catherine is adrift in the world. Can she find the courage to prove her mental stability to her doubtful sister and her own math genius to one of her father’s former students?

    Cold War Choir Practice at Main Street Theater (September 12-October 11)
    Perhaps this month's most undefinable show, this comedy, with choral music interludes, earned critical acclaim when it debuted off Broadway earlier this year. The play follows the adventures of 10-year-old Meeks, who is not exactly an average girl growing up in the late 80s. Her father is a former Black Panther who now owns a roller rink and her uncle a prominent security advisor in the Reagan administration, with a mysteriously ill, white wife who also might be a cult member.

    With Christmas around the corner, Meeks keeps busy with choir practice and building a bomb shelter in her basement. But with her uncle’s unexpected visit, long-simmering tensions within the family begin to boil and national secrets are in jeopardy, as the world prepares for the disarmament summit between Reagan and Gorbachev.

    The Music Man presented by Theatre Under the Stars (September 15-27)
    Musical lovers just can’t say no to that conman with a heart of gold, Harold Hill, a.k.a the Music Man. Since it first debuted in the 1950s, the feel-good musical seems to get a Broadway revival or tour with regularity. Now, Theatre Under the Stars opens its 2026-27 season by presenting the latest national touring production of the comedy about charming Harold who gets conned himself by small town sincerity and the love of a good librarian. With big dance numbers and songs like "(Ya Got) Trouble,” "Seventy-Six Trombones,” and "Till There Was You,” the show remains one of the great American musicals.

    Amadeus at Rec Room (September 17-October 10)
    After a several months hiatus as it moves from a calendar year season to a fall/spring one, Rec Room is back and celebrating its 10th anniversary with a show that hasn't been performed locally in quite a while. The now classic 20th century play is about the (mostly one-sided) rivalry between composers Antonio Salieri and Wolfgang Amadeus Mozart; it explores themes of creation, jealousy, and the nature of genius.

    As one of Houston’s most intimate spaces, Rec Room has managed to produce epic productions on its small stage thanks to the creative team’s ability to ignite its audiences’ imaginations. Anticipate the same kind of theatrical magic for Amadeus, which the company describes as a “theatrical séance where memory, ritual, and myth converge.”

    Rhinoceros from Catastrophic Theatre (September 18-October 10)
    The blasts from the past continue as Houston’s home for avant garde theater, Catastrophic, revives its hit production of Eugene Ionesco’s epic absurdest play, Rhinoceros. Several of the cast members and creative artists from its last staging in 2017 will return to this story about a small town whose citizens begin to transform one-by-one into destructive rhinoceros until almost no humans are left. Written in the late 1950s, Rhinoceros has some of the markings of a horror film of the time period. Using absurdist imagery, it warns how easily fascism and authoritarianism can rise when people feel the call of the herd. Yet the play still has moments of outrageous dark comedy.

    Purpose at Ensemble Theatre (September 18-October 11)
    The oldest and largest professional African American theatre in the Southwest celebrates its 50th season with one of the most award-winning plays of the last few years. Earning both the Best Play Tony and Pulitzer Prize, Brandon Jacobs-Jenkins’s drama depicts a political prominent family as it gathers together for something of a celebration, homecoming, and bitter going away dinner. The Jasper patriarch was a leader in the Civil Rights movement, but the two adult sons struggle to live up to their father’s legacy, while their mother attempts to keep the family together and family secrets hidden. Meanwhile, an uninvited guest gives the proceedings an outsider's perspective.

    Come From Away at Stages (September 18-October 18)
    The true story of a small town in Newfoundland that rallied together to host thousands of stranded international travelers when planes were grounded world wide on September 11, 2001 made for one of the most poignant and hopeful musicals in decades. It’s been a few years since Come From Away toured nationally, so Houstonians should be looking forward to seeing Stages begin its season with this homegrown production filled with some of the company's best actors.

    While the show has been a hit all over the world that speaks to human connection and kindness even during the greatest of tragedies, it also has some deep Texas roots. Among the many stories the musical sings, one of otheur favorites is the glimpse into the extraordinary life of Texan Beverley Bass, the first female captain at American Airlines.

    Manon from Houston Ballet (September 24-October 4)
    For its second production of the month, Houston Ballet pirouettes from one act dances to Sir Kenneth MacMillan’s lush, romantic tragedy, Manon. With music by French composer Jules Massenethe, the ballet journeys from glamorous parties in Paris to the bayous of Louisiana to recount the doomed love story between the irresistibly beautiful femme fatale, Manon, and impoverished student, Des Grieux.

    Romeo and Juliet at Alley Theatre (September 25-October 11)
    There might not be a dry eye in the Theater District as the Alley also opens its fall season with a romantic tragedy that literally originated the term "star-crossed lovers." The entire Alley resident acting company will take roles in Shakespeare’s wrenching tale of young lovers crushed between their warring families.

    The production also marks the debut of a new initiative between the Alley and the University of Houston that expands the existing MFA in Acting program at the University of Houston by placing third-year acting students in residence at the Alley, working directly with the full-time acting company. For Romeo and Juliet, several of those students will have roles in the ensemble and as understudies.

    The Sound of Music presented by Broadway at the Hobby Center (September 29-October 4)
    Houston's month of classics ends with arguably the most beloved musical of all time, Richard Rodgers and Oscar Hammerstein’s The Sound of Music. This new touring production that celebrates the musical’s 65th anniversary features new direction from three-time Tony Award winner Jack O’Brien (Hairspray).

    Devout Music fans shouldn’t worry, because, while a new generation of actors take on the roles of Maria, Captain von Trapp, and that gaggle of singing von Trapp kids, the story of love, family, and bravery in the face of evil remains the same. Prepare to hum along (quietly) to classics such as “Climb Every Mountain,” “Do-Re-Mi,” “Sixteen Going on Seventeen” and, of course, “The Sound of Music.”

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